The Symbolic Naturalist of The Blue Hotel
This essay considers the perspective of James Trammell Cox as presented in his essay: An Analysis of the Blue Hotel Cox begins his essay by discussing naturalism and Crane's fictional style. He suggests that Crane's technique "is that of the symbolist rather than the naturalist in that he carefully selects his details not as pieces of evidence in a one-dimensional report on man but as connotatively associated parts of an elaborately contrived symbolic structure." Basically the thrust of Cox's argument is centered around the degree to which Crane displays the characteristics of a naturalist writer.
He comments on the intricacy of the story and how well Crane weaves in the details and underlying messages which give the story it's subtle complexity. Much of Crane's hidden meaning is achieved through his manipulation of imagery. Cox focuses on this imagery and picks it apart, thus displaying themes that are fairly central to the ideas behind naturalism. One of these ideas that is carried throughout the story behind the façade of imagery is the idea of "man's inner nature [as] egocentric," as detailed by the contrast of the house to the storm in which the storm represents the "fundamental conflict between man and his environment." Within the house, in the central room is the stove, which is referenced frequently and can be seen as man's inner nature that "burn[s] with elemental aggressions" as the stove is described as "humming with a godlike violence."
Cox then addresses the idea of natural symbolism and Crane's use of color to represent feelings and emotions and thus subtly carry them through the story. The two most central colors used are red and white, red as shown through the fire to symbolize anger, and white as shown through the snow to show fear. Cox provides examples of this such as the Swede who throughout the story shows both extremes of emotion and at one point is described, "upon the Swede's deathly pale cheeks were two spots brightly crimson.
I have very good sight. One moment they were white, the next red, the next blue. Then I got it. They were a woman’s dresses”. At first, I did not pay attention to the colors of the dresses, but then I realized the pattern of colors in order. In this case, I believe white represents light, goodness, and pureness. The red represents anger, blood and possibly murder. The last but not least, the color blue that represents wisdom, loyalty, and truth. It seemed to me that the author used colors symbolizes the story from the beginning to the end. I believe it is a hint for us to what to expect and what not to since Jeffries was right all along the
For example the connotation ‘red’ is the colour of fire, danger, power, caution and malice. ‘Red’ is an emotionally intense colour and is a consistent theme that builds up like a heated fire because Peter is full of rage and wrath and he is the “red herring” because he is distracting the mum from the truth about the abuse he is causing.
However, the most traditionally "romantic" facets of his artifice are most fully manifested in a series of private correspondence between himself and a certain society maiden by the name of Nellie Crouse. It is these letters that serve to illustrate Crane's writing prowess as it transcends traditional Romantic genrefication. Through these letters, which serve as an informed testament to Crane's marked skill as a writer, we begin to examine Crane in the context of his own existence, devoid of the fictional trappings of his most acclaimed accomplishments.
Schroeder, John W. "Stephen Crane Embattled," University of Kansas City Review, XVII (Winter 1950), 119 Rpt. in
The use of diction is powerful, with the gripping use of words and description. Golding creates tension and reinforces his theme and tone with the use of specific words. Many are connotative and therefore create a story abundant in meaning and symbolism. Golding uses colors such as pink to symbolize particular things such as innocence, as shown in the piglets and the island. The word yellow makes the reader think of the sun, enlightenment and Ralph; the words black and red bring to mind evil, blood and Jack.
In conclusion, Fitzgerald uses colours to express the different themes in the novel. The colour grey in the Valley of Ashes symbolizes all of the corruption, while the colour blue represents the reality that is blinded throughout the plot, and green represents all of the jealousy and envy. In the end, the colours have a lot of important significance to the book, just as certain colours may have importance to people.
Stephen Crane’s short story, “The Open Boat” speaks directly to Jack London’s own story, “To Build A Fire” in their applications of naturalism and views on humanity. Both writers are pessimistic in their views of humanity and are acutely aware of the natural world. The representations of their characters show humans who believe that they are strong and can ably survive, but these characters many times overestimate themselves which can lead to an understanding of their own mortality as they face down death.
Stephen Crane’s “The Open Boat” has long been acclaimed as a fascinating exemplar of Naturalism, generating many studies that range from the indifference of Nature to the “psychological growth of the men through the experience” (466). The psychological growth happens to every man on the boat, yet is mostly depicted through the voice of the Correspondent and in the form of his questioning and contemplating their desperate situation. Being a correspondent, who is innately able as well as inclined to interpret and communicate ideas, the Correspondent is singled out to articulate the mind of his three fellowmen and of Stephen Crane himself, should the story be seen partly as a journalistic account of his own adventure. Therefore throughout the story, the Correspondent takes the mediating role between the men and the outside world, combines a spokesperson with an interlocutor, and reflects the men’s growing awareness to the indifference of Nature.
“Furious at the sight, he sprung upon him like a tiger. In a moment, the overseer was down, and, mastered by rage, my father would have killed him if not for the entreaties of my mother, and the overseer’s own promise that nothing should be said of the matter. The promise was kept—like most promises of the cowardly and debased—as long as the danger lasted” . This is an excerpt from the horrific biography of a slave named Josiah Henson. Born June 15, 1789, in Charles County Maryland, Henson describes his life growing up as a slave and what he saw growing up, moving around the colonies, and being separated from his family. Because of the cotton boom, the relocation of slaves across the colonies, and the separation of slave families, Josiah Henson described his horrific dealings with his white overseers to show the twisted beliefs of his white counterpart and the way they treated an entire race of people like animals.
Bandura, A., Ross, D., & Ross, S.A. (1961). Transmission of aggression through imitation of aggressive models. Journal of Abnormal and Social Psychology, 63, 575-582.
In Florence, Italy, the famous, Leonardo da Vinci started painting The Mona Lisa one of the most well known paintings in the entire world, in 1503 and finally completed it in 1517. One of the biggest reasons for the popularity of the painting is the artist himself. Leonardo is one of the most recognized artists of all time. The Mona Lisa was painted after Lisa del Giocondo, the wife of a wealthy merchant Francesco del Giocondo from Tuscany. The painting was created to be a celebration of their home's completion as well as the arrival of their second son. The Mona Lisa is one of the most well know paintings from the time of the Renaissance. This painting as well as Leonardo da Vinci, inspired and affected many of the artists and writers in the Renaissance. It also changed the way people saw and made art. During the Renaissance art was usually just what they saw. They drew people the way they were, with no real sense of freedom to be creative. The Mona Lisa's background was mainly different because of its landscape. The Mona Lisa was one of the first paintings if not the first to have an imaginary background. This means that the background was so unique, because no other artists had decided to create a piece with an Aerial view, creativity, and freedom. It opened up new possibilities for other artists to step of out their comfort zone and not only make what was expected of them.
continues to hold great significance to the Catholic Church, and it is even where they
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