Submissive to the to the man, Women in Anglo Saxon culture “endure arranged marriages, abuse and male dominance”(Stelmach). Marriage was mandatory for a women in order to receive their “status and economic security” (Stelmach). A Wife’s Lament expresses the emotions a wife encounters when she loses her husband. The elegiac poem, A Wife’s Lament, displays the female role and how grieving and separation can cause one to shift to a more optimistic outlook. The speaker in A Wife’s Lament expresses her feelings about her grief she experiences from her exile. When her “lord went out away from his people” (6), her anxiety and heartache effectes her psyche and causes her to become uneased . Her desperate actions depict “his power over her” (Brookbanks). She allows her melancholy feelings to control her actions, and sets forth a “friendless exile”(9) to satisfy her “sorrow’s need” (10). The possessive use on “sorrow” personifies how her emotions are shaping her thoughts and influencing her to believe her actions …show more content…
Despite listening to his orders, “the speaker is portrayed as recognising her ability to act against her husband” (Brookbanks) later on in the poem. Living with her husband has made her realize her beloved has concealed his mind for he has murderous thoughts. Her longing heart develops a true reason to grieve now. When they vowed that “death alone would part [them]two/naught else”( 22-23), she realizes he literally meant these exact words. . In addition to dealing with her personal emotions, she endures her husband’s emotions of anger towards her. Their relationship shifts from a loving one to “as if it never were/ [a] friendship” (24-25). All their cherished memories no longer define their relationship. Although not physically separated from her husband in lines 15-26, she suffers from separation from him mentally and
Marriage can be defined as an everlasting bond between two people. Two souls joining to form one. However, sometimes this bond can fade and the love that each person felt for one-another can dissipate and manifest into something uglier and darker than the warmth of love. In Elizabeth Stoddard’s poem The Wife Speaks, the speaker ponders her relationship and wonders what could be done to mend the void in her marriage to make it as it once was. Although the speaker’s current relationship is posing it be a challenge, though the use of a non-traditional structure, vivid imagery, and the emotional tone in this poem, the speaker coveys to the reader that though the sacrifices for marriage, the strive for perfection and the hope that things can get better, love will overcome and the unity with her husband will return.
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
Marriage is an important theme in the stories Their Eyes Were Watching God by Zora Neale Hurston and The Story of an Hour by Kate Chopin. When someone hears the word “marriage”, he thinks of love and protection, but Hurston and Chopin see that differently. According to them, women are trapped in their marriage and they don’t know how to get out of it, so they use language devices to prove their points. Chopin uses personification to show Mrs. Mallard's attitudes towards her husband's death. Louise is mournful in her room alone and she is giving a description of the nature as a scene of her enjoying “the new spring life” and “the delicious breath of rain was in the air” (Chopin1).
This is added to by the fact that she is isolated from others. She lives in “a lonesome-looking place” with poplar trees around it that were also “lonesome-looking.” She has no visitors and does not visit others. This isolation is because of her husbands wishes. So not only does he not provide her with love or affection, he prevents her from getting companionship elsewhere.
Her husband and her were apart a lot, so that even if they had been in a good relationship the time apart would have still caused problems “I believe in out of sight out of mind, rather than, absence makes the heart grow fonder.
This story represents the suffering induced by the isolation. In the time period on which this history was reflected, it was socially tolerable for wives to be
Anglo-Saxon women are objects who are gifts to generate a fragile peace. Bloody combat between men attempting to earn fame embodies the Anglo-Saxon era. But does history include women? No, in fact, most women in the epic poem Beowulf are unworthy of even a name. Men trap women as objects; those who rebel become infamous monsters in society’s eyes. Because Anglo-Saxon men view women as objects, they are unable to control any aspect of their lives--no matter if she is royalty or the lowest of all mothers.
... her true feelings with her sister, or talking to her husband or reaching out to other sources of help to address her marital repressed life, she would not have to dread living with her husband. “It was only yesterday she had thought with a shudder that life might be long” (Chopin 262). Her meaning for life would not have to mean death to her husband. In conclusion, her lack of self assertion, courage and strong will to address her repressed life made her look at life and death in a different perspective. When in fact there is no need to die to experience liberation while she could have lived a full life to experience it with her husband by her side.
Marriage can be seen as a subtle form of oppression, like many things which are dictated by social expectations. In Kate Chopin’s The Story of An Hour, Louise Mallard finds herself in distress due to the event of her husband’s death that makes her question who she is as a person. The author cleverly uses this event to create the right atmosphere for Mrs. Mallard to fight against her own mind. As the short story progresses, we see that Mrs. Mallard moves forward with her new life and finds peace in her decision to live for herself. This shows that marriage too is another chain that holds oneself back. Not wanting to admit this to herself, Louise
Lady Chudleighs’s “To the Ladies” exhibits a remorseful stance on the concept of joining holy matrimony. Chudleigh’s usage of metaphoric context and condescending tone discloses her negative attitude towards the roles of a wife once she is married. It is evident that Mary Chudleigh represents the speaker of the poem and her writing serves a purpose to warn single women not go get married and a regretful choice to women who are.
She would not have grieved over someone she did not love. Even in the heat of her passion, she thinks about her lost love. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked safe with love upon her, fixed and gray and dead. Her love may not have been the greatest love of all time, but it was still love. Marriage was not kind to Mrs. Mallard, her life was dull and not worth living, her face showed the years of repression.
The narrative of each of these texts demonstrate how gender is presented as a main issue in Old and Middle English, although femininity is not necessarily viewed as a weakness. In The Wife’s Lament, the wife expresses her sorrow regarding ‘the misery of exile’ after becoming
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Furthermore, this couple will get divorced because of their opposite thoughts. Men and women are two different species, and sometimes those differences stand in a way of their relationships. It is obvious that the characters in this poem can not find any equilibrium in their feelings. Every action of these characters showed negativity, which predicted their final separation.
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion