The Vicissitudes Of Romance and Love

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Love is not always what one expects it to be. Shock, disillusionment and renewal are sometimes the eventual outcome of relationships gone wrong. Dorothy Parker, Mary Coleridge, and Robert Browning, all demonstrate these common themes, as well as others, through the use of romantic motifs in various tones, in the poems “One Perfect Rose”, “The Poison Flower” and “Porphyria’s Lover.”
In the first poem, Dorothy Parker's "One Perfect Rose", she describes the high expectations the speaker has towards suitors. On the surface this is shown in a materialistic sense; the speaker expresses her apparent discontent with the one “rose” her suitor has brought her because she expected more extravagance. In an article in “ Student Resources in Context” , this meaning is explored. “The rose is depicted as having the suitors love hidden within its petals as well as possessing a certain charm like an amulet would.” (Student Resources in Context) The classic romantic symbolism of the rose is downplayed as the speaker shows her cynical feelings on the somewhat cliche idea of the rose as a representation of love. The consistent iambic pentameter/diameter and repetition of the title, in a certain sense, mirrors the consistency in the way suitors approach her. Her suitors attempts are not unique enough to appease her deep longing to be a bride, to be taken away in a limousine; because they are all the same, not unique enough to take her hand in matrimony. Her desire for something unique is therefore deeper than a mere materialistic longing. The speaker has a grander sense of her self worth and feels that she deserves something much more significant, dignified and durable than that which is offered. The rose suggests impermanence and the fleeting natu...

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...table. “The Poison Flower” shows that the world and people are forever changing and one must learn to adapt. “Porphyria’s Lover” shows that strong emotions can sometimes take on a tragic twist.

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Cheetham, Paul. “Porphyria’s Lover: Paul Cheetham explores the psychological dimensions of Browning’s Dramatic monologue.” The English Review 20.4 (2010): 21+.
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Ross, Catherine. “Browning’s Porphyria's Lover.” The Explicator 60.2 (2002): 68+.
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