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Elegy written in a country churchyard as a pastoral elegy
Elegy written in a country churchyard as a pastoral elegy
Elegy written in a country churchyard as a pastoral elegy
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“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant. In the poem “Elegy Written in a Country Churchyard” Gray is symbolizing death using the method of dubbal entendre. In the opening stanza Gray states, “The curfew tolls the knell of parting day, / The lowing herd wind slowly o’er the lea, / The plowman homeward plods his weary way, / And leaves the world to darkness and to me” (1-4). The speaker is literally observing his surroundings as the day comes to an end, noticing the cows slowly moving to the other side of the mountaintop and a tired plowman making his way home leaving him to contemplate in the darkness. However, the underlying connotation in the first stanza is death which Gray symbolizes with the use of the word “knell”. Knelling is the ringing of a bell at a funeral; therefore, the reader can infer in the first line when Gray states, “The curfew tolls the knell of parting day” (1) is about it bein... ... middle of paper ... ...y were and the lives they lived. He wants to recognize those who would otherwise be insignificant compared to someone of stature. Gray closes out the elegy by speaking of his own death and how his life compares to that of the commoners. He was neither famous nor wealthy and had lived a life of sorrow and misery. In conclusion, Gray’s “Elegy Written in a Country Churchyard” uses symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant to those of greater statures. Works Cited Gray, Thomas. “Elegy Written in a Country Churchyard.” Masters of British Literature, vol. A. Ed. David Damrosch and Kevin J. H. Dettmar. New York: Pearson/Longman, 2008. Print.
Even from the first paragraph, Hurst's use of vocabulary evokes an emotional response to the story line. His word choice as the narrator describes his surrounding and hints to a fatal event that awaits the reader's attention. Hurst uses words and phrases such as “dead autumn,” “rotting brown magnolia,” “graveyard flowers.” The last sentence, “...speaking softly the names of our dead” adds one final melancholy statement (91). The imagery throughout the paragraph helps to imagine an eerie swamp land surrounded by death and depressing memories. This melancholy setting foresha...
This idea of memories being forgotten is when there is a mention of graves being lost in “Elegy for the Native Guard”. This is further reinforced in the line “All the grave markers, all the crude headstones – water-lost.” (44) While the poem does allude to the fact that these graves were destroyed due to natural causes, that of a hurricane, it is still significant. This poem demonstrates that society’s memory is not permanent, it can and will be lost
In the meditation set at the heart of the "Elegy Written in a Country Churchyard," which he completed in 1750, Gray notes that deprivation curtails opportunities for evil as well as for good. Chief amongst these is violent individual ambition, which Gray deplores (in marked contrast to Addison's "Campaign" of 1704, which had celebrated the military success of the Duke of Marlborough):
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
During the early seventeenth century, poets were able to mourn the loss of a child publicly by writing elegies, or poems to lament the deceased. Katherine Philips and Ben Jonson were two poets who wrote the popular poems “On the Death of My Dearest Child, Hector Philips”, “On My First Son”, and “On My First Daughter” respectively. Although Philips and Jonson’s elegies contain obvious similarities, the differences between “On the Death of My Dearest Child” and “On My First Son” specifically are pronounced. The emotions displayed in the elegies are very distinct when considering the sex of the poet. The grief shown by a mother and father is a major theme when comparing the approach of mourning in the two elegies.
Predominantly the poem offers a sense of comfort and wisdom, against the fear and pain associated with death. Bryant shows readers not to agonize over dying, in fact, he writes, "When thoughts of the last bitter hour come like a blight over thy spirit, and sad images of the stern agony, and shroud, and pall, and breathless darkness, and the narrow house, make thee to shudder, and grow sick at heart -- go forth under the open sky, and list to Nature 's teachings." With this it eludes each person face their own death, without fright, to feel isolated and alone in death but to find peace in knowing that every person before had died and all those after will join in death (Krupat and Levine
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
While Thomas Gray's "Elegy Written in a Country Churchyard" overtly deals with the distinction between social class and the opportunity for greatness, the poem also contains a subtle yet strong message against the dominant role of men over women in society. Gray's tone throughout the poem is permeated with regret and a sense of something lost, voicing his opinions clearly against social class prejudice. This emotional tone, when applied to the stereotypical roles of differing sexes discussed throughout the poem, portrays the injustice of inequality between males and females.
Chidiock Tichborne's "Elegy, Written With His Own Hand In the Tower Before His Execution" and William Blake's "To See A World In A Grain Of Sand" contain several fascinating metaphors that produce two impressive verses that capture our imagination. Both of these elegies deal with life and the contrasting ways it surfaces from within the poet's mind. These metaphors (an analogy between two things that give us insight into the unrevealed part) create an image within our minds that maintain our attention throughout the verse.
In Alexander Pope’s poem “Elegy to the Memory of an Unfortunate Lady,” Pope uses a great amount of war-like imagery to enhance his vision of the suicide described. He creates allies and enemies, weapons and invasions, as well as the gruesome death that only seems to come from war. These pieces add to the overall meaning of the work and the vision of the event that has occurred, giving the reader an image of a battle occurring.
The Declaration of Independence contains a snippet about the equality of men; a topic interesting to 18th century authors. The speakers in Gray’s “Elegy Written in a Country Churchyard” and in Goldsmith’s “The Deserted Village” utilize the themes of death and isolation in order to represent the different social classes. Goldsmith’s speaker idealizes and mourns the decay of rural life, while Gray’s speaker equalizes the different classes. . This essay examines the difference between these two depictions and shows how Gray’s use of stylistic features creates a more convincing argument.
Losing a loved one is one of the hardest experiences every person must go through. The experience does not end with the loss though, but begins with it. The loss of a dear person leads those left behind into a downward spiral of emotions and memories. A poem entitled “Lucy Gray” by William Wordsworth focuses on that loss and the emotions that follow it. By reading the poem one can objectively experience both the grief that Lucy Gray’s death brings on but also her parents’ acceptance of her death.
Funeral Blues by W. H. Auden is a short poem that illustrates the emotions that he is dealing with after the love of his life passes away. The tone of this piece evokes feelings that will differ depending on the reader; therefore, the meaning of this poem is not in any way one-dimensional, resulting in inevitable ambiguity . In order to evoke emotion from his audience, Auden uses a series of different poetic devices to express the sadness and despair of losing a loved one. This poem isn’t necessarily about finding meaning or coming to some overwhelming realization, but rather about feeling emotions and understanding the pain that the speaker is experiencing. Through the use of poetic devices such as an elegy, hyperboles, imagery, metaphors, and alliterations as well as end-rhyme, Auden has created a powerful poem that accurately depicts the emotions a person will often feel when the love of their live has passed away.