Although Frankenstein by Mary Shelley is not technically a feminist novel, Shelley ever so subtly makes a strong case for the plight of women in a patriarchal society. Speaking from the male point of view, Shelley is able to depict everything that is wrong with society from subservient stereotypes, interpretation of procreation and the demeaning treatment of women as objects. While staying true to the gender roles in the time period, it becomes apparent that not only are men held to a different standard than women, but they are also undeserving. Rather than force her controversial observations down her readers' throats, she stealthily crafts the novel leaving one with a newfound respect and value of women and their role in society.
Although the novel is written by a woman, there are only male narrators leaving the female representation to be from the perspective of male author's in that time period. Staying true to gender roles in the time period, Shelley portrays women as reflections of their male counterparts- as mothers, sisters, daughters or wives- purposefully misrepresenting women to highlight societal flaws. Caroline Beaufort, Elizabeth Lavenza and Margaret Saville are examples of women who's character puts them in a supporting role to their male counterpart.
Caroline Beaufort, Victor's mother, depicts the angelic stereotype women were expected to be: one who places the man's needs, wants and feelings above her own and revolves her whole life around the man's. She is presented to the reader through Victor’s eyes therefore it is not an objective description. He explains how she sets aside her own needs to tend to her father when he is sick. “Her father grew worse; her time was more entirely occupied in attending him; her...
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...n return because they are objects. He gets this idea after observing the DeLacey family from afar and the relationship between Safie and Felix. The monster is drawn to Safie's, “countenance of angelic beauty and expression” (Shelley, 1993: 90) and relates to her contempt for her selfish father. Safie is unlike any other woman in the novel and completely defies all the female stereotypes in the time period. While her role is small, Shelley subtly introduces a strong, independent female with Safie that leaves the monster longing companionship. The monster truly believes that a female counterpart is the answer to his loneliness but does not even consider his future wife's opinion on the matter. Similarly to the monster's blind selfishness, Victor has the same disregard for women when he chooses to destroy the female monster even though he is risking Elizabeth's life.
‘[The] characters and plot of Frankenstein reflect . . . Shelley’s conflicted feelings about the masculine circle which surrounded her.’
Anne K. Mellor focuses on the topic of the role of female in Frankenstein’s patriarchal society in her article “Possessing Nature: The Female in Frankenstein”. Mellor states Frankenstein is a feminist novel which according on Victor Frankenstein’s identification of nature as being female at the beginning. She has repeated that Mary Shelly gives Frankenstein numerous hints of the feminist viewpoint. First, Mellor considers that Shelly’s inspirations were come from her mother’s work, A Vindication of the Rights of Woman, the first feminist treatise. It represents the consequences of “social construction of gender” that the values of man and women are inequality--“the values the male above the female” (274). Next, Mellor says the Frankenstein’s
Mary Shelley depicts the Romantic ideal of inferiority of women in Frankenstein. These ethics can be compared and contrasted with values of today’s society. Shelley had all male narrators to accentuate the belief of male superiority. The female orphans of the story portray the assumption that women are helpless and the lack of letters from Margaret emphasizes the essential worthlessness of a woman’s opinions. Finally, the female presence in the workforce contradicts Romantic ideals, however housewives and male proposals parallel the ideals Shelley uses in Frankenstein. The Romantic ideals that women are secondary to men are expressed throughout Frankenstein as well as in Romantic times and today.
In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence.
Perhaps the most obvious way we can read the novel as a critique of masculinity is the very obvious way in which Shelley develops the male characters more than she does the female. She portrays the male characters as the stronger sex with the female characters seemingly completely dependant on the male, and their whole lives seem to be taken up by the males every move. The female characters in the novel ar every much idealised figures of perfection and passiveness. She portrays women as weak, beautiful, subservient beings who live only for the men in their lives.
Can you imagine Mary Wollstonecraft Shelley's Frankenstein, the great work of literature, without, for example, such female characters as Mrs. Margaret Saville, Elizabeth Lavenza, and Justine Moritz? In this case the novel will have no meaning. All the women help to develop the plot, and without them Frankenstein will lose its spirit. Although these heroines have a lot in common in their characters: they are all strong-willed, kind, careful, and selfless, at the same time, each of them is unique, and each plays her own role in the novel. Mrs. Margaret Saville is the woman to whom the narrator tells the story. Elizabeth Lavenza is the beloved of Victor Frankenstein. Justine Moritz is the heroine who is accused by mistake of murdering William and executed instead of the fiend. There is close connection between the female and male characters, and if we break it, Frankenstein will have no sense. The author of the novel, Mary Wollstonecraft Shelly, characterizes the women in the same way as the men, and shows that they are independent players. So, the female characters in Frankenstein are as important as the male ones.
Although the language throughout the book stays true to its era, many of the ideas and imagery portrayed through it were too chilling to be conceivable in those times. It may have been that because Mary’s mother was the first feminist, Mary felt it was acceptable to ‘rebel’ against society with this terrifying book. It was apparently conceived by a nightmare, and written to win a competition with friends. However, it may have been the rebellious feminist traits in her blood that made her wish for it to be published. Mary Shelley seemed to be quite similar to Frankenstein in many ways.
Shelley’s use of describing Safie going against the passive role of women compared to Caroline, Justine, and Elizabeth symbolizes how women should have the same rights as men, such as getting an education, working in the medical field, and having their voices heard to others. Without the appearance of women in society, the workforce would be cut in half with men working and earning money for a living, and women taking care of children. Therefore, one should not forget that women are the backbone of our society.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
Many women like those in Mary Shelley’s Frankenstein suffer from inequality and oppression. Many women are treated like property and are deprived of rights that men have. The women are murdered and created in Shelley’s novel to represent how quickly women can be replaced. Women are clearly presented in the novel as classless individuals who are forced to comply as submissive beings living under the wing of man, the dominant leader in Frankenstein society.
In total, the female characters are always victimized because of their qualities and gender. In conclusion, by destroying the female characters, Mary Shelly alludes to the idea that women are always in victimized positions in society. In conclusion, most of the female characters are often isolated, victimized and ultimately killed by the male characters. Furthermore, it is rather ironic how Mary Shelly, the daughter Mary Wollestonecraft who wrote the Vindication of the Right of Women chooses to portray women. In this novel, the female characters are the exact opposite of the male characters; they are passive, weak and extremely limited.
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Mary Shelley’s magnificent minor character Justine endures a horrendous death and maintains courage and grace when faced with a daunting trial. The powerful description of this strong young woman magnifies the gross wrongdoings of Victor Frankenstein and belittles his masculinity as he is seen as weak in comparison. Frankenstein is incapable of possessing the qualities inherent to Justine thus supporting the idea of womanly might as a formidable force.Through the representation of Justine’s intense, unwavering courage during her trial and Frankenstein’s absence of masculine bravery and justice, one can see that Shelley’s minor character is an affirmation of the undeniable strength of women.
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,
Since the beginning of human existence, there has always been a stigma on the superiority of man to woman. Most avoid it, mainly stuck in their ways, but a great deal, especially within the last century, of strong willed women have been taking a stand.