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Features of trickster narratives
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The trickster archetype includes multiple elements which are evident throughout different tales. These characters show their intent to help others, have a negative quality, and contain a humorous element. Throughout tales, tricksters have a motive and often times, that motive helps others. However, the trickster presents a negative quality while doing whatever necessary to achieve their goal. In addition to the two contradicting elements in which make up the trickster archetype, tricksters contain a humorous element that makes either themselves or others look foolish. The short stories “Coyote Steals Fire”, “Master Cat”, and “How Stories Came to Earth” all prove these elements are essential to the trickster persona. In trickster tales, the …show more content…
In many trickster tales, these traits are obvious and define the trickster. In these tales, each trickster is similar and displays the same type of negative qualities. For example, in the tale “How Stories Came to Earth”, the trickster, Anansi, has good intentions, but while trying to achieve his goals, he possibly injured creatures, lied, was sneaky, and gave up helpless beings to the sky-god in exchange for stories. These negative traits were specifically highlighted when Anansi dug a hole and covered it with leaves so that the vicious leopard would fall and become stuck. Later in the story, Anansi then went on to act like he was going to help him out of the hole, but instead hit him over the head and knocked him out so that he could deliver the tiger to the sky god. Anansi’s negative quality, in this case, is that he lied to and fooled the tiger. Another example of negative and rude qualities are exhibited in the tale “Coyote Steals Fire”. In this tale, Coyote doesn’t necessarily injure anyone but he lies and during the dice game with Thunder, he distracts him, cheats, and alters the score so that he is always winning. Finally, in the tale “Master Cat”, the cat is constantly lying and threatening people. The cat at one point threatened a group of farm workers and demanded that they lie to the king. In many trickster tales, there is a negative part of the main character's personality. In …show more content…
This personality trait unites all tricksters into a similar way of accomplishing their goal, because they all find humor in the events that occur in the story. Aku in “How Stories Came to Earth” reveals this quality in multiple ways, such as whenever he pretends to help the leopard out of his pit. He knows that this was his doing but it does not stop him from fooling around with the poor animal by helping the leopard before revealing how he was the one behind the leopard’s struggle. In the second story, the coyote’s end remark proves the humorous element to this particular trickster. “Don’t gamble. It is not what you do best” (Erdos 45). Even after he had accomplished his end goal, coyote still feels the need to rub it in Thunder’s face in a way that makes him look foolish. In the “Master Cat” story, Puss in Boots makes multiple beings look foolish, but also makes himself look so as well. In this tale, he wears boots and a pouch, which incorporates humor into this cat character, but also furthers his cause. All of the different instances in when humor comes to play is a main part of the trickster
In the short story “The Hunter” the author Richard Stark introduces Parker, the main character of this book. The main character is a rough man, he’s a criminal, a murderer, and even an escaped convict. He’s described as crude and rugged and though women are frightened by him, they want him. Parker is not the classic criminal, but rather he’s intelligent, hard, and cunning. In this story the author carefully appeals to his audience by making a loathsome criminal into a hero, or rather, an anti-hero. The author, Richard Stark uses ethical appeal to make his audience like Parker through the use of phronesis, arête, altruism and lastly the ethos of his audience.
...iam Bradford’s, Of Plymouth Plantation, can be valued as a type of trickster myth. It most certainly has the characteristic of the typical trickster, which are a desire for nonconformity and change. The Pilgrims appetite for religious freedom or “nonconformity” with the national church led to a display of creative intelligence or a “change” in the way of thinking to escape persecution.
A Faustian legend is a story in which a character trades something of great personal value to the devil in order to receive personal gain. Since this type of literature originated in the Fourth Century it has spread throughout the world. Two relatively recent versions of this legend are “The Devil and Tom Walker” by Washington Irving and “The Devil and Daniel Webster” by Vincent Benét. These stories show many similarities as well as a few differences. While both Benét and Irving present similar themes in setting of the tales and motivation in the Faustian character, they do differ in the nature of that character and their visual presentation of the Devil.
Though the king initially represents a joyous man, his physical characteristics and dark humor state otherwise. In fact the narrator makes note of, that for the king “He would have preferred Rabelais’ ‘Gargantua’ to the ‘Zadig’ of Voltaire: and, upon the whole, particle jokes suited his taste far better than verbal ones” (Poe 1).Thus, in accordance to the unknown narrator, the king would fancy laughing at people as opposed to laughing with people. The narrator goes out to even state that the king also has a preference of what type of joke he likes. Instead of enjoying riddles and spoken humor, the king enjoys physically abusive humor. This quote is significant because it gives the reader an idea of how one characters outside role completely differs from their inner darker personality. A King is meant to govern his people, in this case however, the King wishes to oppress for his own pleasure. The Kings main sources of enjoyment were Hop-Frog and Trippetta. Both Hop-Frog and Triplett are described as being helpless and innocent. Hop-Frogs short height only adds to the child-like description given
Many people, no matter their age or background, find the trickster figure to be intriguing. Karl Jung says archetypes surface in cultural and religious literature all over the world because of what he calls the collective unconsciousness, what connects all humans and cultures, so it is not surprising that the trickster is an archetype that surfaces in many stories. Even in our own culture we see depictions of the trickster in characters like Brier Rabbit and Wily Coyote. In this essay I will describe what a trickster is using the information I learned in class and discuss the role of the trickster in Raven and the African and African-American stories we discussed. Even though every trickster is unique to its culture, all tricksters share certain
Everyone remembers the nasty villains that terrorize the happy people in fairy tales. Indeed, many of these fairy tales are defined by their clearly defined good and bad archetypes, using clichéd physical stereotypes. What is noteworthy is that these fairy tales are predominately either old themselves or based on stories of antiquity. Modern stories and epics do not offer these clear definitions; they force the reader to continually redefine the definitions of morality to the hero that is not fully good and the villain that is not so despicable. From Dante’s Inferno, through the winding mental visions in Shakespeare’s Hamlet, spiraling through the labyrinth in Kafka’s The Trial, and culminating in Joyce’s abstract realization of morality in “The Dead,” authors grapple with this development. In the literary progression to the modern world, the increasing abstraction of evil from its classic archetype to a foreign, supernatural entity without bounds or cure is strongly suggestive of the pugnacious assault on individualism in the face of literature’s dualistic, thematically oligopolistic heritage.
Chaucer's Prologue is an introduction to the characters that he will soon be talking about in his short stories. It was written to combat the Italian Buchartio, and write his own version to achieve fame. The reason that the Italian version became so popular is because of how it was written in the Italian of the street people, in other words, it could be understood by the whole of Italy, not just the rich. Chaucer wanted to do the same thing, but came to halt when he was deciding what language to write it in, he thought of Russian and other languages, but soon decided on English. This is extremely important because it is the first time that English has ever been written down, usually it is just a spoken language with no written form. This is why it was so important to the English language that he wrote it specifically in English. Giving the language a written form, sort of. It was a mixture of German of the east and native language from the Anglo Saxons. It is difficult to read, because this is the first time English has been written down, so there wasn’t any set way to spell words, and they were spelled how they sounded phonetically.”Whan that Aprill with his shoures soote The droghte of March Hath Perced to the roote, And bathed every veyne in swich liquor” (Page 97 Lines 1-3). Typically, this meant that the same word was spelled fifty different ways throughout the entire Prologue. Though it is hard to read it is still an excellent story, and has very depth in its characters, which are fully developed and give further detail into the story and make it one of the best stories in English there is today.
McCarthy uses literal and figurative language to describe the thief which creates a sympathetic image of him and positions the reader to pity him. The use of visual imagery in phrases such as "nude and slatlike creature" adds to the thief’s already pitiful image. By comparing the thief to a "creature", McCarthy stirs within the reader the natural compassion and desire to protect animals that humans have. The word “nude” also suggests a v...
To some, tricksters may only be thought of as weak figures from Native American or African American tales who are seeking an objective and find creative ways to outsmart their opponents. However, there are many accounts of people in American literature that can be compared to tricksters. Olaudah Equiano and Phillis Wheatley are two of these people. Both Equiano and Wheatley use their creative abilities in an effort to accomplish a unified goal: abolishment of slavery. In The Interesting Narrative of the Life of Olaudah Equiano, or Gustavas Vassa, the African, Written by Himself, Olaudah Equiano emulates a trickster because he is disadvantaged in comparison to his foes (slave owners), but ends up victorious. Equiano’s actions parallel that of
In Shakespeare’s Macbeth, a selfish Scottish thane becomes over-ambitious and commits several murders in order to gain and stay in power. After the murders, Macbeth evades suspicion by hiding his guilt and intentions, therefore deceiving others into thinking that he is innocent. Other characters including Lady Macbeth, the witches and the Scottish thanes also use their appearances to hide the truth and deceive others. With these examples, Shakespeare shows that appearances can be deceiving.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
“As we speak of Trickster today, you must try to blow life into the image, to imagine Trickster as life energy, to allow Trickster to step out of the verbal photograph we create . . . . Because trickster stories still have power: the power to bring us to laughter, the power to baffle us, the power to make us wonder and think and, like Trickster, just keep going on” (Bright).
An archetype is a human experience or symbol that is universally known and accepted. Archetypes can be images or stories passed on through history. Carl Jung, a prominent psychiatrist in the early 1900’s, used archetypes in his theory about the human psyche and how humans can recognize these symbols because they reside in the collective human subconscious. Some common examples of archetypes are The Hero, The Mentor, The Mother, The Villain and many more. Archetypes like these can be seen in everyday things like books, tv or movies. In The Complete Stories by Zora Neale Hurston there are many different archetypes in each story but three prominent ones are The Trickster, The Devil or Evil, and The Hero. In the novel The Trickster archetype
Children hear the phrase “don’t judge a book by its cover” a great many times as a warning to exercise caution before rushing to judgment, that is, taking what is on the outside as an indication of what is on the inside. They are taught that this is especially true when it comes to people. The concept that looks can be deceiving helps prepare children early for the different masks that people wear. Additionally, the message many times appears to be a one way street. When someone says looks can be deceiving, the message is often interpreted and applied to those who look malicious and evil or perhaps ugly but may have a heart of gold. This ignores that one appearing weak and innocent can be a wolf dressed in sheep’s clothing. This difference in concept of deceitful looks is what sets Angels Carter’s “In the Company of Wolves” apart from the classic “Little Red Riding Hood” by Charles Perrault. The main theme and moral of both stories is the same - that looks can be deceiving. However, each presents the reader with a dichotomy that leads to an interesting juxtaposition in presentation.
Sometimes I try to flatter my mom to get something that I want. I will clean my bedroom, give her necessities, compliment her, or behave well with my siblings. Once my mom feels the love, I slowly ask the question that has been eating at me all day. Then BAM, she falls right into my trap, causing me to walk away like a thug. The theme of my story told is not unlike the theme and tone of “The Fox Outwits the Crow” and “The Fox and the Crow,” for in both those stories share similarities. This essay will compare the relationship between tone and the way the authors develop their theme of not to trust flatterers in both Aesop’s “The Fox and the Crow” and Cleary’s “The Fox Outwits the Crow.”