Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
They poem analysis
Descriptive essay of italy
Poetry analysis not my business
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: They poem analysis
I am the Shade.
Through the dolent city, I flee.
Through the eternal woe, I take flight.
Along the banks of the river Arno, I scramble, breathless . . . turning left onto Via dei Castellani, making my way northward, huddling in the shadows of the Uffizi.
And still they pursue me.
Their footsteps grow louder now as they hunt with relentless determination.
For years they have pursued me. Their persistence has kept me underground
. . . forced me to live in purgatory . . . laboring beneath the earth like a chthonic monster.
I am the Shade.
Here aboveground, I raise my eyes to the north, but I am unable to find a direct path to salvation . . . for the Apennine Mountains are blotting out the first light of dawn.
I pass behind the palazzo with its crenellated tower and one-handed
…show more content…
. . snaking through the early-morning vendors in Piazza San
Firenze with their hoarse voices smelling of lampredotto and roasted olives. Crossing before the Bargello, I cut west toward the spire of the
Badia and come up hard against the iron gate at the base of the stairs.
Here all hesitation must be left behind.
I turn the handle and step into the passage from which I know there will be no return. I urge my leaden legs up the narrow staircase . . . spiraling skyward on soft marble treads, pitted and worn.
The voices echo from below. Beseeching.
They are behind me, unyielding, closing in.
They do not understand what is coming . . . nor what I have done for them! Ungrateful land!
As I climb, the visions come hard . . . the lustful bodies writhing in
4 Dan Brown fiery rain, the gluttonous souls floating in excrement, the treacherous villains frozen in Satan’s icy grasp.
I climb the final stairs and arrive at the top, staggering near dead into the damp morning air. I rush to the head-high wall, peering through the slits. Far below is the blessed city that I have made my sanctuary
“I’ll be out of here and away from all you knaves for one time anyway, as not a month will pass before you’ll see whether I’m nobody or a somebody.” The story of Bianco Alfani reflected the nature of 14th century Florentine society where, as Alfani remarked, the election to public office could make or destroy a person. In late 14th century and early 15th century Florence, decreased population and expanding commerce provided a favorable environment for ambitious individuals. The real life examples of Buonaccorso Pitti and Gregorio Dati demonstrated the positive role of ambition in Florence. Pitti, a nobleman had an extremely successful career, partaking in military campaigns, holding public office in Florence and being an ambassador to foreign courts. Gregorio Dati, the grandson of purse venders, engaged in commerce, rising in social standing which culminated with his election to public office. Holding office was a definitive sign of success and recognition in Florence. In contrast was the tale Bianco Alfani, a deemed man unworthy of office. As told by Piero Veneziano, Alfani was the chief jailor in Florence who was duped into believing he had been named captain of the town of Norcia. Alfani publicly made a fool of himself, spending all his money and creating a great fanfare over his supposed appointment. Comparing the lives of Pitti and Dati to the story of Bianco Alfani illustrates how economic and social change in 14th century Florence produced a culture centered on reputation and commerce. For men like Pitti and Dati, who flourished within the constraints of Florentine society, their reward was election to office, a public mark of acceptance and social standing. Those who were ambitious but failed to abide by the values o...
Gilbert’s use of imagery emphasizes the wild, vibrant, energetic nature of the city of Naples. It becomes clear that, In Gilbert’s eyes, Naples is a city unlike any other. The author writes, “An anthill inside a rabbit warren, with all the exoctism of a Middle Eastern bazaar and a tough of New Orleans voodoo” (Gilbert 175). This shows
When presenting ‘A Place in Tuscany’ the perspective changes to that of a young man. Compared to the house in Brisbane, more use is made of the conversation and there is a more sophisticated and advanced vocabulary and knowledge of the area. This gives the reader a more adult insight into the area.
Religion provides hope for those who are hopeless. It aims to welcome those who are alienated and feel that their life has no purpose. Religion served the same function in the Middle Ages and Renaissance as it does today. However, religion was embraced more during the Middle Ages by desperate individuals frantically searching for calm and stability in their lives. Religion provided hope for these bleak individuals who lovingly and unquestioningly embraced religion and the church’s teachings. The church controlled every aspect of these people’s lives and had a grip of their minds. “The church had a grip on men’s minds which it is difficult for us to imagine: the strength of the grip was basically Medieval” (Rowdon 159). Far into the cultural and intellectual rebirth in Florence, Giralamo Savonarola used religion to reclaim the minds of the citizens and bring the city back into the Middle Ages.
gave your life, for some reason, collapses. In a religious meaning, I believe it is best described by St. John of the Cross as “the soul’s journey to the divine union of the love of God” (Perrine). The darkness represents the hardships and difficulties the soul meets in detachment from the world and reaching t...
Minnie’s right foot led the way and paused on each step. Like a young child first learning to master the staircase she would wait for her left foot to catch up before leading again with her right. Her feet glided lightly across the wooden steps and only the dust particles felt her movement. She seemed to have a pillow of air floating underneath her. Quite ironically, with each descending stride her body took, her hand would tightly grip the banister until her veins were crushed against her tightened skin with no way out.
Then the fierce spirit painfully endured hardship for a time, he who dwelt in the darkness....
... in that barren hall with its naked stair... rising into the dim upper hallway where an echo spoke which was not mine ut rather that of the lost irrevocable might-have-been which haunts all houses, all enclosed walls erected by human hands, not for shelter, not for warmth, but to hide from the world's curious looking and seeing the dark turnings which the ancient young delusions of pride and hope and ambition (ay, and love too) take.
Through out the story it is as if the narrator is descending a stair well. Each
Crivellari, Domenico, and Maria Da Villa Urbani, eds. Basilica di San Marco. Procuratoria di San Marco Venezia. 2003.
Marshall, L. (1994). Manipulating the sacred: Image and plague in Renaissance Italy. Renaissance Quarterly, 47(3), 485-532. Retrieved from EBSCOhost.
Shearmann, John. Only Connect… Art and the Spectator in the Italian Renaisssance, Washington, D.C.: Princeton University Press, 1992.
Brown, Patricia Fortini. Art and Life In Renaissance Venice. New York, NY: Harry N. Abrams, Inc., 1997.
Harr, James. Essays on Italian Poetry and Music in the Renassisance: 1350-1600. Berkeley: University of California Press, 1986.
...nce, have never showed any signs of stopping. That is the strength of a renaissance; it is not just a period in time or a “thing”, whether tangible or intangible, but rather it is a force that lives of human energy: once set in motion it can never be stopped, so long as a French, Italian, English, (and all the other societies that have undergone a form of renaissance) national stands, there will never be an end to their renaissance. This is the testament to just how incalculably substantial a renaissance is. It is an imprinted philosophy that drives man not only through strife, but also teaches man to be great through the strife, to attain goals and status of recognition; it plays off man’s greatest vices and turns them into metaphysical gold, a searing testament to man’s persistence which, at one point or another, may plague us, but ultimately in the end, drive us.