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Shakespeare's representation of Caliban evokes strong feelings
How does shakespeare present the character of caliban in the whole play
How does shakespeare present the character of caliban in the whole play
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Sesame Street’s Big Bird and Shakespeare’s Caliban
“Caliban...takes shape beneath the arc of wonder that moves throughout the play between “creatures” and “mankind,” between animate beings in general and their realization in the form of humanity. Is he man or fish? creature or person?" (Lupton, 3).
“Although in The Tempest the word creature appears nowhere in conjunction with Caliban himself, his character is everywhere hedged in and held up by the politic-theological category of the creaturely" (Lupton, 3).
"A freckled whelp, hag-born " (1.2.285).
"Legged like a man, and his fins like arms! " (2.2.31-32).
"I shall laugh myself to death at this puppy-headed monster" (2.2.146-147).
"A howling monster, a drunken monster" (2.2.179).
"This is as strange thing as e’er I looked on" (5.1.292-293).
"He is as disproportioned in his manners /As in his shape" (5.1.294-295).
He is a poetic paradigm. When performed properly, he can take an audience from tears of laughter to tears of sorrow within a few paragraphs. Caliban is an actor’s dream, a scholar’s vision. Sighted as being both the missing link, but also portrayed in adaptations as more human than Prospero, Caliban is commentary, character and caricature. However, there is a question that plagues authors, directors, actors, and stressed out, indignant English professors: What is Caliban?
Many books, articles, updates, adaptations, and arguments tackle this question. Together we will confront these demons, I will lead you down a path, present arguments, ideas, my own bias, but in the end leave you to answer the daunting question of Shakespeare’s man-monster:
Four pictures taken from different productions and different collections of The Tempest illustrate how diverse Caliban is. Each one has a unique view of who or, more precisely, what Caliban is. They progress in an order, from pure beast, through something less to someone almost resembling a man. The pictures lead us on a progression from something entirely bestial to something else entirely.
The first image demonstrates the best description of Caliban, a creature that slightly resembles a man and slightly does not. Throughout Shakespeare's text, no character refers to Caliban as a man. The other characters describe him as the indescribable. As Alonso says, "This is a strange thing as e'er I / looked on (5.1.292-293)."
One of the most common terms used in The Tempest to acknowledge Caliban is moon-calf. The Oxford English Dictionary defines moon-calf as "A misshapen birth, a monstrosity.
Even Miranda, Prospero’s daughter, speaks in a way that categorizes Caliban as an uneducated and uncivilized savage. “I pitied thee, Took pains to make thee speak, taught thee each hour […] When thou didst not, savage, know thine own meaning […]” (1.2.356-359) Miranda doesn’t stop there; she continues labeling Caliban, “But thy vile race, though thou didst learn, had that in’t which good natures could not abide to be with; therefore wast though deservedly confined into this rock […]” (1.2.361-364). Exactly this kind of discourse turns Caliban into a subject. If Caliban had not been alone on the island, then Prospero and Miranda would have categorized a whole group of human beings rather than just one.
Some method such as audits, chart reviews, computer monitoring, incident report, bar codes and direct patient observation can improve and decrease medication errors. Regular audits can help patient’s care and reeducate nurses in the work field to new practices. Also reporting of medication errors can help with data comparison and is a learning experience for everyone. Other avenues that has been implemented are computerized physician order entry systems or electronic prescribing (a process of electronic entry of a doctor’s instructions for the treatment of patients under his/her care which communicates these orders over a computer network to other staff or departments) responsible for fulfilling the order, and ward pharmacists can be more diligence on the prescription stage of the medication pathway. A random survey was done in hospital pharmacies on medication error documentation and actions taken against pharmacists involved. A total of 500 hospital were selected in the United States. Data collected on the number of medication error reported, what types of errors were documented and the hospital demographics. The response rate was a total of 28%. Practically, all of the hospitals had policies and procedures in place for reporting medication errors.
Agyemang, REO, and A While. "Medication errors: types, causes and impact on nursing practice." British Journal of Nursing (BJN) 19.6 (2010): 380-385. CINAHL Plus with Full Text. EBSCO. Web. 7 Mar. 2011.
Caliban is rude, crude, ugly and lazy. Speaking in a psychoanalytic manner, Caliban is going to be remembered as bitter and obsessed with sex. This sexual desire is going to be coincided first with thoughts of his mutation-- a feeling of inadequacy-- and then more significantly with the absence of his mother. That he had no parents on which to form an Oedipal complex and knows only who his mother was (nothing is mentioned of his father) makes for interesting observations on how he deals with sexuality. We learn that he does not deny that Prospero is the only barrier between him and the rape of Miranda. It is clear that he has developed only so far as Freud’s theory of id, with small touches of the superego. Caliban’s development of the superego is evident only when he does not wish to receive Prospero’s pinches and cramps. He is otherwise all for anything that will bring him pleasure. Being free of Prospero, fulfilling his sexual desires with Miranda and drinking liquor are all on his menu.
During the course of the play The Tempest, the psychoanalytical criticism can be applied while reading these scenes. As Freud argues that all humans have a dark side to them, we tend to hide this side of us as we get older. This can be shown by the character, Caliban with his uncontrolled side, which is reflected as the dark side in a human. Caliban is seen to be the superego in the play, which is evident when he does not wish to receive Prospero’s physical punishments. Despite the punishments he receives, his desires fail to remain within him. Caliban is also missing his mother in this play, which leads him to feel inadequate. Prospero is one of the only obstacles between him and Miranda. Prospero’s desire for power and control over the characters in the play, shows Freud’s theory coming into play, if one craves power, it is possible because one has lacked in its childhood.
Caliban is the id, the one who seeks instant gratification and has no concern for morality. Everyone has a love-hate relationship with the id because it is the part of the psyche that seeks biological necessities, however, it is also the part which can create socially unacceptable impulses. Prospero and Caliban initially had a loving relationship with each other; the relationship with the id is fostered because of biological needs. Prospero is forming a strong connection with the id but it takes over when Caliban “didst seek to violate / the honour of [Prospero's] child” (1.2. 347-348). Caliban acts based on the biological necessity of reproduction and this parallels the socially unacceptable circumstances that occur when one lets the id take control in one’s life. The ego must counteract this impulsive behaviour; Prospero decides to cage Caliban to prevent him from acting impulsively again. However, completely abolishing the id is never an option. The id is the embodiment of biological necessity thus it is impossible to live without it. This idea is paralleled in The Tempest because Prospero cannot simply rid himself of Caliban, the one who provides the food and wood which sustains life. This is a visual representation of the necessity of the id in the human psyche. This love-hate relationship between Prospero and Caliban exemplifies the dangers
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
Tzeng, H., Yin, C., & Schneider, T. E. (2013). Medication Error-Related Issues In Nursing Practice. MEDSURG Nursing, 22(1), 13-50.
In trying to benefit himself by breaking free of slavery, Caliban instead benefits the very practice he so despises. Slavery exerts its power in every aspect of Caliban’s life. In his speech, in his actions, in his thoughts, and even in his attempts to break free of slavery, Caliban cannot escape the powerful effects of subjugation. Caliban does not succeed in breaking the cycle of slavery. Its power and tendency to perpetuate itself are too great. Instead, the slave’s attempt to end his servitude actually propagates rather than abolishes the practice of slavery.
O’Shea, E (1999) Factors contributing to medication errors: a literature review. Journal of Clinical Nursing. 8, 5,496-503.
Medication errors are among the biggest issues in health care settings today. The effect of managed care is one of the causative factors. The need to contain costs has invariably doubled the nurses' workload making them less efficient as caregivers. Example of problem is the high incidence of medication errors. Nurses' workload has increased tremendously regardless of the fact that most of these patients are of great acuity, thereby predisposing them to a greater risk of medication errors.
They are the best. In this paper I hope to give examples of animals imagery used in “Othello” that assist in explaining the story. play. I will be there. The specific examples I present will describe a character either as seen by himself or by a fellow.
One way in which Caliban shows he may be just a savage is through his
respectable. The pair are hungry for power unlike Caliban who also plots to murder, yet he believes riches and wealth are worthless. By Comparing them to him, we realise that Caliban is named ‘uncivilised’ has far more understandable reason to act the way he does.... ... middle of paper ... ...leeway that being brother of the king gives Sebastian would not have. been great in Shakespeare’s time as the monarch was used to very.
I was also responsible for monitoring medication orders and reviewing patient profiles to ensure that the proper drugs and dosages were prescribed and that the pharmacy technician had prepared them properly. In many instances there were mistakes made in the preparation phase and sometimes even before, with incorrect dosages or drugs being prescribed and prepared, which could result in serious adverse effects for the patient. A clinical pharmacist’s role, however, is to make sure that these mistakes never reach the