Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The mood and tone of funeral blues
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Funeral Blues by W. H. Auden is a short poem that illustrates the emotions that he is dealing with after the love of his life passes away. The tone of this piece evokes feelings that will differ depending on the reader; therefore, the meaning of this poem is not in any way one-dimensional, resulting in inevitable ambiguity . In order to evoke emotion from his audience, Auden uses a series of different poetic devices to express the sadness and despair of losing a loved one. This poem isn’t necessarily about finding meaning or coming to some overwhelming realization, but rather about feeling emotions and understanding the pain that the speaker is experiencing. Through the use of poetic devices such as an elegy, hyperboles, imagery, metaphors, and alliterations as well as end-rhyme, Auden has created a powerful poem that accurately depicts the emotions a person will often feel when the love of their live has passed away.
Funeral Blues is a
…show more content…
Toward the end of the poem, Auden begins to use hyperboles to demonstrate how his world feels diminished after the passing of his lover. For instance, when Auden writes, “I thought that love would last for ever,” he is using a hyperbole because at some point we all die so therefore, by logical reason, it is impossible for a love to truly last forever. When Auden later writes, “Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood,” he is expressing how his physical world too may as well be over because he has lost his one true love. In some aspects, he wants nature to heed his grief; “He wants the world to reflect the emptiness within him.” Auden has successfully incorporated the use of hyperboles throughout his poem Funeral Blues to further prove the harsh reality of how it feels for the love of your life to die and to be left with nothing but
“Pass On” written by Michael Lee is a free verse poem informing readers on grief, which is one of the most difficult obstacles to overcome not only when losing a loved one, but also in life itself. “Pass On” successfully developed this topic through the setting of an unknown character who explains his or her experience of grief. Despite Lee never introducing this character, readers are given enough information to know how they are overcoming this difficult obstacle. In fact, this unknown character is most likely the writer himself, indirectly explaining his moments of grief. One important piece of information Lee provides is the fact that he has experienced loss twice, one with his grandfather and the other a friend who was murdered by the
This blues poem discusses an incredibly sensitive topic: the death of Trethewey’s mother, who was murdered by her ex-husband when Trethewey was nineteen. Many of her poetry was inspired by the emotions following this event, and recounting memories made thereafter. “Graveyard Blues” details the funeral for Trethewey’s mother, a somber scene. The flowing words and repetition in the poem allow the reader to move quickly, the three-line stanzas grouping together moments. The poem begins with heavy lament, and the immediate movement of the dead away from the living, “Death stops the body’s work, the soul’s a journeyman [author emphasis]” (Tretheway 8, line 6). Like the epitaph from Wayfaring Stranger, Trethewey indicates that the dead depart the world of the living to some place mysterious, undefined. The living remain, and undertake a different journey, “The road going home was pocked with holes,/ That home-going road’s always full of holes” (Trethewey 8, line 10-11). Trethewey indicates that the mourning is incredibly difficult or “full of holes”, as she leaves the funeral and her mother to return home. ‘Home’ in this poem has become indicative of that which is not Trethewey’s mother, or that which is familiar and comfortable, in vast contrast to the definition of home implied in the
Loss. Grief. Mourning. Anger. Disbelief. Emotions are in abundance when a loved one passes away. People need to find a way to cope with the situations and often need to express themselves by writing their feelings down in order to get them out. This is exactly what Paul Monette does in his book of poetry title “Love Alone” in remembrance of his companion Rog. Through writing his poetry Monette describes his emotions and the events that occurred during Rog’s battle with AIDS. By Monette’s transitioning through different emotions, the reader begins to understand the pain the author is dealt. Touching upon Kubler-Ross’ five stages of death including denial, anger, bargaining, depression and acceptance, Monette transitions to Rog’s decline in health. Using different fonts and no punctuation, the lines are interpreted by the reader using instincts to know when to begin and end a sentence. Evident in the poems “The Very Same”, “The Half-life”, and “Current Status”, Monette gives a description of loss that makes the reader tingle.
Musicologists have dated the ‘birth’ of blues to be around 1890 as a West African tradition involving blue indigo in which mourners at ceremonies would wear blue dyed attires to resemble their suffering . Although, blues derived from times of slavery, the Prohibition Era (1920’s), World War Two (1939-1945), and during the Vietnam War (predominantly 1960’s to 1970’s), it has been a continuously evolved form of music in America, in which the similarities have always remained; melancholy and protest.
Imagine that the person you love most in the world dies. How would you cope with the loss? Death and grieving is an agonizing and inevitable part of life. No one is immune from death’s insidious and frigid grip. Individuals vary in their emotional reactions to loss. There is no right or wrong way to grieve (Huffman, 2012, p.183), it is a melancholy ordeal, but a necessary one (Johnson, 2007). In the following: the five stages of grief, the symptoms of grief, coping with grief, and unusual customs of mourning with particular emphasis on mourning at its most extravagant, during the Victorian era, will all be discussed in this essay (Smith, 2014).
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
Dickey is a mastermind at truly evoking mental images and feedback from the reader through his brilliant writing style. By the end of the poem, the reader has felt as if he or her has ridden on a roller coaster of a keen portrayal of the reality of death, the sentiment felt by those left behind by the dead, and also the power of faith. The ending line of the poem now makes sense to the reader. The son has come down from his father. He has accepted the fact that his father will die and can now be at peace with it.
Funeral do not happen till 2 or more weeks after someone has died. It can even be over a month. This is because they need to get money together to pay for all the food that is needed, plus everyone must be notified. When someone dies the immediate family is told in person and not over the phone. They will call them and tell them to come quickly or tell them that the person is sick. When a woman who is married dies, it is often the job of her in-laws to tell her family that their daughter etc. has passed away.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
...ple. The way that Frost uses body language, shows how distant that the couple is becoming. There are many ways that people can handle grief, this poem is just one way that two people handle their lost. “Home Burial” also gives the “morbidness of death in these remote place; a women unable to take up her life again when her only child has died. The charming idyll” (Robyn V. Young, Editor, 195).
In conclusion, the poem helps you to realize and accept that just like birth is natural, death is a natural process in life. No matter what, death is inevitable. But instead of holding on to the sad memories, you can use the happier memories to cope and deal with the loss of a loved one or family pet. However, you are able to be at peace with the fact that you loved them until the end.
Auden, the poet who wrote “Funeral Blues,” uses hyperbolic and metaphorical language to convey the thoughts of the speaker. The tone throughout the poem is very consistent, as evidenced by the similar themes of the first and last stanzas. The speaker essentially proposes that, due to the death of this man she so dearly loved, all functions of the universe should stop immediately. The third stanza stands out from the other three, though, because it explains what her feelings were toward this man, and why her sorrow was so deep. She also expresses regret in having believed their love would last forever, which may actually reference the demise of the attraction between them, not the death of a man. Nonetheless, there is more than just language that gets the speaker’s point
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.
Losing a loved one is one of the hardest experiences every person must go through. The experience does not end with the loss though, but begins with it. The loss of a dear person leads those left behind into a downward spiral of emotions and memories. A poem entitled “Lucy Gray” by William Wordsworth focuses on that loss and the emotions that follow it. By reading the poem one can objectively experience both the grief that Lucy Gray’s death brings on but also her parents’ acceptance of her death.