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Recommended: Essays on the tempest
The Tempest was Shakespeare’s final play and as a result has been read many different ways. One character that has sparked discussion among scholars is the original inhabitant of the mystical island, Caliban. I hesitate to describe Caliban because he has been called many things, but Shakespeare certainly intended him to be a savage and a servant of Prospero. Since Caliban was the original inhabitant, many view the interactions between Prospero and him as a representation of conquest and colonization. Aime Cesaire wrote a critique of the The Tempest titled A Tempest, which portrayed Prospero as a slave-owner on a Caribbean island . Aime Cesaire’s A Tempest focuses on Caliban as a black slave, who is treated unjustly by his master, Prospero. …show more content…
The name “Caliban” was given to him and is not his real name. This was common practice in colonial times in order to dehumanize conquered subjects and make them easier for the masters to command. When Prospero and Caliban are arguing Caliban exclaims: “Put it this way: I’m telling you that from now on I won’t answer to the name Caliban...It’s a name given to me by your hatred, and every time it’s spoken it’s an insult.” Caliban realizes the derogatory position that Prospero is trying to put him in and decides to protest. Cesaire wants to show the reader the pride that conquered peoples had in their culture. They were not ready to submit to European colonizers easily and were going to fight them every step of the way because of their unjust treatment. Of course, Prospero responds to further try to delegitimize Caliban’s argument: “I’ve got to call you something. What will it be? Cannibal would suit you, but I’m sure you wouldn’t like that would you. Let’s see...what about Hannibal? That fits. And why not...they all seem to like historical names.” He first taunts him by threatening to call him Cannibal. In Adolphus William Ward’s A History of English Dramatic Language, he states that “Caliban is indisputably a metathesis of Canibal (i.e Caribee) which is the Spanish word for the Carib people. Naming an entire group of people after cannibals make them seem like the “other” and create a dichotomy, which in the seventeenth-century European world is the clash between the orient and the occident. Cesaire brings to light the entrenched beliefs that that natives were of a lower class by not only showing that they were named by the colonizers, but also that they were named derogatorily. Secondly, the part about liking “historical” things serves to further demean Caliban because the word “historical” in this context does not mean related to history, but rather means something
Even Miranda, Prospero’s daughter, speaks in a way that categorizes Caliban as an uneducated and uncivilized savage. “I pitied thee, Took pains to make thee speak, taught thee each hour […] When thou didst not, savage, know thine own meaning […]” (1.2.356-359) Miranda doesn’t stop there; she continues labeling Caliban, “But thy vile race, though thou didst learn, had that in’t which good natures could not abide to be with; therefore wast though deservedly confined into this rock […]” (1.2.361-364). Exactly this kind of discourse turns Caliban into a subject. If Caliban had not been alone on the island, then Prospero and Miranda would have categorized a whole group of human beings rather than just one.
Another way that the treatment of Caliban by Prospero is similar to the treatment of Native Americans by the Europeans is the adaptation of the language. When the Europeans came to the New World they forced the Native Americans to learn their languages and live according to the European culture. People who had spoken one language all their lives, now had to learn another. They had to live by customs they have never heard of even before. In the Tempest, Prospero does this also. When Prospero came to the island he forced Caliban to learn the language that he spoke. Caliban had to adapt to a style of living that he had never experienced before. Caliban had to change completely to adapt to the life forced upon him.
We can clearly sense Caliban's resentment of what he sees as a colonial occupation of his island. The story of his upbringing is not so simple, however. It seems that when Prospero and his infant daughter arrived on the island twelve years before, Caliban was an orphan, his mother having died. This is not entirely clear: in conversation with Ariel (formerly Sycorax's spirit) Prospero recalls the 'blue eyed hag', 'The foul witch Sycorax, who with age and envy, Was grown into a hoop' (1.2.258-259), but it is not clear wheth...
And blister you all o'er! " The audience warms to this disrespectful rebuke. Caliban the underdog is threatening the authoritative Prospero with no power to carry out his curses. His bravado and disrespect in the face of such authority first surprises then amuses the audience. Prospero gives reason for hi... ...
During the first encounter, Caliban comes across very bestial and immoral. While approaching Caliban’s cave, Prospero derogatorily says, "…[he] never/Yields us kind answer," meaning Caliban never answers respectfully. When Prospero reaches the cave, he calls to Caliban. Caliban abruptly responds, "There’s wood enough within." His short, snappy reply and his odious tone, reveal the bitterness he feels from leading a servile life. Caliban’s rudeness makes him seem like an unworthy and despicable slave. Also, Caliban displays an extreme anger toward Prospero. When Caliban is asked to come forth he speaks corruptly, "As wicked dew as e’er my mother brushed/With raven’s feather from unwholesome fen/Drop on you both!…And blister you all o’er!" Caliban’s attitude and disrespect is unfitting for a servant. However, his actions are justified.
Caliban is, of course, the "salvage and deformed slave" of Shakespeare's dramatis personae in The Tempest, son of the deceased witch Sycorax, servant of the mage Prospero, consort of and bootlicker for Stephano and Trinculo, failed plotters and drunken buffoons. "As disproportion'd in his manners / As in his shape" (V.i.290-1), he has tried to ravish Prospero's daughter Miranda before being exiled to his cave, and in the course of the play attempts to overthrow Prospero himself and install Stephano on the throne of the island. At last, though, Duke Prospero comes to pardon even Caliban -- "This thing of darkness I / acknowledge mine" (V.i.275-6), and his drudge promises to "be wise hereafter, / and seek for grace" (V.i.294-5) or favor with his master.
Caliban’s initial attempt to defy Prospero’s power via a verbal curse actually gives Prospero more authority as master in that the curse acknowledges the duke’s ultimate power. Caliban begins his speech with the vengeful request that all the evil "infections"(2.2.1) under the sun "fall"(2.2.2) upon the "tyrant"(2.2.160) Prospero. While Caliban wishes for Prospero to be so harmed by sickness, the slave does not have the power to make this happen. Instead, he must request that these evils "fall"(2.2.2) of their own accord upon Prospero. Caliban’s lack of authority because of his condition as a slave is immediately contrasted to that...
Prospero and Miranda were exiled from their homeland and forced to flee. Caliban is the only being on the island they find themselves in. Similar to how the Native Americans treated the colonists when they first arrived to the Americans, Caliban is kind and respectful to Prospero. He teaches Prospero about the island and Prospero
When Caliban is first introduced in the play it is as an animal, a lazy beast that tried to rape Prospero’s daughter, Miranda. Prospero wastes no time referring to him as, “Thou poisonous slave, got by the de...
This means that from a modern perspective, Prospero’s treatment of Caliban makes him a monster, due to the cruelty of his actions. The human want of justice, however, can justify the poor treatment of Caliban by Prospero, given that his status as slave is a punishment for the attempted rape of Prospero’s daughter. In this way, Prospero is not a monster, only a man seeking justice for a perceived wrong. Stephano and Trinculo are ignorant to the evils that make Caliban a monster independent of his appearance, making their actions towards Caliban inexcusable. Upon seeing Caliban, Trinculo states, “Were I in England now… and had but [Caliban] painted, not a holiday-fool there but would give a piece of silver.” (Act 2, Scene 2). Trinculo jests about the worth of Caliban, as if he were no more than a strange creature to take and sell. Stephano is no different in his first appraisal of Caliban, “If I can recover him, and keep him tame, and get to Naples with him, he’s a present for any emperor…” (Act 2, Scene 2). Stephano, like Trinculo, plans to take Caliban away from his native Isle and sell him for a profit. This assessment of his worth comes from little more than a first glance at his person, selling a person for material gain is an act of evil, and considering it as seriously as both Trinculo and Stephano did, makes them not so much men as monsters. This assessment, however, is a product of modern perspective, and it puts into question the intentions of Shakespeare as to the portrayal of these three characters. In an earlier Shakespearean text, Macbeth, the character that exemplifies man, Macduff, says to Macbeth, “We’ll have thee, as our rarer monsters are, painted on a pole, and underwrit, ‘Here may you see the tyrant.’” (Act 5, Scene 8) This shows that the displaying of monsters as exhibits is not rare, and nor is it frowned upon by the general public. This would mean that perspectives of
He is a poetic paradigm. When performed properly, he can take an audience from tears of laughter to tears of sorrow within a few paragraphs. Caliban is an actor’s dream, a scholar’s vision. Sighted as being both the missing link, but also portrayed in adaptations as more human than Prospero, Caliban is commentary, character and caricature. However, there is a question that plagues authors, directors, actors, and stressed out, indignant English professors: What is Caliban?
Prospero appears to be a ruthless tyrant that strikes fear into Caliban to make him work but further on in the text we learn that this is not the case. Caliban's foul-mouthed insults,
...epresents every person that has been colonized by Europe, and their attempt to civilize the savages. Their method of civilizing and to maintain a firm grip on their savage labourers was language. It was their means to communicate and control the people who they didn’t consider as themselves and a means to discriminate against it. This is reason why Caliban resists and rebels against Prospero and disparage the language he has been taught. To him it is the loss of freedom and the agency through which he is being discriminated against.
Caliban whom we are told is “not honour’d with a human shape,” (1.2.419) is the son of Sycorax who inhabited the island Prospero was banished to. After the death of his mother, Sycorax, Caliban falls under the rule of Prospero and becomes one his servants. Caliban is very different from Ariel in the fact that while Ariel is pleased to serve under Prospero’s rule, Caliban is not. In fact, we find out that Caliban is far from happy to be Prospero’s servant and even plots with two other men to end Prospero’s life. As we discussed in class Caliban is also more of an angry individual than what Ariel seems to be and this comes from the fact that Caliban believes he is the rightful king of the island and that Prospero had robbed him of what was his, which we find out when he says that he is “subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island” (3.2.40-41). Ariel, who we are told in act one, scene two was the old servant of Caliban’s mother Syco...
Prospero begins by attacking Caliban’s appearance. He then states that he would educate Caliban and would treat him as a human until Caliban tried to rape Miranda. Prospero explains that he is not the one who is evil. In his assessment of himself, Prospero believes he is kind and did his best to educate Caliban. Prospero believes it is Caliban’s savage nature that does not allow Caliban to conform to a civilized society.