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African influence on American music
Influence of African Americans on jazz
African influence on American music
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Music was used as a critical instrument in the early 20th century in mobilizing and inspiring the civil rights movement by giving them more voice to bring out their grievances. According to Kerk (2007, p.18) Martin Luther king was the most prolific figure who utilized music to sensitize society, “we believe that freedom songs play a big and vital part in the struggle that we are going through” this words were also echoed by the Albany movement “music keeps us a live, it gives us a sense of unity, new courage every dawn, hope to move on that the future still holds something in our most daring and dreadful hours” Development of Music The 20th century was a century which United States had great influence in the world of music across the globe. America was the birth place of most influential music, from jazz to rock which was promoted by the q7uality of technology like radio and phonographs. Advanced technology ensured fast distribution of music to Americans and all-round the globe. 20th century also brought African Americans and their music culture which was more practiced by slaves. However, even before the African American s came into music, blues music was already evolving leading to development of other genres like country music, jazz to rock and classical music. Soul music came up as a result of rock and roll from the African American gospel, rhythm and blues. As the century grew bands were created like the bubblegum pop band comprised of blacks who created new fusion of R&B and hip hop music that is still embraced till now. Rap music evolved from the Blues, rap music was made up of deep rhythms and autobiographical lyrics. Music nurtured the African American tradition and their struggle towards equality the same cent... ... middle of paper ... ...its songs. Montgomery, Ala: NewSouth Books. Kirk, J. (2007). Martin Luther King, Jr. and the civil rights movement: controversies and debates. Basingstoke New York: Palgrave Macmillan. Monson, I. (2010).Freedom sounds : civil rights call out to jazz and Africa. New York Oxford: Oxford University Press. Menkart, D., Murray, A. & View, J. (2004). Putting the movement back into civil rights teaching: a resource guide for K-12 classrooms. Washington, D.C: Teaching for Change and the Poverty & Race Research Action Council. Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press. Schneider, M. (2002). We return fighting : the civil rights movement in the Jazz Age. Boston: Northeastern University Press Various. (2005). The Civil Rights Movement. City: Morgan Reynolds Pub.
In 1955, C. Vann Woodward published the first edition of his book, The Strange Career of Jim Crow. The book garnered immediate recognition and success with Dr. Martin Luther King Jr. eventually calling it, “the historical Bible of the civil rights movement.” An endorsement like this one from such a prominent and respect figure in American history makes one wonder if they will find anything in the book to criticize or any faults to point out. However, with two subsequent editions of the book, one in August 1965 and another in October 1973—each adding new chapters as the Civil Rights movement progressed—one wonders if Dr. King’s assessment still holds up, if indeed The Strange Career of Jim Crow is still the historical bible of the civil rights movement. In addition, one questions the objectivity of the book considering that it gained endorsements from figures who were promoting a cause and because Woodward had also promoted that same cause.
Everyone that has been through the American school system within the past 20 years knows exactly who Dr. Martin Luther King Jr. is, and exactly what he did to help shape the United States to what it is today. In the beginning of the book, Martin Luther King Jr. Apostle of Militant Nonviolence, by James A. Colaiaco, he states that “this book is not a biography of King, [but] a study of King’s contribution to the black freedom struggle through an analysis and assessment of his nonviolent protest campaigns” (2). Colaiaco discusses the successful protests, rallies, and marches that King put together. . Many students generally only learn of Dr. King’s success, and rarely ever of his failures, but Colaiaco shows of the failures of Dr. King once he started moving farther North.
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
Throughout history, and even today, music has shaped America’s culture, society, and even politics. One of the most outstanding and enduring musical movement has been from African American artists, ranging from bebop to jazz to hip-hop to rap. During the 1920’s , jazz artists stepped into the limelight and began their impact on American and even world history. Louis Armstrong was one of the most influential leaders during the Harlem Renaissance and his jazz legacy and impact of American history is everlasting. A master of his craft, Armstrong and his music heavily influenced America’s white and black populations from the 1920’s and up until his death.
It was no coincidence that rock ‘n’ roll and the civil rights movement started at the same time. The genre originated from African American music and was greatly discriminated against. Traditional white Americans would target anything bad about it. But as the teenager demographic of the 1950s started increasing the sales of the music, the genre started gaining more popularity. It was the style of Elvis Presley and his new voice that made girls weak in the knees and boys want to be him. Artists such as Presley had enough influence to change the view of their devoted fans on civil rights issues. Soon as protest songs and rock ‘n’ roll became more popular and influential, it began a gap between the young adult generation and their parents which led to the rebellion of the civil rights movement. Through these factors rock ‘n’ roll influenced a great deal over the civil rights movement.
Lawson, Steven F., and Charles M. Payne. Debating the Civil Rights Movement, 1945-1968. Lanham: Rowman & Littlefield, 2006. 140. Print.
“American civil rights movement.” Encyclopedia Britannica. Encyclopedia Britannica Online Academic Edition. Encyclopedia Britannica Inc., 2013. .
Levy, Peter B., The Civil RIghts Movement, Greenwood Press, Westport, Connecticut, 1998. Web. 24 June 2015.
Shaw, A., (1986). Black popular music in America: from the spirituals, minstrel and ragtime to soul, disco and hip-hop. New York: Schirmer Books.
These pieces of evidence together conclude that African music has influenced modern music for ages. Since African music is the root of American music, they also have many similarities to one another. From the lively tunes to slow jazz tunes, modern American music has been heavily based off of traditional African music. As more and more people may realize that the roots of African music are in genres such as pop, rock, jazz, and Dixieland, they may change their view of Africa and the inhabitants who live there. Those people may also gain awareness of Africa and may become interested. Even though it may be hard to believe that African music is in modern music, but it exists in our music.
“The civil Rights movement.” Junior Scholastic 8 Feb.2010: T7+. General OneFile. Web 4 Nov. 2013.
Weissman, Dick. (2010). Talkin’ ‘Bout A Revolution: Music and Social Change in America. Blackbeat Books: New York
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf
Swing music – and its predecessor, jazz – is, as famed swing artist Benny Goodman put it, “folk music special to the United States” (Erenberg 65). It is perhaps one of the most “American” genres of music. The very characteristics that define swing music are uniquely “American”; it is lively, promotes freedom of expression (through improvisation), and bursts with seemingly endless optimism. It is energetic, youthful, and most importantly, unifying. As it is formed from a mix of elements from African American, European and American folk music, swing played a crucial part in bringing the issue racial integration to the forefront of the American psyche, especially among the younger population. It is no surprise that swing was so wildly popular – it promised “personal freedom, hope for a better life, and a measure. . . of racial acceptance” (Erenberg 70), which seems an apt remedy for a society suffering from not only widespread unemployment and hardship, but also rampant racism and classism.
There is no American social movement of the 20th century more closely connected to music than the Civil Rights movement of the 1950s and 60s. The movement was a national effort made by African Americans and their supporters to eliminate racial segregation and secure citizenship rights specified in the constitution. African Americans wanted and were fighting to have the same rights as white people. They wanted to be able to eat in the same places, use the same buses, use the same restrooms, use the same water fountains, and have the opportunity to vote without taxes and reading tests. Civil rights activists used nonviolent protests