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Faulkner's major works
Faulkner's major work
Faulkner's major works
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What Might Have Been in Faulkner's Absalom, Absalom!
Emerging from and dwelling within an all-consuming lamentation, the characters of William Faulkner's Absalom, Absalom! enwrap themselves in a world of hurt wherein they cannot or will not release the past. Each comes to know the tragic ends of lingering among an ever-present past while the here and now fades under fretful shadows of days gone by. As the narrative progresses. the major players in this installment of Faulkner's fictional Yoknapatawpha County grow ever more obsessed by what alternative actions different circumstances might have afforded. Trapped in his/her own notions of "what might have been" (115), Miss Rosa Coldfield's wistful, yet indignant exhortation, the historicized characters of Thomas Sutpen and Miss Rosa remain fixated by Antebellum illusions--he in a desperate effort to gain what he could not, she in bitter remembrance of what had never, but might have been.
... in that barren hall with its naked stair... rising into the dim upper hallway where an echo spoke which was not mine ut rather that of the lost irrevocable might-have-been which haunts all houses, all enclosed walls erected by human hands, not for shelter, not for warmth, but to hide from the world's curious looking and seeing the dark turnings which the ancient young delusions of pride and hope and ambition (ay, and love too) take.
--Miss Rosa p. 109, Absalom, Absalom!, William Faulkner
The novel's effective narrative technique of expansion and contraction via a series of interconnected yet ever more distanced recollections, retellings. and speculative reconstructions of the Sutpen-Coldfield-Yoknapatawpha County past offers various perspectives in its chronicle of what might ...
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...th this bright glitter of delusion" (59). From her seat there she sees the "might have been which is more true than truth" (115), as "the single rock we cling to above the maelstrom of unbearable reality" (120).
And so it is... if only...
Works Cited
Edenfield, Olivia Carr. "'Endure and then endure': Rosa Coldfield's Search for a Role in William Faulkner's Absalom, Absalom!" Southern Literary Journal 32 (Fall 1999): 57-68.
Faulkner, William. Absalom, Absalom! New York: Random House, 1936. (Vintage International Edition. November 1990).
Goeffroy, Alain. "Through Rosa's Looking-glass: Narcissism and Identification in Faulkner's Absalom, Absalom!" Mississippi Quarterly 45.3 (Summer 19.92): 313-321.
Ryan, Heberden W. "Behind Closed Doors: The Unknowable and the Unknowing in Absalom, Absalom!" Mississippi Quarterly 45.3 (Summer 1992): 295-312.
...ntity in 'There Was a Queen.'." In Faulkner and Gender: Faulkner and Yoknapatawpha, 1994. Ed. Donald M. Kartiganer and Ann J. Abadie. Jackson: University Press of Mississippi, 1996. 160-180. Rpt. in Short Story Criticism. Ed. Jelena O. Krstovic. Vol. 92. Detroit: Gale, 2006. Literature Resource Center. Web. 2 July 2011.
In many of Faulkner’s stories, he tells about an imaginary county in Mississippi named Yoknapatawpha. He uses this county as the setting for his story “Barn Burning” and it is also thought that the town of Jefferson from “A Rose for Emily” is located in Yoknapatawpha County. The story of a boy’s struggle between being loyal to his family or to his community makes “Barn Burning” exciting and dramatic, but a sense of awkwardness and unpleasantness arrives from the story of how the fictional town of Jefferson discovers that its long time resident, Emily Grierson, has been sleeping with the corpse of her long-dead friend with whom she has had a relationship with.
Richard Cory poems are a traditional type of poetry found all throughout different time periods. The poems range from the original to song variations, all contributing their own perspectives on what Richard Cory symbolized, and each takes their own distinct form. Richard Cory poetry usual contains the distinct ending of Richard Cory taking his own life, but each poem adds its own variations to this repetitive theme. Throughout the poems, there are also many similar themes, which portray a consistent theme of the American Dream and how it transforms. Many symbolic issues that deal with this dream are related to wealth, which is the most prominent reoccurring theme in the two poems. Whereas Robinson's "Richard Cory" focuses on symbolic issues of wealth during an early time period, Paul Simon creates a contemporary "Richard Cory", showing the transformation of the American Dream coinciding with the passage of time.
Toni saw this opportunity to write this particular article into a novel to show people how the days of slavery were and the sacrifices those that had run away would make if they stood a chance to be recaptured. The novel also introduces us to the spirits of the souls that were lost and how they never rested in peace until they finished what they had left behind. Toni really captures the audience’s attention in this particular novel.
Ehrenreich mentions in her article "the Economic Policy Institute recently reviewed dozens of studies of what constitutes a "living wage" and came up with an average figure of $30,000 a year for a family of one adult and two children, which amounts to a wage of $14 an hour" (270.) If this is a living wage then how are people living today. The average minimum wage is much less than $14 and hour today. I agree with Ehrenreich in what she mentions here because my mother never went to college. She depended on my father to live because he was making pretty good money at the time they got married. After being married fifteen years my parents got divorced. My mom was left with two children to take care of all on her own. Being a
Palumbo, Donald. "The Concept of God in Faulkner's "Light in August," "The Sound and the Fury," "As I Lay Dying" and "Absalom, Absalom!"" The South Central Bulletin 39.4 (1979): 142-46. JSTOR. Web. 23 Mar. 2014.
...birds are one of the main symbols. Mockingbirds are innocent they do not harm anyone but makes beautiful music. However, they get killed by people every day. There are many innocent person present in this novel; three main characters that are Tom Robinson, Boo Radley, and Mr. Dolphus Raymond, and they symbolize the Mockingbirds. Tom was a wrongly accused of rape, and he was brutally killed because he was black. Boo Radley did not do any harm to anyone, he was innocent, but people in the Maycomb County were thinking him as a monster which hurt him mentally. Lastly, Mr. Raymond symbolized the Mockingbird because he was innocent, however only because he thought different than others, he was looked down by the people in Maycomb County. Mockingbirds in this novel symbolized the innocent people who are getting wrongly accused and their innocence getting destroyed by evil.
Faulkner, Howard, and Theresa L. Stowell. "Richard Wright." Critical Survey Of Long Fiction, Fourth Edition (2010): 1-9. Literary Reference Center. Web. 5 Mar. 2014.
Brooks, Cleanth. "William Faulkner: Visions of Good and Evil." Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey : Prentice-Hall, 1983.
The Catcher in the Rye, a charming tale of Holden Caulfield, its main character as he finds his way through New York City after once again being expelled from his school. The focus now is at the near end where he enjoys his time with his little sister, Phoebe riding an ordinary carousel within a zoo. A relaxing occurrence, starting from page 232 to 233 in the life of our main character which has become rare after every ordeal he has gone through not so long ago. It’s at this moment he is given reprieve, time to simply think, which lead me to ask myself the meaning of this event. After the spark of curiosity my questions had emerged such as why, and how this one little event could be entangled with the rest of the book. They had bore fruitful
The story opens with Miss Brill's excitement that the "season" has arrived for social engagements; perhaps it is the tourist season when the ladies debut their latest fashions. With all the expectancy of a young girl looking forward to courtship, Miss Brill unpacks her prized and most fashionable possession, the ermine fur. While unpacking the fur, the reader is aware that Miss Brill is lapsing into elderly nostalgia because she speaks to the fur in such delighted tones. Miss Brill refers to her ermine fur as her "Little Rogue"(182). We learn that the ermine fur is fragile and in disrepair; we sense that Miss Brill is, to...
...and realities hidden from the reader. If the reader had been aware of everything from the beginning, there would have been no point at all to the story. Carefully revealing pieces of Miss Brill's character through this point of view illustrated her own passage into a new reality. Keeping the point of view limited to Miss Brill and excluding the thoughts of the other characters kept the reader centered on Miss Brill so that the same realizations could come about simultaneously. The reader, through masterful use of point of view, was able to share a very meaningful experience with the character and go through the same steps that she did to reach the end.
Miss Brill’s character can be described as one of an idealist. The story begins as she prepares herself for her Sunday ritual in which she speaks to herself using words like “sweet” and “dear” (Mansfield 98) to describe her stole, an lifeless object. She also describes the fur as “Little Rogue” (Mansfield 98) with “sad little eyes”(Mansfield 98). One can clearly understand that the stole is an inanimate object, but through Brill’s eyes it is very alive. She even makes mention that the fur asks her, “What is happening to me?” (Mansfield 98). To give life to a fur and refer to it as “sweet” is surely idealizing that animal. Her method of giving importance to minor things like her “special seat” (Mansfield 98) illustrates a sense that she sees the world in a more positive way than her life really is. Brill lacks the companionship she desires thus turning to those everyday items to keep her composure. As Brill returns home she takes her weekly trip to the bakery where she usually stops to pick up a slice of honey cake describing it as “...her Sunday treat...” (Mansfield 101). Brill took joy in the anticipation that “If there was an...
Faulkner's style may give you trouble at first because of (1) his use of long, convoluted, and sometimes ungrammatical sentences, such as the one just quoted; (2) his repetitiveness (for example, the word "bleak" in the sentence just quoted); and (3) his use of oxymorons, that is, combinations of contradictory or incongruous words (for example, "frictionsmooth," "slow and ponderous gallop," "cheerful, testy voice"). People who dislike Faulkner see this style as careless. Yet Faulkner rewrote and revised Light in August many times to get the final book exactly the way he wanted it. His style is a product of thoughtful deliberation, not of haste. Editors sometimes misunderstood Faulkner's intentions and made what they thought were minor changes. Recently scholars have prepared an edition of Light in August that restores the author's original text as exactly as possible. This Book Note is based on that Library of America edition (1985), edited by Noel Polk and Joseph Blotner.
In “Araby” by James Joyce, the author uses several literary elements to convey the multitude of deep meanings within the short story. Three of the most prominent and commonly used by Joyce are the elements of how the themes were developed, the unbounded use of symbolism, and the effectiveness of a particular point of view. Through these three elements Joyce was able to publish his world famous story and allow his literary piece to be understood and criticized by many generations.