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With more than four and half million Italian immigrants arriving to American between the years of 1876-1924, traditions, food, literature and an immense amount of Italian culture was slowly spread nationwide. With that, Italian music was also brought across seas. Music in New York City began developing rapidly during the nineteenth century as the number of immigrants and residents steadily increased. Italian music has become popular genre with many subdivisions. Italian music has also become an influential genre of music on other types of popular music.
The musical performance aspect of my paper was not an issue to complete. If you go to Little Italy, New York on any given weekend, especially around the holiday season or the San Gennaro Festival, musical performers are usually playing on the streets. There are many restaurants in Little Italy, Manhattan that have live entertainment; most of these musical performers will come to your table. When it came to comparing the musical traditions of Italy to the Italian-American performance that I observed, I had a little more trouble. Italian music is such a large topic to delve into–there are so many composers and different types of music that it made it difficult to narrow down my research for this paper. In future research among this community, I would suggest that the student is aware of what type of performance they are going to observe—I was unaware of whether the musician would be a Classical Italian performer or an Italian American performer. In my opinion, most of the performers in Little Italy, Manhattan seems to be Italian-American.
When Italian immigrants came to America, many were not welcomed in the communities of the Germans and Irish. The neighborhoods that the Itali...
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...from opera, Italian folk music, Italian-American, Italian techno, to instrumental classical. As with all music influenced by immigration, Italian music will continue to expand, evolve, and remain a prominent part of American culture.
References
Harr, James. Essays on Italian Poetry and Music in the Renassisance: 1350-1600. Berkeley: University of California Press, 1986.
Jackson, Kenneth T. The Encyclopedia of New York City. 2nd ed. New York City: Yale University Press, 2010.
Rosselli, John. The Life of Verdi. Cambridge: Cambridge University Press, 2000.
"Sicilian Culture: Tarantella Dance." Sicilian Culture. Cristaldi Communications, 23/03/2002. Web. 30 Nov 2011. .
"Similar Artists." Last.fm. Last.fm Ltd, 11/02/2009. Web. 30 Nov 2011. .
Gregorio Dati, Diary, in Gene Brucker (ed), Two Memoirs of Renaissance Florence (Waveland Press, 1991) p. 107
essence of New York and all its nuances in the form of terse observations. Whether
Ellis island brought millions of immigrants to America between the years 1892 and 1954. It is said that 40% of our population today can trace their ancestors to Ellis Island. Many people of many nationalities came to The United States get a chance at having the “American Dream”. Whilst pursuing their dreams, they left their marks on American culture. No one has influenced us so much as the Italians and their way of life.
Atlas, Allan W. Renaissance Music: Music in Western Europe, 1400-1600. New York: W.W. Norton & Company, Inc., 1998.
Ruskin, John. “Grotesque Renaissance.” The Stones of Venice: The Fall. 1853. New York: Garland Publishing, 1979. 112-65. Rpt. in Classical and Medieval Literature Criticism. Ed. Jelena O. Krstovic. Vol. 2. Detroit: Gale Research Company, 1989. 21-2.
...they will not settle for less. Time is wasting. For, “Time which brings us from the lowest condition up to the highest civilization; time, so that we can raise men to a higher plane” (Reading 10, p. 2). Gompers has greater aims, for he wants to better America to keep advancing and creating. Of all of America, Chicago was the fastest growing city because of its railroad factory, which needed unskilled laborers like Italian immigrants. “The production of steel defined industrial Chicago” (Slideshow 7: Italian Immigrants in Chicago). If Italian immigrants were not in New York City, they were in Chicago. Wherever they lived they were experiencing horrifying working environments. In order to understand why these changes in conditions were so necessary between, it is essential to analyze the experiences of pre and post 1880 immigrants, especially that of the Italians.
Daum, Gary. "Chapter 12 The Baroque Era (1600-1750)." Georgetown Prep. 1994. Georgetown University. 12 July 2005 .
Dumenil, Lynn, ed. "New York City." The Oxford Encyclopedia of American Social History. N.p.: Oxford UP, 2012. Oxford Reference. Web. 8 Apr. 2013.
The peasants in the deprived, southern area of Italy and the island of Sicily had little hope of upgrading their lives. Many diseases and natural disasters spread through the area. On top of this, Italy's crumbling government was in no state to come to its people's aid. Word that life in America was soon spreading across the land, and more and more Italians found it difficult to resist the thought of a new and more prosperous life. Italian immigrants began piling in to Ellis Island in New York to take their first steps on U.S. soil in search for a new beginning (The Library of Congress, 2004).
The street balladry of the people who began migrating to America in the early 1600s is considered to be the roots of traditional American music. As the early Jamestown settlers began to spread out into the Carolinas, Tennessee, Kentucky and the Virginias, they composed new songs about day to day like experiences in the new land.
Christmas and Opera did not merely seem to correlate, but understanding where the two events derived from can help one to understand the similarities and differences between them. The development of Christmas was different from the creation of opera because the working class was controlling the other social classes for profit. Whereas for opera, the different social classes unified to keep opera as entertainment and not a social event. Another difference came within the writing and context throughout the article and the presentation of information conveyed by the author. Yet the events share the similarity of both being refined and reinvented.
Influence of Jazz on American Culture Nowadays, many believe that jazz is not that important in the music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world,” quoted Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles. Jazz began affecting American culture from the beginning of its conception.
The 20th century was a century which United States had great influence in the world of music across the globe. America was the birth place of most influential music, from jazz to rock which was promoted by the q7uality of technology like radio and phonographs. Advanced technology ensured fast distribution of music to Americans and all-round the globe. 20th century also brought African Americans and their music culture which was more practiced by slaves. However, even before the African American s came into music, blues music was already evolving leading to development of other genres like country music, jazz to rock and classical music.
Larmann, R., & Shields, M. (2011). Art of Renaissance and Baroque Europe (1400–1750). Gateways to Art (pp. 376-97). New York: W.W. Norton.
From the early civilizations to our modern society music has always been a large part of the world. Enjoyed by many, music also reflected specific cultures and ideas. One style prevalent in the nineteenth century, was known as Romantic music. Though used worldwide each culture interpreted it in their own way. Two cultures, American and European, are great examples of this interpretation.