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Essays on colonization
The colonizer and the colonizer summary
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In Shakespeare’s The Tempest, Caliban is enslaved by Prospero and Miranda. He is taught the language in order to communicate. In a slight act of defiance, Caliban curses at Prospero and Miranda in the language they have taught him. He believes this is a way for him to benefit from his new knowledge. Caliban’s cursing is a symbol of resistance as it symbolizes the Native Americans opposition to European colonization. Prospero and Miranda were exiled from their homeland and forced to flee. Caliban is the only being on the island they find themselves in. Similar to how the Native Americans treated the colonists when they first arrived to the Americans, Caliban is kind and respectful to Prospero. He teaches Prospero about the island and Prospero …show more content…
The greatest form of resistance was the physical resistance of fleeing from the Europeans as they ransacked the natives’ homes. Many of the Native Americans fled to the mountains. Las Casas says that the “local people see the mountains as a refuge and flight as a solution to their plight” (119). The mountains were viewed as an escape from the horror that was occurring. It is mentioned several times that the mountains were where the natives chose to run to. However, fleeing did not lead to successful solution. Even when the natives dodged the initial attacks, the Spaniards went after them and almost always captured them. No one was safe from the immanent torture. In the end, the mountains did not provide any sense of protection. Las Casas also speaks about the mental resistance of the Native Americans. The Europeans had initially claimed that their goal in the Americas was to convert as many people to Christianity as possible. Unfortunately, the religious goal of the explorations was overshadowed by the greed of the Spaniards. Instead of spreading the word of God, the Spaniards spread the blood of the natives. In one of the accounts, Las Casas speaks of a cacique by the name of Hatuey. When the Spaniards arrived in Cuba, Hatuey fled but was later captured and staked. Before Hatuey died, a Franciscan friar spoke to him about God
Prospero's Judgment of Caliban in Shakespeare's The Tempest “A devil, a born devil, on whose nature
In this case Prospero the rightful Duke of Milan has power over the seemingly uncivilized Caliban whom he seized the island from years ago. Prospero, in the position of power, commits three major atrocities against Caliban in The Tempest the first is taking the island from Caliban, the second is a direct result of the first and it is Prospero’s enslavement of Caliban, and the third is verbal abuse (end, and act 1 scene 2). The first interaction between Prospero and Caliban illustrates Prospero’s apprehension of the island from Caliban which he explains in the first act, “I must eat my dinner./This island’s mine by Sycorax my mother,/Which thou tak’st from me.” (Shakespeare, 1.2.331–333). In this quotation Caliban explains his rightful claim to the island that was given to him by his mother, and the way that Prospero took it from him. The second way Prospero used his power to abuse Caliban was by enslaving him after conquering the island. He did this by using his extensive knowledge and education as a form of power to trick Caliban into becoming a loyal slave. He first treated Caliban as a friend to gain loyalty. Caliban recounts this time in the first act, “When thou cam’st first/Thou strok’st me and made much of me; wouldst give me/Water with berries in’t, and teach me how/To name the bigger light, and how the less,/ That burn by day
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
from, ‘This island is mine, by Sycorax my mother . . . the rest o’ th’
Even Miranda, Prospero’s daughter, speaks in a way that categorizes Caliban as an uneducated and uncivilized savage. “I pitied thee, Took pains to make thee speak, taught thee each hour […] When thou didst not, savage, know thine own meaning […]” (1.2.356-359) Miranda doesn’t stop there; she continues labeling Caliban, “But thy vile race, though thou didst learn, had that in’t which good natures could not abide to be with; therefore wast though deservedly confined into this rock […]” (1.2.361-364). Exactly this kind of discourse turns Caliban into a subject. If Caliban had not been alone on the island, then Prospero and Miranda would have categorized a whole group of human beings rather than just one.
The Tempest reflects Shakespeare's society through the relationship between characters, especially between Prospero and Caliban. Caliban, who was the previous king of the island, is taught how to be "civilized" by Prospero and his daughter Miranda. Then he is forced to be their servant. Caliban explains "Thou strok'st me and make much of me; wo...
Another way that the treatment of Caliban by Prospero is similar to the treatment of Native Americans by the Europeans is the adaptation of the language. When the Europeans came to the New World they forced the Native Americans to learn their languages and live according to the European culture. People who had spoken one language all their lives, now had to learn another. They had to live by customs they have never heard of even before. In the Tempest, Prospero does this also. When Prospero came to the island he forced Caliban to learn the language that he spoke. Caliban had to adapt to a style of living that he had never experienced before. Caliban had to change completely to adapt to the life forced upon him.
Caliban is treated in a highly demeaning manner since Prospero is a man of magic and has infinite power to control Caliban in every aspect. It is seen early on in the play the amount of control that has been placed over Caliban, to the extent that memories make him cringe and satisfy all of Prospero’s needs. Prospero is obviously the Duke of that island similar to how he was Duke of Milan before being usurped and banished to the island, which is Caliban’s home. In general, the relationship of Prospero and Caliban is a model of early colonization into the New World considering Caliban is it’s only inhabitant. In reality, colonization is the chief reason slavery was implemented which was to maintain laborers in order to prosper in the New World.
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
The relationship between Prospero and Caliban is a perfect demonstration of the dependence relationship between a coloniser and the native of whichever colony he set his eye upon. Colonialism was a subject easily related to by Shakespeare's contemporary audience; with James on the throne the British Empire was beginning to thrive and would soon become the largest in not only the 17th Century world, but one of the largest in history. At the time 'The Tempest' was first preformed, 1611, Britain had begun to lay claim to North America and the smaller Caribbean isles, a fact the King was no doubt proud of and, similarly to his addition of the supernatural (a subject that fascinated James), aiming to impress Shakespeare chose to make colonialism a central theme in 'The Tempest'.
The role of language in Shakespeare’s play “The Tempest” is quite significant. To Miranda and Prospero the use of language is a means to knowing oneself. Caliban does not view language in the same light. Prospero taught Caliban to speak, but instead of creating the feeling of empowerment from language, Caliban reacts in insurrectionary manner. Language reminds him how different he is from Miranda and Prospero, and also how they have changed him. It also reminds him of how he was when he wasn’t a slave. He resents Prospero for “Civilising” him, because in doing so he took away his freedom.
Prospero’s trust is broken with Caliban because he tried to rape Miranda. There is no evidence of rape, however Miranda was the only female on the island practically supports the idea. Caliban being a natural creature he would not know the different in societies rule against sexual engagement. Prospero learns from his second betrayal, apparently tyrannical state is revealed in verbal abuse ...
Prospero appears to be a ruthless tyrant that strikes fear into Caliban to make him work but further on in the text we learn that this is not the case. Caliban's foul-mouthed insults,
Caliban is evil is the fact that he tried to rape Miranda, Prospero’s daughter as states by Barbara Fuchs in her article Conquering Islands: Contextualizing the Tempest where it says, “Caliban’s attack on Prospero’s daughter once more genders the colonizing impulses” (61). This suggests rape and it is not inhuman and it shows that Miranda is not the first woman who this has happen to. It not right, it’s evil. Caliban’s character in this book is horrible in the things that he does, he starting off has an evil monster that was born from an evil parents and he goes around causing trouble wherever he goes. As a servant, he does evil deed and by himself he is evil.
Caliban whom we are told is “not honour’d with a human shape,” (1.2.419) is the son of Sycorax who inhabited the island Prospero was banished to. After the death of his mother, Sycorax, Caliban falls under the rule of Prospero and becomes one his servants. Caliban is very different from Ariel in the fact that while Ariel is pleased to serve under Prospero’s rule, Caliban is not. In fact, we find out that Caliban is far from happy to be Prospero’s servant and even plots with two other men to end Prospero’s life. As we discussed in class Caliban is also more of an angry individual than what Ariel seems to be and this comes from the fact that Caliban believes he is the rightful king of the island and that Prospero had robbed him of what was his, which we find out when he says that he is “subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island” (3.2.40-41). Ariel, who we are told in act one, scene two was the old servant of Caliban’s mother Syco...