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Character development recitatif
An essay on character development
Chemistry
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The Wachowski brothers are best known for their second film The Matrix which ultimately led them down the road of success. Even though Bound, the Wachowski’s film debut, was poorly received, when it first premiered in 1996, it has since gained more fame and recognition. Bound can be hard for swallow for some, especially those who are opposed to homosexuality and those with weak stomachs. However, the film Bound has far more to offer than homosexuality and violence. There are plentiful of reasons that make this film worth watching, these by far, outweigh the reasons as to why people may be opposed to watching it, some of them being, a modern take on the classic film noir figure of the femme fatale, and the rare on screen captured chemistry/connection …show more content…
The Wachowski brother’s do a great job in combining many genres into one film without making it seem like there is too much going on. It is an overall well-balanced film with just the right amount of violence, corny humor, sexual kicks, and well-composed twists. Jennifer Tilly and Gina Gershon are phenomenal in this film, they play their roles so well that some may even believe that they are true lovers off screen. The fact the two have such great chemistry truly adds to the overall experience and make of the movie. Frankly, if Corky’s character would have been played by a man than this film would have not raised anyone’s eyebrows nor would it have been as thrilling. This film is a perfect example of directorial excellence, by taking a classic genre and putting their own very personal spin on it. The Wachowskis took a classic story, and made it their own. It would be boring to see the same film with the same exact story line over and over again. That is why Bound is so marvelous, it stays true to the its original story line that most people appreciate, however, it has a modern and very innovative spin which makes well worth
When the trailer for this film was first introduced to the public, many expected The Matrix to be just another science-fiction film with phenomenal special effects which lacked an intriguing plot. The majority of the reviews definitely put an end to this misconception. Most of the reviews written on this film eloquently complement the Wachowski brothers on their excellent story line. The Biblical references of this film incorporated with the phenomenal cinematography distinguish The Matrix from all other science-fiction films in which the main characters are on a race to save humanity. "The script, written by the Wachowski brothers is intelligent but carefully not geeky."2
In Book VII of The Republic, Plato tells a story entitled "The Allegory Of The Cave." He begins the story by describing a dark underground cave where a group of people are sitting in one long row with their backs to the cave's entrance. Chained to their chairs from an early age, all the humans can see is the distant cave wall in from of them. Their view of reality is soley based upon this limited view of the cave which but is a poor copy of the real world.
The casting of both Leonardo DiCaprio and fresh-faced Claire Danes influence how the film is viewed. Baz Luhrmann is smart in using young, attractive characters to make the adaptation more appealing to a more adolescent
Overall the film was a very informative film for a more homophobic audience. The content was relatable and connected well with the information and discussions that have been within our society for a long time. It was a well-done film that really questions the homophobic opinions and while this is still a very real debate in today’s society the film does a great job at arguing the homophobic opinions.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
In 1996, the Wachowskis wrote and directed the noir crime thriller, Bound. In this film, the directors turned some of the archetypes of film noir on its head. Most notably, the role of women in film. Film theorist, Laura Mulvey, claims that the main role of women in film is to function as a source of pleasure, to be objectified, to be passive and at the command of male fantasy. This relationship of looking and being looked at causes each gender to have a particular presence within film; the male is active and the female is passive (Mulvey, 1975). However, in Bound, the character Violet, who is obviously objectified by the gaze of the male characters, does not hold a passive role within the film itself. Violet is a force that acts upon the narrative, manipulating events and scenes to her favor, along with actively controlling male gaze and using it to her advantage. Film theorist, Tania Modleski argues that there are passive and active roles within films that have connotations with “femininity” and “masculinity”, but these roles do not have to apply to the gender or outward appearance of characters that they align with. Modleski focuses more on the actions, not the outward appearances, of the film
“ They see only their own shadows, or the shadows of one another, which the fire throws on the opposite wall of the cave”(Plato 1). This is from the article “ Allegory of the Cave” and there are oppressors in the story who are hiding the truth from the people who know nothing but what they are taught by them. In the film The Matrix, it shows a man named Neo who gets help from a man from the real world to help him escape. Neo finally sees the truth of the world he was living in and realize it was a lie and a illusion to him and the others who still don 't know the real world. He is being train to fight and go back and defeat the system of the machines who are controlling the people who are blinded. The Matrix parallels Plato “Allegory of the
The purpose of this paper is to expose some of the stereotypes present in the film The Matrix, directed by Andy and Larry Wachowski. In order to accomplish this we shall see that although The Matrix is considered to be a film about rebellion, it contains several stereotypical portrayals, which actually make it a film that supports the status quo. We shall also see that the African American characters in The Matrix (the Oracle, Tank, Dozer, and Morpheus) are all depicted in the stereotypical servant roles. Furthermore, the women (Trinity and Switch) in this film are portrayed stereotypically; that is, they are either reduced to a caring/nurturing role or they simply help make up the background (they do not have a voice). Finally, Morpheus’ initial power and leadership is stripped away leaving him to play the stereotypical supporting and buddy role.
Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, if only for a mere two hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Dystopian themes are not new, and have historically provided a template to gage the course of human existence. The Matrix portrays a society where humans exist without freedom. The film is not only entertaining, but also thought provoking. It paints a world with two different dimensions, one with the mind numbing constraint of technology, the second with endless possibilities and free will. When closely examined, a world very much like today’s. The Matrix uses technology to dominate humankind, by implementing a socially stabilizing virtual reality program, thus warning that humanity’s obsession with technology can weaken the mind.
Fate and freewill remain two ongoing themes in this movie having major significance throughout. The Matrix directed by the Wachowski brother’s developed in 1999, became world famous due to its unique structure and unusual visual effects known as ‘bullet time’ as well as the ‘green tinge’.
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
Film scholar and gender theorist Linda Williams begins her article “Film Bodies: Genre, Gender and Excess,” with an anecdote about a dispute between herself and her son, regarding what is considered “gross,” (727) in films. It is this anecdote that invites her readers to understand the motivations and implications of films that fall under the category of “body” genre, namely, horror films, melodramas, (henceforth referred to as “weepies”) and pornography. Williams explains that, in regards to excess, the constant attempts at “determining where to draw the line,” (727) has inspired her and other theorists alike to question the inspirations, motivations, and implications of these “body genre” films. After her own research and consideration, Williams explains that she believes there is “value in thinking about the form, function, and system of seemingly gratuitous excesses in these three genres,” (728) and she will attempt to prove that these films are excessive on purpose, in order to inspire a collective physical effect on the audience that cannot be experienced when watching other genres.
The Matrix is a science fiction movie about artificial intelligence computers replacing mankind. I believe that this movie is a common type of display from the media is common paranoia so that they can get a reaction from people and sell their story. In the case of The Matrix, the movie dazzles people with awesome special effects using modern computer technology, which I find ironic. I find it self-conflicting and hypocritical for the media to use modern computer technology for their own good to show people how bad technology is. Amy Bruckman and Howard Rheingold would probably find this movie interesting in that it disagrees and agrees with certain aspects about their beliefs about the use of computers.
In the film The Matrix (1999) in the scene “The Two Pills” help characters and relationships are developed and continuation of the films narrative through various components of cinematography and mise-en-scène. Most notable in The Matrix is the use of costuming, sound effects, props, setting and camera movement. Through the use of these techniques the audience becomes more involved in the narrative as Neo meets Morpheus for the first time and is given the opportunity to learn the secrets of the matrix.
Overall, the film isn’t half as epic as Emmerich’s previous. blockbusters or half as entertaining. The dialogues are about as interesting as watching paint dry and the bland characters have about as much depth as a puddle in the street! The storyline isn’t exactly. deep, introspective stuff, either.