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The use of language in the tempest
An essay about The Tempest
The use of language in the tempest
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William Shakespeare's The Tempest
‘The Tempest’ was Shakespeare’s last major play and is partly based on
a true story about a ship called ‘The Seaventure’ which set sail for
America in 1609. However, the ship was blown off course by a storm and
ended up in Bermuda. This was the time when people were just beginning
to explore the world and Bermuda was thought to be inhabited by
spirits, demons and monsters. Shakespeare used the disaster of ‘The
Seaventure’ as a starting point for his play and incorporated the
beliefs of the people in his play.
‘The Tempest’ explores the 17th Century myths and colonisation.
Caliban is a character in the play and resembles both of these ideas,
he represents the new ethnic groups, with his mother being a witch and
worshipping a Patagonian God, which also resembles new religion.
Caliban also represents the way natives were treated; he is treated
badly throughout the play. This represents the way natives were
treated by the conquering. Westerners. This essay will explore how
Shakespeare presents Caliban and whether he is merely just a savage or
whether he is a noble savage.
One way in which Caliban shows he may be just a savage is through his
poor response to education. He tells Miranda that his only “profit”
from his learning is that he “know(s) how to curse.” Caliban sees no
useful point in an education. This contrasts to the ‘civilised’ idea
that an education is an important part of life to a person. Another
way in which Caliban shows he may be just a savage is through his
attempt to rape Miranda. Prospero says to Caliban “thou didst seek to
violate the honour of my child.” Civilised people wou...
... middle of paper ...
...ic speeches, such as his “isle is
full of noises” speech shows that he has learned to use language
properly and that he knows when and how to use it correctly and this
shows that Caliban may have aspects of nobility within him.
To conclude, there is no easy answer to the question as to whether
Caliban is a noble savage or just a savage. Caliban shows aspects of
savagery, with his attempt to rape Miranda and the fact that he curses
a lot. He also shows that he is noble through his poetic speeches and
self-awareness. I don’t think Shakespeare makes it simple to chose
between the two types of savage because he is trying to say that
although foreigners seem like bad people, on the inside they are
actually nice people that are noble. In my opinion I think that
Caliban is a savage but also shows some aspects of nobility.
Secondly in The Tempest, Caliban has a barbaric nature because of his ranking in the g...
Even Miranda, Prospero’s daughter, speaks in a way that categorizes Caliban as an uneducated and uncivilized savage. “I pitied thee, Took pains to make thee speak, taught thee each hour […] When thou didst not, savage, know thine own meaning […]” (1.2.356-359) Miranda doesn’t stop there; she continues labeling Caliban, “But thy vile race, though thou didst learn, had that in’t which good natures could not abide to be with; therefore wast though deservedly confined into this rock […]” (1.2.361-364). Exactly this kind of discourse turns Caliban into a subject. If Caliban had not been alone on the island, then Prospero and Miranda would have categorized a whole group of human beings rather than just one.
How important is an individual that most often than not authors focus on the growth of one over the growth of the many? Is it because the growth of one symbolizes the growth of all? Or is the focus on the individual due to the image it presents which is the growth in us? In any event, this outlook of individualism is widespread in literature and different genres and techniques excavate the development of the individual. Another factor that comes into play in the development of the character is the situation and the effects of the environment. Within William Shakespeare’s play The Tempest and Michael Cervantes Saavedra’s satire Don Quixote are two different characters molded and formed or in both cases malformed to incorporate their capsules which are the genres and settings that imprison them.
In the poem Caliban says that he is “damaged by history” and “the man in the darkness”. This quote from the poem shows an example of characters in the play saying Caliban is rude. Caliban is a character hurt from events in his past, so he acts rude, and lashes out at people.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
In William Shakespeare’s The Tempest and in Sophocles’ Antigone, both authors explore and illustrate the differences between “human law” and “higher law”. The two authors have different opinions about those laws. In The Tempest, Prospero uses his magic to manipulate various characters, and he often uses his magic to follow the plot of the story by his own way. Prospero uses his magic for total control over the people on the island where he lives. In Antigone, Creon, the King of Thebes, uses his title to manipulate others that kills Haemon and Antigone. Though the ending is more tragic in Creon’s control than in Prospero’s, by the end of Creon’s manipulation, the Greek Gods destroys Thebes. Regardless of the differences between the plays, both have different views of “human law” and “higher law”. Through the character and the setting development of the story in both plays, it is obvious that Shakespeare favors “human law” and Sophocles favors “higher law”.
Caliban is rude, crude, ugly and lazy. Speaking in a psychoanalytic manner, Caliban is going to be remembered as bitter and obsessed with sex. This sexual desire is going to be coincided first with thoughts of his mutation-- a feeling of inadequacy-- and then more significantly with the absence of his mother. That he had no parents on which to form an Oedipal complex and knows only who his mother was (nothing is mentioned of his father) makes for interesting observations on how he deals with sexuality. We learn that he does not deny that Prospero is the only barrier between him and the rape of Miranda. It is clear that he has developed only so far as Freud’s theory of id, with small touches of the superego. Caliban’s development of the superego is evident only when he does not wish to receive Prospero’s pinches and cramps. He is otherwise all for anything that will bring him pleasure. Being free of Prospero, fulfilling his sexual desires with Miranda and drinking liquor are all on his menu.
During the first encounter, Caliban comes across very bestial and immoral. While approaching Caliban’s cave, Prospero derogatorily says, "…[he] never/Yields us kind answer," meaning Caliban never answers respectfully. When Prospero reaches the cave, he calls to Caliban. Caliban abruptly responds, "There’s wood enough within." His short, snappy reply and his odious tone, reveal the bitterness he feels from leading a servile life. Caliban’s rudeness makes him seem like an unworthy and despicable slave. Also, Caliban displays an extreme anger toward Prospero. When Caliban is asked to come forth he speaks corruptly, "As wicked dew as e’er my mother brushed/With raven’s feather from unwholesome fen/Drop on you both!…And blister you all o’er!" Caliban’s attitude and disrespect is unfitting for a servant. However, his actions are justified.
Through a historical lens, Shakespeare’s The Tempest revolves around the evolving times of England during the Tudor Dynasty in 1552-1603. During those times Queen Elizabeth I was the newly appointed ruler of England after her half-sister, the previous ruler had died. This new change was the new beginning for England. It allowed many opportunities to arise such as a new stock company, provisions for the poor, and a chance for many to explore the world with their new wealth. To thank and impress their new Queen, many set sail to conquer new lands. Similar to history, The Tempest did contained a few curious Englishmen and their king discovering new land but the exact location is unknown. At the time of Shakespeare’s
When Caliban is first introduced in the play it is as an animal, a lazy beast that tried to rape Prospero’s daughter, Miranda. Prospero wastes no time referring to him as, “Thou poisonous slave, got by the de...
portray his degraded, brutish nature. In Act 1 Scene 2 Caliban complains of how Prospero used h...
The theme of the play is also change. At the end of the play when
The Tempest was one of William Shakespeare’s last plays. Into it, he put his heart and his soul. The epilogue in itself carries enough emotional weight to fill an entire play. The scene where Ariel says that she would feel bad for the men trapped on the island if she were human (V. i. 20), if performed right, can be one of the most moving lines in the history of theater. The emotions in the play make the play extremely hard to perform. It is one of the most difficult stage plays for the audience as well as the cast to interpret, but isn’t impossible with a good director, cast, and crew.
Caliban is described as “naturally evil”. Despite any efforts, his nature cannot be changed. His natural evil in The Tempest will always triumph any attempts to change him. His relationship to an evil witch made him naturally evil and will forever be who he truly is.
... Another instance that Caliban is evil is the fact that he tried to rape Miranda, Prospero’s daughter as stated by Barbara Fuchs in her article Conquering Islands: Contextualizing the Tempest where it says, “Caliban’s attack on Prospero’s daughter once more genders the colonizing impulses” (61). This suggests rape and it is not inhuman and it shows that Miranda is not the first woman who this has happened to. It’s not right, it’s evil. Caliban’s character in this book is horrible in the things that he does, he starting off has an evil monster that was born from an evil parents and he goes around causing trouble wherever he goes.