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Comparing and contrasting the realities of war in another country by ernest hemingway
The Grim Reality of War by Ernest Hemingway. A Farewell to Arms
Theme on War and love on A Farewell to Arms
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The Progression of Love in A Farewell to Arms
There are two major themes in A Farewell to Arms that Hemingway clearly conveys: war and love. The war theme is obvious because the book is set during the World War. The theme of love is less obvious, it begins faintly because of the uncertainty between Frederick Henry and Catherine Barkley. Neither desire love or commitment to anyone, but act upon their desires of passion. As the story progresses, so does their love. The strength of their love is enforced by various understandings and agreements. Love is the theme that closes the book, leaving a final allusion of what their love is about.
When the two first meet, Catherine is still dealing with the death of her fiancé in battle. This presents her as a woman who knows the dangers and possibilities of war. As a nurse physically present during the war, she is rightfully not perceived as grieving and mortified by her fiancé¹s death. She did not marry him because he wanted to enlist in the war, ³I would have married him or anything ... But then he wanted to go to war and I didn¹t know² (Hemingway, 19). Typically, many women married their sweethearts in lure of the war. She goes onto say that she ³didn¹t know anything then,² but the fact that she did know that the war was not an excuse to get married presents her as perceptive and intellligent (19). The war alone could not justify her love for her life long friend and fiancé. This tragic event explains her confusing emotional behavior towards Henry at first.
Henry¹s failure to remember his appointment with Catherine because he was drunk shows that he did not regard Catherine too seriously. However, his surprising sorrow when she is unable to see him shows tha...
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...irlwind romance of Henry and Catherine¹s relationship. Henry¹s involvement in the war always leads him back to Catherine, whether by choice or accident. His love for her became an important drive for him to go on: when he was wounded, during the retreat, when he killed a man, and when abandoning the Italian Army. Henry¹s life was the war, but his motivation was his love for Catherine.
Works Cited and Consulted
Hemingway, Ernest; A Farewell to Arms; Simon & Schuster, Inc.; New York, NY; 1929
The Cambridge Companion to Ernest Hemingway; edited by Scott Donaldson; Cambridge U. P.; New York, NY; 1996
Mandel, Miriam B.; Reading Hemingway: The Facts in the Fictions; The Scarecrow Press, Inc.; Metuchen, NJ; 1995
Twentieth Century Interpretations of A Farewell to Arms; edited by Jay Gellens; Prentice-Hall, Inc.; Englewood Cliffs, NJ; 1965
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
to achieve a semblance of order so as to survive. Ralph, who has found a conch
Like Ralph, Jack is a natural leader. Unlike Ralph, Jack appeals to more primal desires in the children and relies on his status as leader of the choirboys to justify his authority. Although his way of behaving is neither disruptive nor violent at the beginning of the book, he does, at that time, express an unquenchable desire to hunt and kill a pig and spends hours in solitude traversing the island. Beginning with his self nomination as hunter, Jack eventually degenerates into the beast he is consumed with slaying. The first time Jack has an opportunity to kill a pig, he cannot, "because of the enormity of the knife descending and cutting into living flesh; because of the unbearable blood". After this hesitation, for which he is most ashamed, Jack's blood lust grows more and more irrational, to the point where he abandons the fire (and causes the boys to miss a potential rescue) in order to hunt. During Jack's metamorphosis, he begins to paint his face with clay and earth, masking his humanity from the pigs and inspiring terrible awe amongst the
Jack fails to realize that the boys need security, stability, and order on the island Jack was a leader of the choir before the boys landed on the island. These boys, who were in the choir, still want to follow Jack; however, they have no discipline at all. The only thing that is on Jack’s mind is hunting. He doesn’t care about anything else, except capturing and kill the pigs for some food.
Jack had a bit of a war-mongering stripe in him. His need for conflict and competition is evident throughout the book, such as butting heads with Ralph and bullying Piggy. Even worse, he was the “Leader of the choir boys…who followed him everywhere.” (Golding 16). He had a following before he reached the island, whereas Ralph had to build his own faction. As a final advantage, Jack was also one of the older boys on the island, so anyone younger would automatically look to him for advice and help, along with Ralph. However, being that many of the other boys owed their loyalties to Jack due to their collective participation in choir, some of the stragglers might seek to go to the larger “side” that developed in the latter half of the book. Solomon Asch’s explained this in his work on conformity, which states that if a large number of individuals are moving in a direction, more should follow. Luckily for Ralph and Piggy, it was not unanimous, or the likelihood of them gaining followers would be almost nil. Piggy had predispositions that were better earlier on in the story, but soon faded into obscurity. Piggy was representative of the educated man of society; the one society produces so that the individual can be successfully adapted to society. While his keen ideas were useful at the beginning of their endeavors, his physical shortcomings ultimately doomed him.
This is evident when Jack wants to put people in punishment if somebody breaks the rules (32). His desire to punish people shows his love of power and dominance. It also reveals that Jack could have been like one of the ambitious leaders in the past history. Another sign of becoming a savage in the society is showing an act of disrespectful to another neighbour, including Piggy. This reveals when Jack mocks Piggy by telling him, “Shut up, Fatty” (17). It also happens when Piggy condemns Jack for “[letting] the fire out”, although Jack makes a promise to “keep the smoke going” (75). However, he became so violent, so angry that he “smacked Piggy’s head” (75). Some of the uncivilized members of the society use their selfish desires, which is not aiming for the common good. For instance, Jack tells Ralph that he successfully “cut the pig’s throat” (73). He said, “There was lashing of blood…you should have seen it!” (73). This suggests that Jack is more concern about hunting rather than getting rescued. Jack, as a savage, uses his ambitious power to put people in punishment, his rude attitude to hurt people, and his way to care more about himself than others. This character greatly exemplifies a savage in the society, but another important symbol that makes a novel an allegory is the
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
William Golding’s book, The Lord of the Flies is a wonderful, fictional book about the struggle and survival of a group of boys trapped on an uninhabited island. This book kept me very interested and made me want to keep reading. The characters were very diverse and each had very appealing qualities in themselves. The setting is brilliantly described and the plot is surprisingly very well thought out. Many things like these make this book such a classic.
Jack has always been an ill-natued boy even from the start of the book when he told Piggy to "Shut up, Fatty." (p.23). Dispite Jack’s unpleasent personality, his lack of courage and his conscience preventing him from killing the first pig they encountered. "They knew very well why he hadn’t; because of the enormity of the knife decending and cutting into living flesh; because of the unbearable blood." (p.34)
In William Golding's Lord of the Flies a group of kids who are fleeing a war, plane crashes and they are stranded on a deserted island without Adult supervision. The first thing all the kids do is vote for a chief and Ralph, who is more responsible, wins over Jack. They are the choices because Ralph is the Colonel of the whole group and Jack is the oldest out of all the boys. As the story goes on and when Jack starts his own group all of the kids lose sight of their main goal, to be rescued. They're all having too much fun when they switch over to Jack's group hunting and killing for food. In the story there are four main characters that are in a sense the leaders of the crew. There's Piggy and a quiet Simon who do not possess the scrappiness that Ralph and Jack do. These strengths are what help Ralph and Jack survive. Piggy is always talking about how his Auntie would not let him do this or that and Simon was just a quiet, reserved kid who is regarded as weird just due to the fact that he is calm.
The first, most obvious trait of Catherine’s heroism is that she values human relationships above materialism. Nothing is more important to Catherine than her lover, Henry, and as the novel goes on, her baby. When Henry is injured and sent to Milan, she has no trouble transferring to the new hospital there. Catherine loves Henry and would drop anything to be with him. Nothing material holds her back from being with him. Even when they live in Switzerland, they don’t have many material possessions. They live very simple lives because all the couple really needs is each other. In chapter forty, Henry describes their time together with this quote, "When there was a good day we had a splendid time and we never had a bad time. We knew the baby was very close now and it gave us both a feeling as though something were hurrying us and we could not lose any time together." Catherine obviously values her time with Henry more than anyone else, but it isn’t the physical aspect of getting out and doing things that satisfies her. What satisfies Catherine is the extra time she gets to spend with the love of her life b...
These beliefs do not, however, hold him back for long as the society he now lives in alter his previous values and morals. A majority of the boys on the island are wanting to go after the pigs for meat. Jacks major convern is to obtain meat and as Ralph is trying to convinve him to help with shelter jack says, “ We want meat” (Golding 51). Golding is making Jacks growing savage nature blatantly obvious, as he ignores the need for shelter and simply wants to go hunt down pigs. The hunt is no longer merely a source of gathering food but has transmuted into the only activity of interest and fulfillment for jack and his hunters. Now a complete savage Jack has acquired a thirst for killing and hunting. This thirst, and abso...
Tolkien, J.R.R.. “Now Read On…” Interview by Dennis Gerrolt. BBC Radio 4. BBC, 1971. Web. 11 Jan. 2014.
The state of affairs and the grim reality of the war lead Henry towards an ardent desire for a peaceful life, and as a result Henry repudiates his fellow soldiers at the warfront. Henry’s desertion of the war is also related to his passionate love for Catherine. Henry’s love for Catherine is progressive and ironic. This love develops gradually in “stages”: Henry’s attempt at pretending love for Catherine towards the beginning of the novel, his gradually developing love for her, and finally, Henry’s impas... ...
In Book I, the army is still waiting for action, and the world is one of boredom with men drinking to make time go by and whoring to get women. War itself is a male game; ”no more dangerous to me myself than war in the movies” (34). Love is also a game. When Henry meets and makes his sexual approach to Catherine Barkley he is only trying to relieve war’s boredom; ”I knew I did not love Catherine Barkley or had any idea of loving her. This was a game, like bridge, in which you said things instead of playing cards” (28).