Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Modernism and the visual arts
The Sun Also Rises” was written by an author regarded that many individuals regard as the greatest modern writers; Ernest Hemingway. Written in 1926, in a time that can only be described as firmly within the “modernist movement” of literature, it was heavily impacted upon by the reality of carnage that was the First World War. Critics of this particular period of literature oftentimes refer to the writings that come from this era as being the product of a “lost generation”. This is of course with reference to the fact that those individuals within this “lost generation” had their youth, hopes, and dreams dashed as a result of the horrific carnage and terror of the first global conflict of the modern era (Bercovitch &Cyrus 62). True to this approach, the story in question incorporates key elements of modernism within its plot. The goal of this particular paper will be to provide the reader with key insights into the way in which imagination and elements of modernism/realism are reflected within the work in question. Further, the paper will seek to explore the how imagination in the novel impacts the characters’ lives.
The central conflict in the novel is a love that is destined not to be between the protagonists Jake Barnes and Lady Ashley Brett. All along, the author takes the audience through a journey full of turmoil in the lives of the character; all while it becomes clear as that imagination is playing a key part in what ultimately provides the fuel and passion for this relationship. This imagination that is being defined and described is more of a hopeless imagination; as it eventually is exhibited as a breakdown in the main character’s love illusions. Lady Brett fails to accept Jake; due in part to his incapability of p...
... middle of paper ...
...e not appropriate. They would rather embrace reality, regain a moral direction and do away with their naïve imaginations. It is an aspect that Hemingway brings throughout the story and emphasizes in the conclusion (Reynolds 87).
This novel is a good case of interaction between realism and modernity as well as imagination. It portrays smooth transition as and relevance of each approach used by the author. Certainly, modernism in the novel, realism and imagination all contribute to make this literary piece a relevant novel to the society. It also addresses the historical perspective very well. Moreover, the true “action” of the piece is most accurately depicted with respect to the realizations that the main characters have that imagination in and of itself is no longer a fitting or appropriate way through which they should seek to direct or master their own fate.
During 1910 and 1970, over six million blacks departed the oppression of the South and relocated to western and northern cities in the United States, an event identified as the Great Migration. The Warmth of Other Suns is a powerful non-fiction book that illustrates this movement and introduces the world to one of the most prominent events in African American history. Wilkerson conveys a sense of authenticity as she not only articulates the accounts of Ida Mae Brandon Gladney, George Swanson Starling, and Robert Joseph Pershing Foster, but also intertwines the tales of some 1,200 travelers who made a single decision that would later change the world. Wilkerson utilizes a variety of disciplines including sociology, psychology, and economics in order to document and praise the separate struggles but shared courage of three individuals and their families during the Great Migration.
Magical, poetic, and awe-aspiring. This is what mere words at its best can accomplish when trying to capture the essence of the painting, The Glory of the Light Within, by the renowned artist, Dale Terbush. This specific masterpiece is representative of Terbush’s art and reveals much about his outlook towards nature. Viewers are presented with a breathtaking scenery and a natural beauty depicted in all its glory in this panoramic view (the painting is 4x5 feet). Indeed, because the well-defined foreground, distinct middle ground, and dim background compose characteristics of a magical scenery, this vista is transformed into an ideal utopia.
The novel is nurtured with a very soft but sophisticated diction. The essay itself portrays the author’s style of sarcasm and explains his points in a very clear manner. In addition, the author has used vocabulary that is very easy to understand and manages to relate the readers with his simplistic words. The author is able to convey a strong and provoc...
Hemingway refuses to romanticize his character. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of such people, and it is unrealistic to put sublime thoughts into their heads.
The painting Light of Hope is a realistic painting of a light house on the coast of an American shore done by contemporary artist Thomas Kinkade. Thomas Kinkade started his career with his first lithograph, and after some time he realized he was inspired to paint not for the money but from his heart. His main goal became glorifying God and spreading His light. Kinkade grew up in Placerville, California and growing up to be a big family man. Often in his paintings he leaves little symbols representing his wife and children. Over the years he has donated his earned money to different charities and is al crediting God for his ability to paint. His purpose as a painter has been and will continue to share of the light of God (Thomaskinkade).
Throughout The Sun Also Rises, Hemingway paints a tragic picture of young adults being haunted by the lasting effects of post traumatic stress disorder onset by their participation in World War I and the restrictions it placed on their ability to construct relationships.
Ernest Hemingway’s The Sun Also Rises is an interesting piece of literature that has been analyzed and reviewed by many scholars throughout the years. Something that is often brought to attention are the gender roles. In The Sun Also Rises, Hemingway makes a stronger woman and a more feminine man, this is something that had not yet been seen in literature. A few authors had made female and male characters in their novels that were different than the norm, but none to the extreme of Hemmingway. In Hemingway’s novel, his female character, Brett, does not care about obeying the societal gender role set forth for her during the time period she lives.
The Sun Also Rises was one of the earliest novels to encapsulate the ideas of the Lost Generation and the shortcomings of the American Dream. The novel, by Ernest Hemingway, follows Jake Barnes and a group of his friends and acquaintances as they (all Americans) live in Paris during 1924, seven years after World War I. Jake, a veteran of the United States, suffers from a malady affecting his genitalia, which (though it isn't detailed in the s...
However, Hemingway mistakenly sets up an equivalence of character and caricature in an attempt to highlight the difference between a character and a living person. It does not follow necessarily that being a caricature negates the possibility of also being a living person. To clarify this idea, more meaningful conceptions of the terms living person, character, and caricature must be established. Milan Kundera contends, “A novel that does not discover a hitherto unknown segment of existence is immoral” (3).
The American Dream and the decay of American values has been one of the most popular topics in American fiction in the 20th century. F. Scott Fitzgerald’s The Great Gatsby and Ernest Hemingway’s The Sun Also Rises create a full picture of American failure and pursue its ideals after the end of World War I by portraying the main characters as outsiders and describing the transportation in a symbolic way. Putting the aimless journeys for material life foreground, Fitzgerald and Hemingway skillfully link West and men and associate East to not only money but women. As American modernists, Hemingway utilizes his simple and dialog-oriented writing to appeal to readers and Fitzgerald ambiguously portrays Gatsby through a narrator, Nick, to cynically describe American virtue and corruption, which substantially contribute to modernism in literature.
The pivotal character of Ernest Hemingway's novel, The Sun Also Rises is Jake Barnes. He is a man of complex personality--compelling, powerful, restrained, bitter, pathetic, extraordinarily ordinary yet totally human. His character swings from one end of the psychological spectrum to the other end. He has complex personality, a World War I veteran turned writer, living in Paris. To the world, he is the epitome of self-control but breaks down easily when alone, plagued by self-doubt and fears of inadequacy. He is at home in the company of friends in the society where he belongs, but he sees himself as someone from the outside looking in. He is not alone, yet he is lonely. He strikes people as confident, ambitious, careful, practical, quiet and straightforward. In reality, he is full of self-doubt, afraid and vulnerable.
Svoboda, Frederic J. Hemingway and The Sun Also Rises: The Crafting of a Style. Kansas: The University Press of Kansas, 1983.
In the novel The Sun Also Rises, by Ernest Hemingway, the lost generation is discussed. After the WWI, many were affected in different ways. This post-war generation is described by discrimination, lack of religion, escapism and inability to act.
Works Cited and Consulted Hemingway, Ernest. A Farewell to Arms. Simon & Schuster, Inc.; New York, NY; 1929. The Cambridge Companion to Ernest Hemingway; edited by Scott Donaldson; Cambridge U. P.; New York, NY; 1996. Mandel, Miriam B.; Reading Hemingway: The Facts in the Fictions; The Scarecrow Press, Inc.; Metuchen, NJ; 1995.
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.