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Nu Ariel And Caliban' Compare
Shakespeare the tempest propsperos view of colonization
The role of prospero in tempest
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Recommended: Nu Ariel And Caliban' Compare
Caliban is arguably one of the most complex characters in Shakespeare’s The Tempest, despite his low position in the social hierarchy. Primarily, we form our first impression of Caliban through what Prospero says about him. Prospero draws parallels between Caliban and his other servant Ariel, who was ‘too delicate’ to perform the ‘abhorred’ commands of the witch Sycorax. He then goes on to compare Ariel with Caliban; “a freckled whelp hag born – not honoured with/A human shape.” In line 317 of the play, Prospero refers to Caliban as a ‘tortoise’ and then immediately compares him to Ariel, who is a ‘fine apparition.’ This shows the variation of the two servants and shows Prospero’s obvious derogatory attitude towards Caliban and his biased preference towards Ariel. Prospero helps the audience to envisage Caliban despite the fact he has not yet appeared onstage and in some way, prepares the audience for feeling negativity towards this apparently evil creature.
Caliban’s name is a Spanish anagram of the word ‘cannibal’ and is supposedly a variation of the word ‘Carib’ which was the term used to describe an inhabitant of the West Indies. It should be noted that in the original cast listing of The Tempest, Shakespeare described Caliban as a ‘savage’ which links in with colonialism and natives. In Jacobian times, it was not uncommon for wealthy countries and civilisations such as the English to conquer and subdue the natives of other countries with alcohol, and as a result, claiming the land as their own. Shakespeare’s contemporary audience would have been accustomed to that and would have a basic view of anyone below them, while nowadays, people and countries have strived towards equality between all people and all nations.
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...rvant, king’.
He shows himself to be academically more superior to both Stephano and Trinculo, and towards the end of the play, we notice that they are both tricked by Prospero’s distraction. Prospero has used shiny clothes so that Stephano and Trinculo are distracted from their mission; to kill Prospero. Caliban notices this distraction immediately and furthermore brings to our attention his superiority:
“The dropsy drown this fool! What do you mean
To dote thus on such luggage? Let’t alone,
And do the murder first! If he awake,
From toe to crown he’ll fill our skins with pinches,
Make us strange stuff”.
It could possibly be noted that Caliban is more, himself, the leader of that group, in the sense that he is more knowledgeable in the intricacies and workings of Prospero’s mind. He knows how valuable time is to them.
Early on in the play, the text strongly indicates that the relationship between Prospero and Caliban is far from loving o...
Caliban is rude, crude, ugly and lazy. Speaking in a psychoanalytic manner, Caliban is going to be remembered as bitter and obsessed with sex. This sexual desire is going to be coincided first with thoughts of his mutation-- a feeling of inadequacy-- and then more significantly with the absence of his mother. That he had no parents on which to form an Oedipal complex and knows only who his mother was (nothing is mentioned of his father) makes for interesting observations on how he deals with sexuality. We learn that he does not deny that Prospero is the only barrier between him and the rape of Miranda. It is clear that he has developed only so far as Freud’s theory of id, with small touches of the superego. Caliban’s development of the superego is evident only when he does not wish to receive Prospero’s pinches and cramps. He is otherwise all for anything that will bring him pleasure. Being free of Prospero, fulfilling his sexual desires with Miranda and drinking liquor are all on his menu.
In the play, The Tempest by William Shakespeare, Prospero took control of Caliban and made him his servant. Prospero was able to do this because he viewed Caliban as an uncivilized being; Caliban was portrayed as a beast. Thus, Prospero was able to assume power over Caliban. It can be seen from Prospero’s speech that he thinks that Caliban is inferior to him when Prosper says, “I have used thee, Filth as thou art, with human care […]” (1.2.348-349). Prospero tries to justify enslaving Caliban, but all he really does is place Caliban into a category of bestial and uncivilized and as a result enslaves him.
Another way that the treatment of Caliban by Prospero is similar to the treatment of Native Americans by the Europeans is the adaptation of the language. When the Europeans came to the New World they forced the Native Americans to learn their languages and live according to the European culture. People who had spoken one language all their lives, now had to learn another. They had to live by customs they have never heard of even before. In the Tempest, Prospero does this also. When Prospero came to the island he forced Caliban to learn the language that he spoke. Caliban had to adapt to a style of living that he had never experienced before. Caliban had to change completely to adapt to the life forced upon him.
When Caliban is first introduced in the play it is as an animal, a lazy beast that tried to rape Prospero’s daughter, Miranda. Prospero wastes no time referring to him as, “Thou poisonous slave, got by the de...
In a play which usurpation is a dominant theme, Shakespeare endorses Prospero’s appropriation of the island and it’s aboriginal population. The representation of Caliban and his brother Sycorax reveals the extent to which racist and sexist ideologies function to maintain the balance of power in the hands of a small, ruling, elite. Indeed, it should be noted that The Tempest is more than a simple play. Rather, it is a complex and multi-layered literary construction. As it cannot be reduced to the single issue of race to investigate the imbalance of power in the play. Attention must be given to the way patriarchal notions of gender inform racial representations in order to understand the imbalances of power i...
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
... any actor portraying the character of Caliban has the opportunity to play this phrase with a sarcastic tone, suggesting he means quite the opposite, an attitude that would've been not only in keeping with Caliban's personality, but the typical native's, too. It is doubtful, however, that any actor would have had the braverism to be so bold about snubbing colonialism in front of no less than the King; the man responsible for the increase in British colonial activity, although it is quite probable that this insincerity was Shakespeare's intention.
William Shakespeare’s The Tempest tells the story of Prospero who is exiled on an island along with his daughter, Miranda. Inhabiting the island is a spirit named Ariel and an ugly monster named Caliban. Miranda, Ariel and Caliban all vary in nature. However, all have been tended to and have been nurtured on the island by Prospero. Especially through Caliban and Miranda, Shakespeare demonstrates that education and nurturing can affect the person’s true nature and self.
Prospero does have power over others in many ways though. He has obtained his subjects through the powers that his books give him, but he cannot make his subjects be pleased about it. Caliban clearly does not love Prospero and
The role of language in Shakespeare’s play “The Tempest” is quite significant. To Miranda and Prospero the use of language is a means to knowing oneself. Caliban does not view language in the same light. Prospero taught Caliban to speak, but instead of creating the feeling of empowerment from language, Caliban reacts in insurrectionary manner. Language reminds him how different he is from Miranda and Prospero, and also how they have changed him. It also reminds him of how he was when he wasn’t a slave. He resents Prospero for “Civilising” him, because in doing so he took away his freedom.
Throughout The Tempest, Caliban is seen as being wicked, brutal and being ruled all the time, but is very keen with his senses. Prospero, however contrasts this and is very powerful, intelligent, and is a natural at ruling and having control over others. When Prospero and Miranda first arrived on the island where Caliban is a native they got along quite well, however after Caliban tried to rape Miranda, so things went down hill. This is symbolic of women who lose their virginity. It also shows how women are weak compared to men and how men are stronger and more powerful then women. Because Caliban tried to rape Miranda, Prospero imprisoned Caliban. As Prospero says to Caliban:
Shakespeare’s play, The Tempest is set on a mysterious island surrounded by the ocean. Here the magician Prospero is ruler of the isle with his two servants Caliban and Ariel. Caliban is the abrasive, foul-mouthed son of the evil witch Sycorax. When Prospero was shipwrecked on the island Prospero treated him kindly but their relationship changed when Caliban tried to rape Prospero's daughter, Miranda. Caliban then became Prospero's unwilling servant. Caliban serves his master out of fear Prospero's wrath. Prospero's other servant Ariel is a graceful spirit who has courtesy and charm. Ariel has put her services at Prospero's disposal out of gratitude for his kind actions towards her. Prospero saved Ariel from the confinement of Sycorax who held her prisoner.
Caliban is evil is the fact that he tried to rape Miranda, Prospero’s daughter as states by Barbara Fuchs in her article Conquering Islands: Contextualizing the Tempest where it says, “Caliban’s attack on Prospero’s daughter once more genders the colonizing impulses” (61). This suggests rape and it is not inhuman and it shows that Miranda is not the first woman who this has happen to. It not right, it’s evil. Caliban’s character in this book is horrible in the things that he does, he starting off has an evil monster that was born from an evil parents and he goes around causing trouble wherever he goes. As a servant, he does evil deed and by himself he is evil.
In Shakespeare’s play The Tempest, there are two characters who appear to be polar opposites. The characters of Caliban and Ariel both play very important roles in the play. The term caliban is defined as “a brutish or brutalized man,” and the term ariel is defined as “a spirit of the air” (Dictionary). The definitions of these two characters names even show the huge difference in the two characters before readers or viewers even get to know the characters. There are also differences in how the two characters feel about the self-proclaimed king of the island, Prospero. However, regardless of their many differences the one thing that they do have in common is the fact that they are both oppressed by Prospero who has deemed himself king of the island and seek freedom.