The Farcical Elements in Taming of the Shrew
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
In Shakespeare's The Taming of the Shrew the elements of farce are exemplified in terms of character, plot, and writing style. The stereotyped characters in The Taming of the Shrew are typical of a farce. Katherina is an outstanding example of a farcical character. Katherina, although stereotyped as a boisterous shrew, can be portrayed as a person needing sympathy due to Baptista's favoritism. The quote, "She is your treasure, she must have a husband: I must dance barefoot on her wedding day…" (A. II S. 1 L. 36-37), makes it obvious that Baptista favors Bianca. In terms of plot, Shakespeare devises the plot to resemble a situation comedy. Although the subplot is more romantic, both the subplot and the main plot revolve around the principle of a favoristic father who is outwitted by his child and her lover.
Thoughtful laughter is a tool that is used in writing and is said to be the “true test of comedy.” There is no true definition of thoughtful laughter, but for the most part, it means how it sounds. A scene portrays that initially ensues laughter, but then gives an understanding of a larger concept. In Shakespeare's comedic plays he often ensues thoughtful laughter in his audience. One scene in which it shows comes from Taming of The Shrew, Act II, Scene 1. In this scene, Katherine and Petruchio engage in a verbal battle, showing Katherine’s true shrewdness and Petruchio’s cunningness, as well as setting the audience up for the rest of Petruchio’s antics.
“The Taming Of The Shrew” by William Shakespeare is a work of satire created to criticize the misogynistic outlooks of the 16th century. With this play, Shakespeare is trying to say that the idea and role of women in his society is deeply flawed and should be fixed, as well as to make other social commentaries, such as on the treatment of servants. Through exaggeration and parody, Shakespeare makes society look silly.
find a wife. "I come to wives it wealthy in Padua; If wealthy, then happily in
In the beginning of “The Taming of the Shrew”, some say Shakespeare portrays Katherina as a very shrewish figure. Others may argue that she is not shrewish but just a very strong willed person. At the end of the play some people say she is transformed into a very kind and gentle person, while again others will argue that she is not “tamed” but just putting on an act to “show up” her younger sister Bianca, whom has always been more beautiful and charming. Kate is “like a wasp, like a foal, like foal that kicks from his halter; pert, quick and determined, but full of good heart.” 1. This statement made by one author, shows clearly that he does not see her as shrew-like, even at the beginning of the play. The same author states that at the end of the play she has not really transformed, rather she has just fallen in love with Petruchio, in essence she is free from torment because she is no longer seen as the shrew.
Taming of the Shrew, had a great story line, which can be related to several movies that exist today i.e. Othello, 10 Things I Hate about You, and The Lion King. In William Shakespeare's play, The Taming of the Shrew, the shrew played by Katherine, had a terrible perspective on life and just about everything else. Her negativity was caused by her younger, more pulchritudinous sister Bianca. Bianca wanted to get espoused. She had all of the men's hearts, Katherine retained none. If Katherine got espoused then Bianca could get espoused. She authentically was a shrew who needed to be tamed.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
Power is the capability of influencing others in their behavior. It all connects to him trying to tame Katherine. He wants to change her behavior and he contains the power of doing this because at the end she respects him more than any other female would respect their husband. Throughout the play, The Taming of the Shrew, by William Shakespeare, Petruchio, Katherine 's husband, contains the power in the relationship because he is able to change her behavior.
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
Shakespeare’s Much Ado about Nothing is, on the surface, a typical romantic comedy with a love-plot that ends in reconciliation and marriage. This surface level conformity to the conventions of the genre, however, conceals a deeper difference that sets Much Ado apart. Unlike Shakespeare’s other romantic comedies, Much Ado about Nothing does not mask class divisions by incorporating them into an idealized community. Instead of concealing or obscuring the problem of social status, the play brings it up explicitly through a minor but important character, Margaret, Hero’s “waiting gentlewoman.” Shakespeare suggests that Margaret is an embodiment of the realistic nature of social class. Despite her ambition, she is unable to move up in hierarchy due to her identity as a maid. Her status, foiling Hero’s rich, protected upbringing, reveals that characters in the play, as well as global citizens, are ultimately oppressed by social relations and social norms despite any ambition to get out.
William Shakespeare's The Taming of the Shrew is an interesting story that demonstrates the patriarchal ideas of how a marriage is suppose to be according to society, what is acceptable of a woman's role in a relationship. It's a story that has many things to show for it's been remade, and remade, even slightly altered to better relate to the teenage audience.
In The Taming of the Shrew, the concept of love is a means of emotional manipulation, and manipulation is nothing more than a means of control between men and women. William Shakespeare critiques the patriarchal social structure by ironically employing the manipulative stance Petruchio takes towards winning Katherine as his wife by charming her with words and manipulating her psychologically, and then taming her after their marriage through legal, physical, financial, and psychological control and manipulation. Though Petruchio may think he yields power over his wife, Katherine uses obedience as a tool of manipulation and has the control of the household, as can be seen by her ironic speech at the end of the play, where she claims women must serve their men. Shakespeare uses the irony of a man using manipulation as a tool for control to magnify the significance of the power women yield through manipulation, thus proving that men and women engage in a power-shifting struggle.
“A Midsummer Night’s Dream” begins as many typical romantic stories. Two people are in love; in this case, Hermia and Lysander. But an obstacle stands in their way; in this case, Hermia’s father who wants Hermia to marry Demetrius. However, this is where this play begins to differ from all others. Shakespeare leads four crossed lovers, Hermia, Helena, Demetrius, and Lysander, through a winding path that somehow magically ends with everyone happily getting married. The pivotal aspect of this play is Shakespeare’s development of the different characters. In the drama enactment; a character’s appearance, personality, and character are used together to help unfold the story. Characters convey many different kinds of information through an art form called characterization. In the play, “A Midsummer Night’s Dream,” William Shakespeare does an exceptional job of describing each of the four young lovers. Each one of the characters was given personality, whether distinct or vague, that set them apart from the other characters in the play. Through the actions of the different antagonists, Shakespeare reveals to the audience the different and distinct aspects of each character, including each character’s physical appearances, personality, and specific traits. One aspect that causes the four characters to differ is their physical appearance. While the author Shakespeare makes the appearance of Lysander and Demetrius having virtually indistinguishable physical and monetary figures, he comparatively makes the appearances of Hermia and Helena quite distinguishable, their names being the only thing that is remotely being similar between the two of them. Hermia’s physical appearance is described as having “blessed and attractive eyes,” (ACT ...
Sly, a drunk beggar, he immediately plots a practical joke to play on him. The
In The Taming of the Shrew, Shakespeare creates humour through his characters by creating false realities (as demonstrated by Petruchio’s behaviour and attire in the scene of his wedding) and by the use of subterfuge and mistaken identity (shown in the final scenes with the transformation of Kate and Bianca’s respective personas). He also uses irony quite extensively, especially towards the end of the play (as can be seen in the final ‘wager’ scene).
of the men who desired Bianca needed somebody to marry Kate, as it was customary