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Character analyses of The Sun Also Rises
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The pivotal character of Ernest Hemingway's novel, The Sun Also Rises is Jake Barnes. He is a man of complex personality--compelling, powerful, restrained, bitter, pathetic, extraordinarily ordinary yet totally human. His character swings from one end of the psychological spectrum to the other end. He has complex personality, a World War I veteran turned writer, living in Paris. To the world, he is the epitome of self-control but breaks down easily when alone, plagued by self-doubt and fears of inadequacy. He is at home in the company of friends in the society where he belongs, but he sees himself as someone from the outside looking in. He is not alone, yet he is lonely. He strikes people as confident, ambitious, careful, practical, quiet and straightforward. In reality, he is full of self-doubt, afraid and vulnerable.
Jake suffers from the nagging fear of the loss of his sexual prowess as a result of the wounds suffered during the war. Although this condition is not explicitly mentioned in the story, it is nevertheless implied. This physical dilemma brings psychological consequences so that leaves him insecure about his masculinity. Compounding this feeling is the fact that Brett, the love of his life, refuses to have a relationship with her. Once when there were in a taxi, and he tried to kiss her, Brett's response was, "Don't touch me. Please don't touch me" (33). Although Brett says that she loves him, she really doesn't want to deal with what she perceives as related problems. With other women, like in the case of another character Georgette, Jake can be charming and funny, though he seems to get bored with them quickly. Brett's apparent reservations lead Jake to believe that there could never be a sexual rel...
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...mewhat caustic tone of the word "pretty" suggests he finally understands that Brett has no idea how much pain he has been though.
The novel ends with Jake in the pits of disillusion. He breaks ties with all friends unceremoniously. He has unfulfilled sexual desires, and the realization that he has misplaced his love in Brett grips him to the core. Yet these bitter realities, these dark bottoms of the ocean may be the saving gems he would need to regain his lost self, the very important guideposts that he would need to touch to be able to rise to the surface of the sea, to be able to see the light again and ultimately to know his true self again. Similarly if he Jake is the personification of the Lost Generation, it might just be that this utter disillusionment might be the very forces that would impel the Lost Generation to find itself once more and rise again.
For example, she taunts pure people like Romero, who is probably still a virgin because he does not “mix that stuff” (Hemingway, 90), for Romero, bullfighting always comes first , and there is Jake who is impotent. Although, between the lines, Brett thinks about all “the hell [she] put chaps through...[she is] paying for it all now” (Hemingway, 14). Brett is not necessarily thinking about these men, instead she is punishing herself for all that she has put men through by being involved with people who can not match up with her sexually. Likewise, Hemingway shines light on the relationships that Brett has destroyed between men to punish herself. For instance, after Cohn begun to like Brett, Jake was enraged to where he even said, “to hell with Cohn, (Hemingway, 117) damaging their friendship. Additionally, Brett’s interaction with Jake caused Mike to lose control of himself and become “a bad drunk” (Hemingway, 78) and become “unpleasant after he passed a certain point,” (Hemingway, 78) and throughout the trip, he was constantly passing this
Throughout the novel, Lady Brett has many types of relationships with a variety of people, most of whom are men. Some of these men include Jake Barnes, the narrator of the story, Mike Campbell, her supposed husband, and Pedro Romero. Lady Brett’s laid back, independent, and rather promiscuous lifestyle creates many foil relationships with the various men she has affairs with. Brett’s foil relationships sometimes bring out the best qualities in people and other times unfortunately brings out the worst qualities. Throughout the book, Lady Brett’s foil relationship with Robert Cohn brings out Cohn’s unpopularity, immaturity, and his possessive and obsessive control over Brett.
Love is a funny thing and it makes people do funny things. The event that changed Jake Barnes 's life the most would be falling in love with Lady Brett Ashley because it changes who he is essentially. Jake and Brett met during World War One in England when Brett had treated a wound for Jake. The pair fell in love with each other, she refused to commit to a relationship with him. Brett is a selfish woman and does not care who she hurts. Because of her manipulations, Jake disregards his morals to bend to her will. And finally Jake 's friendships suffer because of Brett 's carefree attitude.
Jake does not reject the church as he begins to pursue religion lightly, although he doesn't want to be very close to the church just yet. Although he is not happy for the injury God has given him, he seeks religion as a lifestyle as he seeks for a way to live in a society while he is looked down upon
Hemingway refuses to romanticize his character. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of such people, and it is unrealistic to put sublime thoughts into their heads.
The conflict of male insecurity or showing the lack of confidence in oneself, is shown by the main character Jake Barnes in “The Sun Also Rises.” Jake Barnes, an ex-militant in World War II, tries to live a thrilling life by moving from city to city in search of women to party with him in hope to cope with the uncertainty in himself. He first falls in love with a woman named Lady Brett Ashley, but he cannot “please” her due to the loss of his privates and high burns to his genital area that Jake acquired from the dreadful war name World War II. Jake is displayed to be very insecure of his injuries he can never find self-confidence even after defending his country’s freedom and earning morale-boosting accolades. Barnes finally becomes aware
Throughout The Sun Also Rises, Hemingway paints a tragic picture of young adults being haunted by the lasting effects of post traumatic stress disorder onset by their participation in World War I and the restrictions it placed on their ability to construct relationships.
Hemingway often depicts nature as a pastoral paradise within the novel, and the fishing trip serves as his epitome of such, entirely free from the corruptions of city life and women. Doing away with modern modes of transportation, they walk many miles gladly to reach the Irati River. While fishing, Jake and Bill are able to communicate freely with each other, unbound by the social confines of American and European society. The men also enjoy the camaraderie of English Veteran, Harris. This is quite different from the competitive relationships that can develop between men in the presence of women. Bill is able to express his fondness for Jake openly without it “mean[ing] [he] was a faggot,” (VIII), and Jake has no qualms over his fish being smaller than Bill’s, in what could be interpreted as an admission of lesser sexual virility.
Brett Ashley is, from the start, a careless woman. A lady by marriage only, she has affairs with many men, breaks many hearts, and drinks lots of liquor. She wants to be the center of everyone's attention. She may be physically stunning, but she lacks class and restraint. Like the rest of the novel's main party, she has a taste for living the good life in disregard of the feelings and actions of others. It seems everyone loves or has loved her, including Jake Barnes. So Robert's unfortunate attraction to Brett Ashley has already heightened tensions between the male characters.
Throughout the Nick Adams and other stories featuring dominant male figures, Ernest Hemingway teases the reader by drawing biographical parallels to his own life. That is, he uses characters such as Nick Adams throughout many of his literary works in order to play off of his own strengths as well as weaknesses: Nick, like Hemingway, is perceptive and bright but also insecure. Nick Adams as well as other significant male characters, such as Frederick Henry in A Farewell to Arms and Jake Barnes in The Sun Also Rises personifies Hemingway in a sequential manner. Initially, the Hemingway character appears to be impressionable, but he evolves into an isolated individual. Hemingway, due to an unusual childhood and possible post traumatic injuries received from battle invariably caused a necessary evolution in his writing shown through his characterization. The author once said, “Don’t look at me. Look at my words” (154).
The Sun Also Rises was one of the earliest novels to encapsulate the ideas of the Lost Generation and the shortcomings of the American Dream. The novel, by Ernest Hemingway, follows Jake Barnes and a group of his friends and acquaintances as they (all Americans) live in Paris during 1924, seven years after World War I. Jake, a veteran of the United States, suffers from a malady affecting his genitalia, which (though it isn't detailed in the s...
Jake feels that the war took away his manhood because he is unable to sleep with Brett as a result of an injury. Although he wants to have a relationship with Brett, and spends most of his time trying to pursue her, she rejects him because he cannot have a physical relationship with her. At several points in the novel, Brett and Jake imagine what their lives could have been like together, had he not been injured during the war. Thus, his physical injury gives him emotional distress because he cannot have a relationship with the woman he always wanted. The traditional American perception of masculinity was a heroic, strong soldier who showed no fear during war....
...g with two of her lovers which were Pedro and Robert. He takes on a role of a female character when he is there for Brett after each affair of hers fails. Even when Robert attacks Jake over Brett he is unable to fight back and stand up for himself which questions his masculinity. Jake still ends up talking to Cohn and compromising his pride when Robert asks for his forgiveness. Although Jake simply replies with “sure”, it is clear that he seems to have lost all sense of self and his masculinity depreciates. Jake feels connected to bull fighting and sees it as the best means to live life. “I can’t stand it to think my life is going so fast and I’m not really living it. Nobody ever lives their life all the way except bull fighters” (Hemmingway 18). The underlying meaning Hemingway is trying to reveal to his readers is that Jake feels envious of the macho lifestyle the
Finally, Ernest Hemingway wrote The Sun Also Rises as an allegorical tale of the times he realized first hand and experienced as a way of life; indeed, his utilization of symbolism and character development represent the aimlessness of the “Lost Generation.” Works Cited Bloom, Harold. A. A. American Fiction between the Wars. Philadelphia: Chelsea House, 2005.