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Elements of poetry analysis
Elements of poetry analysis
Elements of poetry analysis
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Have you ever thought about the reason behind the way a person acts. Quotes in this paper are from William Shakespeare’s The Tempest, and Virgil Suarez’s “En El Jardin De Los Espejos Quebrados”. This paper will contain a comparison between Caliban’s character in The Tempest, and “En El Jardin De Los Espejos Quebrados”. The poem “En El Jardin De Los Espejos Quebrados”, and The Tempest, shine different lights on Caliban’s character, by going in depth about his appearance, thoughts, feelings, and actions.
Characters in The Tempest see Caliban as rude, while in the poem he sees himself as damaged by his past. People around Caliban see him as rude because he is never nice to them, but in the poem, he says his past is the reason he’s rude. On page
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523 Prospero says “We’ll visit Caliban my slave, who never/ Yields us kind answer” (Shakespeare 1.2 307-308).
In the poem Caliban says that he is “damaged by history” and “the man in the darkness”. This quote from the poem shows an example of characters in the play saying Caliban is rude. Caliban is a character hurt from events in his past, so he acts rude, and lashes out at people.
In The Tempest Caliban gets called a monster, while in the poem he sees himself as scarred, and unhealable. Caliban’s body is scarred from working, so others see him as a monster. On page 547 Stephano says when describing Caliban “This is some monster of the isle with four legs who/hath got as I take it an ague” (Shakespeare 2.2 60-61). In the poem Caliban says how he has scars, and welts on his body. Caliban gets called a monster by Stephano, and Trinculo because his body is damaged. People see Caliban as a monster based on his scarred, and damaged appearance.
In both the play, and the poem, Caliban wants Miranda, but in the play, he seems to only want her because she’s the only woman on the island, while in the poem he seems to genuinely love her. In The Tempest Caliban tries to rape Miranda, and in the poems he thinks of Miranda. On page 525 Caliban says to Miranda “Thou didst prevent me; I had peopled else/This isle with Calibans” (Shakespeare 1.1 350-351). In the poem he sits down and thinks about Miranda, talking about her smile, and “soft skin”. In the play Caliban only seems to want Miranda to have kids, but in the poem the author makes it seem
like he actually loves her. Caliban in both works wants Miranda, but in completely different ways. The poem “En El Jardin De Los Espejos Quebrados” shines a completely different light on Caliban’s actions than The Tempest, by looking at his actions, thoughts, feelings, and appearance. In the play Caliban gets compared to a monster both physically and in his actions. Caliban is compared to the appearance of a fish by Stephano. While in the poem Caliban sees himself as scared, and damaged by his past. Caliban also seems to want Miranda in both works, but in the play Caliban only wants Miranda because she’s the only female on the island, he seems to actually love her, in the poem. So think about why someone, looks, acts, or thinks the way they do before you judge them.
In The Tempest, Caliban has been forced to be a slave for Prospero because of their juxtaposed positions in the great chain of being. Prospero says to Caliban, “Thou poisonous slave, got by the devil himself”(I.ii.383). Prospero calls Caliban a “poisonous slave” which describes Caliban as hideous and awful person who deserves to be a slave. Prospero also says “the devil himself” which is comparing Caliban to the devil because both have a low ranking on the chain, so they both are evil. In this section Prospero is speaking in perfect iambic pentameter, however the language still seems somewhat rough because Prospero is talking to the lower classed civilian, Caliban. There is also enjambment at the end of the line which demonstrates how talking to Caliban has made Prospero act less civilized because the mere thought of Caliban has disturbed Prospero because of Caliban’s awfulness and inferiority. Prospero is superior to Caliban because Caliban has an inferior, low ranking in the great chain of being.
Even Miranda, Prospero’s daughter, speaks in a way that categorizes Caliban as an uneducated and uncivilized savage. “I pitied thee, Took pains to make thee speak, taught thee each hour […] When thou didst not, savage, know thine own meaning […]” (1.2.356-359) Miranda doesn’t stop there; she continues labeling Caliban, “But thy vile race, though thou didst learn, had that in’t which good natures could not abide to be with; therefore wast though deservedly confined into this rock […]” (1.2.361-364). Exactly this kind of discourse turns Caliban into a subject. If Caliban had not been alone on the island, then Prospero and Miranda would have categorized a whole group of human beings rather than just one.
Caliban is not at all appreciative of what Prospero gives to him because he says “You taught me language” (1,2,362) only and because he “must obey” (1,2,371) or else Prospero will inflict pain on him. Caliban immediately declares Trinculo and Stephano as his new master as he joyfully sings a song celebrating their initial meetings. Caliban is deceived into believing that Trinculo and Stephano will deliver their promises when in fact those two so called nobleman had another beneficial matter in mind. It is Stephano’s and Trinculo gift of liquor to Caliban that makes him believe that they are from a higher social class. In return Caliban has fallen from an almost intellect into the lowest social being, while Trinculo and Stephano have gained their respect, therefore they have the ability to take control over Caliban. In Othello, the same situation is drawn in that Othello and Caliban from The Tempest are both victimized because of their lack of judgement.
Caliban is the id, the one who seeks instant gratification and has no concern for morality. Everyone has a love-hate relationship with the id because it is the part of the psyche that seeks biological necessities, however, it is also the part which can create socially unacceptable impulses. Prospero and Caliban initially had a loving relationship with each other; the relationship with the id is fostered because of biological needs. Prospero is forming a strong connection with the id but it takes over when Caliban “didst seek to violate / the honour of [Prospero's] child” (1.2. 347-348). Caliban acts based on the biological necessity of reproduction and this parallels the socially unacceptable circumstances that occur when one lets the id take control in one’s life. The ego must counteract this impulsive behaviour; Prospero decides to cage Caliban to prevent him from acting impulsively again. However, completely abolishing the id is never an option. The id is the embodiment of biological necessity thus it is impossible to live without it. This idea is paralleled in The Tempest because Prospero cannot simply rid himself of Caliban, the one who provides the food and wood which sustains life. This is a visual representation of the necessity of the id in the human psyche. This love-hate relationship between Prospero and Caliban exemplifies the dangers
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
When Caliban is first introduced in the play it is as an animal, a lazy beast that tried to rape Prospero’s daughter, Miranda. Prospero wastes no time referring to him as, “Thou poisonous slave, got by the de...
Shakespeare shows this by having Prospero, the rightful duke of Milan and Usurping ruler of the island, call Caliban. “A devil, a born devil on whose nature nurture can never stick” but then having Miranda, Prospero’s daughter, say. “I pitied thee, took pains to make thee speak, taught thee each hour one thing or another.” Prospero is saying that Caliban is a “savage” who can not be educated, yet we hear that Miranda has taught him to speak, amongst other things. This gives a conflicting view of the character of Caliban.
Early on in the play, the text strongly indicates that the relationship between Prospero and Caliban is far from loving o...
Prospero appears to be a ruthless tyrant that strikes fear into Caliban to make him work but further on in the text we learn that this is not the case. Caliban's foul-mouthed insults,
Prospero’s decision to relinquish magic coincides with his decision to forgive Alonso, Antonio, and Sebastian, freeing him from the burden of revenge. Moments prior to his declaration that he will renounce his magic, Prospero says, “Yet with my nobler reason 'gainst my fury / Do I take part: the rarer action is / In virtue than in vengeance…” (5.1.26-28). His “nobler reason” has a greater impact on his rational than his “fury”, resulting in his decision to free Alonso, Antonio, and Sebastian after harbouring years of ill will against them. Prospero’s use of alliteration places emphasis on “virtue” and “vengeance”, and the contrast between the positive and negative connotation of his diction proves his understanding of the importance of forgiveness. Therefore, his power no longer has a corruptive influence upon him. Soon after he gives up his magic, Prospero also sets Caliban free, which in turn frees himself from the burden of his hatred for Caliban. Prospero tells Caliban, “Go, sirrah, to my cell… as you look / To have my pardon, trim it handsomely” (5.1.292-293). Prospero’s reference to Caliban as “sirrah”, although not respectful, still shows a stark change from the insulting manner in which Prospero previously spoke to Caliban. Prospero’s offer to give Caliban “pardon” shows development in their relationship since their mutual hatred for each other at the beginning of the play. Prospero’s decision to give
... Another instance that Caliban is evil is the fact that he tried to rape Miranda, Prospero’s daughter as stated by Barbara Fuchs in her article Conquering Islands: Contextualizing the Tempest where it says, “Caliban’s attack on Prospero’s daughter once more genders the colonizing impulses” (61). This suggests rape and it is not inhuman and it shows that Miranda is not the first woman who this has happened to. It’s not right, it’s evil. Caliban’s character in this book is horrible in the things that he does, he starting off has an evil monster that was born from an evil parents and he goes around causing trouble wherever he goes.
As some of essays about The Tempest would conclude, the core of The Tempest seems to be the colonialism. Then without any question, the most crucial character under this conclusion, Caliban becomes the symbol of oppressed occurs of colonialism. However, did Shakespeare address this issue intentionally? Is colonialism just an interpretation from a modern perspective? Probably we assert the statement too fast to contemplate author’s focus of his work. As Vaughan mentioned in his essay: “... most Third-World authors who borrow emblems from The Tempest ignore, as irrelevant, Shakespeare’s sources and intentions. The Third World interpretation of Caliban is symbolic, not historic; it adopts Caliban for What he represents to the observer, not for what Shakespeare may have had in mind.” (Vaguhan, 291). Building such a connection between colonization and the exotic characters and settings simply make the fantasy accessible to the audiences, yet it doesn’t necessarily fit the situation at that time. Since colonization evolved throughout the time. “New situations give the play’s characters new meanings.” {Vaguhan, 291). If we delete the cultural background of ourselves and focus on the age of Tempest being created exclusively, we might not see Caliban as a black
In Shakespeare’s play The Tempest, there are two characters who appear to be polar opposites. The characters of Caliban and Ariel both play very important roles in the play. The term caliban is defined as “a brutish or brutalized man,” and the term ariel is defined as “a spirit of the air” (Dictionary). The definitions of these two characters names even show the huge difference in the two characters before readers or viewers even get to know the characters. There are also differences in how the two characters feel about the self-proclaimed king of the island, Prospero. However, regardless of their many differences the one thing that they do have in common is the fact that they are both oppressed by Prospero who has deemed himself king of the island and seek freedom.
Caliban’s life is a work of nature without any nurture before the arrive of Prospero, and the shipwreck. Through out the play, Caliban’s life only got worse until the end. The Europeans influences of Caliban had negatively influenced his life. Prospero had enslaved, and overly punished Caliban for attempting to violate Miranda. Trinculo and Stepheno caused Caliban to lose his dignity. The spirits of Prospero had caused Caliban to lose his self-confidence and resulted in him following Trinculo and Stepheno. With the above examples of mistreatments of Caliban by the Europeans, therefore the influences of the Europeans had cause Caliban to ruin his life.
Prospero’s trust is broken with Caliban because he tried to rape Miranda. There is no evidence of rape, however Miranda was the only female on the island practically supports the idea. Caliban being a natural creature he would not know the different in societies rule against sexual engagement. Prospero learns from his second betrayal, apparently tyrannical state is revealed in verbal abuse ...