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T. S. Eliot's poem 'The love song of J. Alfred Prufrock'; is quite a lengthy poem for the novice poetry reader, which consists of some 130 lines. Yet, it is the poem's mass that enables the rookie to discern the theme at length. In the beginning and later towards the ending of the poem, the narrator seems to be daydreaming, using a lot of imagery to portray fun or pretty places of solitude, which makes the stanzas ambiguous. In the center of the poem the narrator describes his human feelings towards the surrounding people and objects; here is where a logical connection can be grasped. The narrator is preoccupied with the passing of time and often thinks of tranquil, imaginary places to elude his plaguing thoughts of social ostracism. The theme of this poem, suggesting from the era of time and the narrator's tone, is that age is a burden and man is deeply troubled by it. The author is stating the trouble the narrator is having dealing with middle age and the inhibition to communicate. There are several meanings in the poem that suggest this.
Eliot uses the words, 'And how should I begin?'; and 'How should I presume?'; repetitiously. This shows the narrator is unconfident with himself mentally and physically. Lines 41 and 44, '(They will say: 'How his hair is growing thin!';)';, and '(They will say: 'But how his arms and legs are thin!';)'; indicates he is terrified of what will happen if people see his balding head or his slim and aging body. He feels that people will think he is old and useless and that they will talk about him behind his back. Another suggestion of aging and how it anguishes the emotions is the stereotype old men have of faltering when trying to communicate ideas with people. The repetition of words the narrator uses like 'vision and revision';, illustrates his feelings of inadequacy in communicating with the people around him.
Moreover, his insecurity and low self-esteem obscures his love life greatly. It hinders him from doing the things he wishes to do. The woman he is in love with is younger than he is and this is emotionally painful for him. He does not believe that some younger women could possibly accept him or find him attractive. To express any kind of affection or attraction toward her is awkward and difficult for him. Lines 79-80, 'Should I, after tea and cakes and ices, have the strength to force the moment to its crisis?
The most obvious stylistic device used by Eliot is that of personification. She uses this device to create two people from her thoughts on old and new leisure. The fist person is New Leisure, who we can infer to be part of the growth of industry in the 19th century. He is eager and interested in science, politics, and philosophy. He reads exciting novels and leads a hurried life, attempting to do many things at once. Such characteristics help us to create an image of New Leisure as Eliot sees him.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. of the year.
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
T.S. Eliot, The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.
For Eliot, poetic representation of a powerful female presence created difficulty in embodying the male. In order to do so, Eliot avoids envisioning the female, indeed, avoids attaching gender to bodies. We can see this process clearly in "The Love Song of J. Prufrock." The poem circles around not only an unarticulated question, as all readers agree, but also an unenvisioned center, the "one" whom Prufrock addresses. The poem never visualizes the woman with whom Prufrock imagines an encounter except in fragments and in plurals -- eyes, arms, skirts - synecdoches we might well imagine as fetishistic replacements. But even these synecdochic replacements are not clearly engendered. The braceleted arms and the skirts are specifically feminine, but the faces, the hands, the voices, the eyes are not. As if to displace the central human object it does not visualize, the poem projects images of the body onto the landscape (the sky, the streets, the fog), but these images, for all their marked intimation of sexuality, also avoid the designation of gender (the muttering retreats of restless nights, the fog that rubs, licks, and lingers). The most visually precise images in the poem are those of Prufrock himself, a Prufrock carefully composed – "My morning coat, my collar mounting firmly to the chin, / My necktie rich and modest, but asserted by a simple pin" -- only to be decomposed by the watching eyes of another into thin arms and legs, a balding head brought in upon a platter. Moreover, the images associated with Prufrock are themselves, as Pinkney observes, terrifyingly unstable, attributes constituting the identity of the subject at one moment only to be wielded by the objective the next, like the pin that centers his necktie and then pinions him to the wall or the arms that metamorphose into Prufrock's claws. The poem, in these
T.S. Eliot’s poem The Love Song of J. Alfred Prufrock has a plethora of possible interpretations. Many people argue that the poem represents a man who appears to be very introverted person who is contemplating a major decision in his life. This decision is whether or not he will consummate a relationship with someone he appears to have an attraction to or feelings for. People also debate whether or not Prufrock from the poem is typical of people today. While there are a plethora of reasons Prufrock is not typical of people today the main three reasons are he is very reserved, he overthinks most situations and he tries avoid his problems instead of solve them.
A. Eliot is setting a romantic tone in the beginning of stanza one, "when the evening is spread out against the sky." B. "Like a patient etherized upon a table" gives an imagery of sickness and "one night cheap hotels" is the feeling of dirtiness where there is only one night stands in sketchy hotels and as sleep is hard or impossible. C. The third stanza of the "yellow fog" is both threatening and soothing since it's comparing it to a cat looking around but the gas can actually kill you going around that area. As the fog is more of a disgusting playful way.
Of all the poetic devices that Eliot uses, l believe that the tone of voice used is the most important. Throughout the poem, the narrator talks of love and life. The tone of voice emphasizes melancholy in some places, "I know the voices dying with a dying fall beneath the music from a farther room. So how should I presume? confusion in others, "Then how should I begin to spit out all the butt- ends of my days and ways? And how should I presume?
Both Browning and Eliot seek to improve upon the nature of the dramatic monologue. Browning emphasizes structure and a separation between the poet and the character which is reiterated by Eliot’s poem. Browning’s influence on Eliot can be seen by the form and structure of “The Love Song of J. Alfred Prufrock” adding working intrinsically with the theme and subject of the work. However, Eliot deviates slightly from Browning by the portrayal of his characters, and the amount of information that he is willing to share with the reader. The intended message of Browning’s poem is much more apparent than Eliot’s who creates an open ended poem that can be interpreted differently by each reader.
...In "The Waste Land," Eliot delivers an indictment against the self-serving, irresponsibility of modern society, but not without giving us, particularly the youth a message of hope at the end of the Thames River. And in "Ash Wednesday," Eliot finally describes an example of the small, graceful images God gives us as oases in the Waste Land of modern culture. Eliot constantly refers back, in unconsciously, to his childhood responsibilities of the missionary in an unholy world. It is only through close, diligent reading of his poetry that we can come to understand his faithful message of hope.
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.
T.S. Eliot, a notable twentieth century poet, wrote often about the modern man and his incapacity to make decisive movements. In his work entitled, 'The Love Song of J. Alfred Prufrock'; he continues this theme allowing the reader to view the world as he sees it, a world of isolation and fear strangling the will of the modern man. The poem opens with a quoted passage from Dante's Inferno, an allusion to Dante's character who speaks from Hell only because he believes that the listener can not return to earth and thereby is impotent to act on the knowledge of his conversation. In his work, Eliot uses this quotation to foreshadow the idea that his character, Prufrock, is also trapped in a world he can not escape, the world where his own thoughts and feelings incapacitate and isolate him.
...script version of "Gerontion," the old man is abandoned by nature, leaving him in his barren state. There is no hope for these characters to find meaning through nature because it is a force that is completely out of their control. However, by substituting "History" for "Nature" in "Gerontion," Eliot gives an element of hope to an otherwise dismal poem. By recognizing the old man's failure to perceive history in the "living" sense, the reader also recognizes that the perception of history lies in the individual. Unlike nature, man has a controlling influence in history. As long as this is understood, anyone, including the old man, can find belonging in the living sense of history in order to establish meaning in their present world.
Eliot uses mundane and common words, words that are used and heard every day, to replicate the mundanity of ordinary everyday-life. His descriptions would not be perceived to be beautiful and that was his intent. The descriptions of the gloomy, decaying settings and environment are meant to repulse and draw attention to what is wrong with society. “The burnt-out ends of smoky days” and “The showers beat/ On broken blinds and chimney-pots,” create images of a dirty, decaying urban environment.