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Themes in the wife's lament
Themes in the wife's lament
Analysis of the wifes lament
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According to The Broadview Anthology of British Literature, an elegy is defined as a poem which formally mourns the death of a particular person or in which the poet meditates on other serious subjects (BABL 1635). The word choice in title of poem, The Wife’s Lament, immediately sets a somber tone of an Old English elegy. The words “wife’s” and “lament” creates an image of a woman weeping about a serious subject matter. In the opening lines of the poem, the narrative voice states, “I make this song of myself, deeply sorrowing, /my own life’s journey” (1-2). The language in these lines echo a woman who mourns over her life’s choices. For example, the words “deeply sorrowing” describes the agony she endures. As the poem progresses, the narrative voice conveys the hardships she suffers both old and new, but “never worse than now” (4). …show more content…
The voice states, “First my lord left his people /over the tumbling waves; I worried at dawn/where on earth my leader of men might be (6-8). The word choice in these lines paint an image of isolation and loneliness. After her lord leaves her all alone, she worries incessantly about him as he travels by the tumbling waves of the dangerous sea. She worries all day from dawn if he will return and the longing seizes her most miserably (14). Finally, her anguish moves her to set out in sorrow on a friendless exile to find her beloved. As she travels, she begins to reflect and complain about how her “lord commanded me to live in a country” where “I had no love ones or loyal friends which causes me grief” (15-17). Then, she “found that my fitting man was unfortunate” and “filled with grief” (19). The voice continually uses grief-stricken words to evoke a sense of melancholy. The words miserable, grief, and unfortunate create the atmosphere of the setting as well as contribute to the theme of this
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
“The very winds whispered in soothing accents, and maternal nature bade me weep no more” (77).
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
“her head cutting a V through the water and her anxious eyes upon the departing family she considered as her own” (23).
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
“Her father grew worse; her time was more entirely occupied in attending him; her means of subsistence decreased” and when he dies she falls into ill with grief, but fortunately her husband, Alphonse, comes to her rescue: ” He came like a protecting spirit to the poor girl, who committed herself to his care” (Shelley, 1993: 27).... ... middle of paper ... ...
The reader reads in order to feel sorrow for the protagonist in a manner the reader can assimilate. Yet, it seems that the nature of Margaret’s thoughts is inherently dialogic or, to work with Duke’s terms, empathic: neither Margaret nor the reader uses the text in order to solicit pity from the other. What function would a “pity party” serve a reader by herself? To the contra...
During the early seventeenth century, poets were able to mourn the loss of a child publicly by writing elegies, or poems to lament the deceased. Katherine Philips and Ben Jonson were two poets who wrote the popular poems “On the Death of My Dearest Child, Hector Philips”, “On My First Son”, and “On My First Daughter” respectively. Although Philips and Jonson’s elegies contain obvious similarities, the differences between “On the Death of My Dearest Child” and “On My First Son” specifically are pronounced. The emotions displayed in the elegies are very distinct when considering the sex of the poet. The grief shown by a mother and father is a major theme when comparing the approach of mourning in the two elegies.
An elegy is typically a way to honor a person who passes away, although the author of this poem uses this form of expression as an appreciation for his father who is still alive. In this poem, although the father is not dead, the narrator dreads the moment when death will permanently separate them. Hudgins
Mrs. Mallard is an ill woman who is “afflicted with heart trouble” and had to be told very carefully by her sister and husband’s friend that her husband had died (1609). Her illness can be concluded to have been brought upon her by her marriage. She was under a great amount of stress from her unwillingness to be a part of the relationship. Before her marriage, she had a youthful glow, but now “there was a dull stare in her eyes” (1610). Being married to Mr. Mallard stifled the joy of life that she once had. When she realizes the implications of her husband’s death, she exclaims “Free! Body and soul free!” (1610). She feels as though a weight has been lifted off her shoulders and instead of grieving for him, she rejoices for herself. His death is seen as the beginn...
A common feeling when a spouse loses his or her significant other is devastation like Mrs. Mallard initially felt when “she wept at once, with sudden, wild abandonment,” but then she began to feel free (Chopin 236). She expresses her feelings for freedom by repeating the word “Free! Body and soul free!” (237). She was exalting with glee as she came to more of a realization that her husband’s death meant “she would live for herself;” however, right after her celebration, her husband walked in the front door (237). This shocked Mrs. Mallard to the point of death, ending her emotional breakdown.
We trace her struggles with personal grief, a restricted social life, socio-economic decline, and romantic misfortune, a long history of trauma and repression.”(445)
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.