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Nu Ariel And Caliban' Compare
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Caliban is arguably one of the most complex characters in Shakespeare’s The Tempest, despite his low position in the social hierarchy. Primarily, we form our first impression of Caliban through what Prospero says about him. Prospero draws parallels between Caliban and his other servant Ariel, who was ‘too delicate’ to perform the ‘abhorred’ commands of the witch Sycorax. He then goes on to compare Ariel with Caliban; “a freckled whelp hag born – not honoured with/A human shape.” In line 317 of the play, Prospero refers to Caliban as a ‘tortoise’ and then immediately compares him to Ariel, who is a ‘fine apparition.’ This shows the variation of the two servants and shows Prospero’s obvious derogatory attitude towards Caliban and his biased preference towards Ariel. Prospero helps the audience to envisage Caliban despite the fact he has not yet appeared onstage and in some way, prepares the audience for feeling negativity towards this apparently evil creature.
Caliban’s name is a Spanish anagram of the word ‘cannibal’ and is supposedly a variation of the word ‘Carib’ which was the term used to describe an inhabitant of the West Indies. It should be noted that in the original cast listing of The Tempest, Shakespeare described Caliban as a ‘savage’ which links in with colonialism and natives. In Jacobian times, it was not uncommon for wealthy countries and civilisations such as the English to conquer and subdue the natives of other countries with alcohol, and as a result, claiming the land as their own. Shakespeare’s contemporary audience would have been accustomed to that and would have a basic view of anyone below them, while nowadays, people and countries have strived towards equality between all people and all nations.
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...rvant, king’.
He shows himself to be academically more superior to both Stephano and Trinculo, and towards the end of the play, we notice that they are both tricked by Prospero’s distraction. Prospero has used shiny clothes so that Stephano and Trinculo are distracted from their mission; to kill Prospero. Caliban notices this distraction immediately and furthermore brings to our attention his superiority:
“The dropsy drown this fool! What do you mean
To dote thus on such luggage? Let’t alone,
And do the murder first! If he awake,
From toe to crown he’ll fill our skins with pinches,
Make us strange stuff”.
It could possibly be noted that Caliban is more, himself, the leader of that group, in the sense that he is more knowledgeable in the intricacies and workings of Prospero’s mind. He knows how valuable time is to them.
In the play, The Tempest by William Shakespeare, Prospero took control of Caliban and made him his servant. Prospero was able to do this because he viewed Caliban as an uncivilized being; Caliban was portrayed as a beast. Thus, Prospero was able to assume power over Caliban. It can be seen from Prospero’s speech that he thinks that Caliban is inferior to him when Prosper says, “I have used thee, Filth as thou art, with human care […]” (1.2.348-349). Prospero tries to justify enslaving Caliban, but all he really does is place Caliban into a category of bestial and uncivilized and as a result enslaves him.
In literature as in life, characters are multi-dimensional beings. They possess a wide variety of character traits that make them who they are. In the Tempest written by William Shakespeare, Prospero traits resemble those of the Europeans that came during the exploration of the Americas. Thus, Prospero’s treatment of Caliban is similar to the way Europeans treated the Native Americans.
Caliban is rude, crude, ugly and lazy. Speaking in a psychoanalytic manner, Caliban is going to be remembered as bitter and obsessed with sex. This sexual desire is going to be coincided first with thoughts of his mutation-- a feeling of inadequacy-- and then more significantly with the absence of his mother. That he had no parents on which to form an Oedipal complex and knows only who his mother was (nothing is mentioned of his father) makes for interesting observations on how he deals with sexuality. We learn that he does not deny that Prospero is the only barrier between him and the rape of Miranda. It is clear that he has developed only so far as Freud’s theory of id, with small touches of the superego. Caliban’s development of the superego is evident only when he does not wish to receive Prospero’s pinches and cramps. He is otherwise all for anything that will bring him pleasure. Being free of Prospero, fulfilling his sexual desires with Miranda and drinking liquor are all on his menu.
In a play which usurpation is a dominant theme, Shakespeare endorses Prospero’s appropriation of the island and it’s aboriginal population. The representation of Caliban and his brother Sycorax reveals the extent to which racist and sexist ideologies function to maintain the balance of power in the hands of a small, ruling, elite. Indeed, it should be noted that The Tempest is more than a simple play. Rather, it is a complex and multi-layered literary construction. As it cannot be reduced to the single issue of race to investigate the imbalance of power in the play. Attention must be given to the way patriarchal notions of gender inform racial representations in order to understand the imbalances of power i...
During the first encounter, Caliban comes across very bestial and immoral. While approaching Caliban’s cave, Prospero derogatorily says, "…[he] never/Yields us kind answer," meaning Caliban never answers respectfully. When Prospero reaches the cave, he calls to Caliban. Caliban abruptly responds, "There’s wood enough within." His short, snappy reply and his odious tone, reveal the bitterness he feels from leading a servile life. Caliban’s rudeness makes him seem like an unworthy and despicable slave. Also, Caliban displays an extreme anger toward Prospero. When Caliban is asked to come forth he speaks corruptly, "As wicked dew as e’er my mother brushed/With raven’s feather from unwholesome fen/Drop on you both!…And blister you all o’er!" Caliban’s attitude and disrespect is unfitting for a servant. However, his actions are justified.
When Caliban is first introduced in the play it is as an animal, a lazy beast that tried to rape Prospero’s daughter, Miranda. Prospero wastes no time referring to him as, “Thou poisonous slave, got by the de...
Early on in the play, the text strongly indicates that the relationship between Prospero and Caliban is far from loving o...
Prospero appears to be a ruthless tyrant that strikes fear into Caliban to make him work but further on in the text we learn that this is not the case. Caliban's foul-mouthed insults,
From the moment in Act I, Scene II when Prospero first references Caliban, “a freckled whelp hag-born – not honoured with a human shape,” it becomes clear the low opinion Prospero has of him, and this opinion would’ve been shared by the vast majority of Shakespeare’s contemporary audience. Shakespeare’s use of imagery at this point gives the suggestion that Prospero thinks of Caliban as little more than a pet dog, an image Caliban himself emphasises at a later stage in the scene when he says, “Thou strok’st me,”. Shakespeare uses animal imagery upon...
William Shakespeare’s The Tempest tells the story of Prospero who is exiled on an island along with his daughter, Miranda. Inhabiting the island is a spirit named Ariel and an ugly monster named Caliban. Miranda, Ariel and Caliban all vary in nature. However, all have been tended to and have been nurtured on the island by Prospero. Especially through Caliban and Miranda, Shakespeare demonstrates that education and nurturing can affect the person’s true nature and self.
Throughout the whole play there is evidence of power, someone in possession of it and another subordinate to the person with the power. Mostly this happens in the scenes with prospero, as he is almost an omniscient and omnipotent character, with god-like qualities. He has the means to change many things not possible for humans, because of his magic and his power over magical creatures such as Ariel. Caliban also does the will of Prospero;
Prospero does have power over others in many ways though. He has obtained his subjects through the powers that his books give him, but he cannot make his subjects be pleased about it. Caliban clearly does not love Prospero and
Throughout The Tempest, Caliban is seen as being wicked, brutal and being ruled all the time, but is very keen with his senses. Prospero, however contrasts this and is very powerful, intelligent, and is a natural at ruling and having control over others. When Prospero and Miranda first arrived on the island where Caliban is a native they got along quite well, however after Caliban tried to rape Miranda, so things went down hill. This is symbolic of women who lose their virginity. It also shows how women are weak compared to men and how men are stronger and more powerful then women. Because Caliban tried to rape Miranda, Prospero imprisoned Caliban. As Prospero says to Caliban:
Caliban is evil is the fact that he tried to rape Miranda, Prospero’s daughter as states by Barbara Fuchs in her article Conquering Islands: Contextualizing the Tempest where it says, “Caliban’s attack on Prospero’s daughter once more genders the colonizing impulses” (61). This suggests rape and it is not inhuman and it shows that Miranda is not the first woman who this has happen to. It not right, it’s evil. Caliban’s character in this book is horrible in the things that he does, he starting off has an evil monster that was born from an evil parents and he goes around causing trouble wherever he goes. As a servant, he does evil deed and by himself he is evil.
Caliban whom we are told is “not honour’d with a human shape,” (1.2.419) is the son of Sycorax who inhabited the island Prospero was banished to. After the death of his mother, Sycorax, Caliban falls under the rule of Prospero and becomes one his servants. Caliban is very different from Ariel in the fact that while Ariel is pleased to serve under Prospero’s rule, Caliban is not. In fact, we find out that Caliban is far from happy to be Prospero’s servant and even plots with two other men to end Prospero’s life. As we discussed in class Caliban is also more of an angry individual than what Ariel seems to be and this comes from the fact that Caliban believes he is the rightful king of the island and that Prospero had robbed him of what was his, which we find out when he says that he is “subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island” (3.2.40-41). Ariel, who we are told in act one, scene two was the old servant of Caliban’s mother Syco...