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Early 20th century art history
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Introduction Modernism derived from the search for a new form of expression, breaking out of the traditional way of art. Traditional subjects were never the main concern as modern artists create works that reveal more about the aesthetics and concerns of art. As modern artists seek to establish new approaches to their artwork, they often question the way of representation and techniques of traditional art. As modern art develops, it is known to be rebellious by nature as they seek for continual desire to shock along with the desire of originality. But overtime, society accepted how modern art is and their desire of originality and continual shock. Soon, it became mainstream. Modern artists experimented with the expressive use of colors, …show more content…
One example would be photography as it was another way of interpreting the world for the artists. Modern art is a means of personal expressions but our times brought a change that had artists doing “art for art’s sake”. Artists before the 19th century were often commissioned by wealthy patrons, or institutions like the church to make artworks that depict religious or mythological scenes where as modern artists, they have a more unique expression in depicting what they feel rather than what they see and are told to express. During the 19th century, artists started to create art of subjects that interests them or in which they have a direct experience from. For example, the Romanticism movement lasted from 1800 to 1850 in which was an expression of an aesthetic attitude that includes both cultural and literary subjects. Another example would be the Realism movement in which the artists paint scenes or objects as what they appear in reality giving it a more “realistic” approach. In this essay, I would introduce some movements of the modern art and a few works from artists to show how they would be …show more content…
Avant-garde was also used to describe modern artists. It was another way of saying that as modern artists, they are always trying something new by pushing boundaries. Some avant-garde artists seek an introverted path by reviewing artistic principles and elements and there are some who -in their work, criticize both the political and social ideologies. For example, the Dada movement, Dada began in 1916 in Zuric, Switzerland and it was considered to be an artistic and literary movement. It rose as a reaction to the belief that the causes of World War I are ‘reason’ and ‘logic’. The movement itself was influenced from previous movements such as Cubism, Futurism, Constructivism and Expressionism. Dada was the opposite of what art stood for. The Dadaists rejected traditional culture and aesthetics hoping to destroy it. The Dadaist’s interests are solely in rebelling against what they saw as cultural snobbery and political support for the war. In his Dada Manifesto of 1918, Tristian Tzara is said to have invented the word Dada. It was known that Dadaism’s output ranged from performance art, to poetry, photography, sculpture, painting and collage. Some artist examples would be Hugo Ball and his readings of sound-poems and Hans Arp using abstract compositions by chance, which were expressive. Dada artists also analyzed form and movement by
Modernity held movements that paved the path for new ways of thinking and expression as a result of the industrial revolution. Two of these movements are: Surrealism, and the school of Bauhaus. Although these movements are quite different in appearance, they both wanted to challenge the traditional customs of the time. Whether it be eliminating conscious editing of thoughts by the Surrealists or producing a new sophisticated approach to design in Bauhaus, these movements created unique artworks that reflected the times of change they existed in.
violence and change. Artists who worked in traditional media such as painting and sculpture, and in an eclectic range of styles. Some people went with the movement while others opposed it. I enjoy the different types of eclectic movement in art such as the paintings, drawings and the designs. It was not until 1911 that a distinctive futurist style emerged and then it was a product of Cubist influence. Futurism was not immediately identified with a distinctive style. Futurists were fascinated by the problems of representing modern experience, and strived to have their paintings evoke all kinds of sensations and not merely those visible to the eye. Futurist art brings to mind noise, heat, and even smell of the metropolis.
What is dada or dadaism. Dadaism was a form of art. Dadaism was an art movement starting in Europe in the 20th century. Dadaism art is very unique and very strange. The art is made up of random objects and sometimes they have hidden messages in them. Dadaism started to come to Paris in the 1920’s. Some people think that dadaism started because of world war one. Dadaism artists rejected the logic and aestheticism of modern capitalist society. They rather express nonsense, irrationality and anti-bourgeois and protest their work. The dadaist artists did works that consists of visual, literary and sound media.The showed their works in poetry, cut up writing and collages. They say that there was no reason for the name dada. They say that an austrian artist named Richard Huelsenbeck stabbed a dictionary
Postmodernity is said to be “a reaction against the Modern movement” (Nicol 2009) and has shown a complete disregard for many aspects of art and design that were popularized during modernity, including: legibility, the grid, and use of a clear hierarchy. Postmodernism, as an art movement, aims to create works based on an independent style. Nothing is new in postmodern art, in a sense that something always comes from something else.
During my second time visiting the museum, I looked at paintings from the 15th and 19th centuries. Two of the art works that I choose is “The Story of Joseph” from the Renaissance period and “The Marketplace” from the modern art period. Both of these paintings were from different time periods but they were also very similar in content and style.
When studied with World War 1, “Dada was not an artistic movement in the accepted sense; it was a storm that broke over the world of art as the war did over the nations (Tucker).”
In the early 20th century, modernist writers broke free of the consistent pattern on the themes of religion, marriage, and family values, branching out with their actual opinions and observations on society, making more readers aware of the corruption of the traditional morality in America. It became evident that the American people were placing lust, wealth, and material prosperity over their marital vows and traditional values. This idea of amorality is noticeably identified in the literary works, The Great Gatsby, by F. Scott Fitzgerald, as well as in The Crucible by Arthur Miller. Major characters in both novels show signs of demoralization, in regards to Tom Buchanan, for example, whom openly cheated on his wife, broke the nose of his mistress, and sold Gatsby’s fate down the river, and Abigail, whom slept with a married man and killed an entire village in spite of the deteriorated affair. In this new, cutting-edge society the concept of materialism is prevalent. Materialistic power became a goal for many Americans in modern America, which is identifiable in The Great Gatsby. People of East and West Egg indulged themselves with parties, pricey automobiles and the latest fashions, meanwhile, the people in the Valley of Ashes merely scraped by. Jay Gatsby out of his desire to 'own' Daisy went to great lengths to appear as a man of great fortune.
Abstract art in comparison to realism, can be described as two art forms on opposite ends of the art style spectrum. Picasso and Pollock both had a massive impact on the outcome of modern art through their ability to challenge viewers as they interpret art, not for what the painting shows, but instead what the idea of it came from. Picasso’s painting is now an iconic symbol for an anti-war message, and Pollock’s painting now represent a form of freedom of speech and expression throughout America. Ultimately the reason artists moved from realism to abstract came from the invention of the camera, giving artist a reason to branch to new and edgy art forms, which will later create the modern art
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War.
Igor Stravinsky makes for a first-class example of differences and similarities between neoclassicism and modernism. Modernism is defined as “A term used in music to denote a multi-faceted but distinct and continuous tradition within 20th-century composition”1, while neoclassicism may be defined as “A movement of style in the works of certain 20th-century composers, who, particularly during the period between the two world wars, revived the balanced forms and clearly perceptible thematic processes of earlier styles to replace what were, to them, the increasingly exaggerated gestures and formlessness of late Romanticism”2 By not only comparing his works to others but within his own body of work the two movements can be better distinguished. Stravinsky composed in both styles throughout his musical career making his works not only a prime example but a map for the transition between periods/movements, thus giving distinctness to the movements. Stravinsky “cultivated a flexible and reciprocal association with his changing environment. While consistently producing work which transformed the sensibilities of those who heard it, he himself continuously allowed his own sensibilities to be fed, even transformed, by the music and music-making of others.”3 By comparing and contrasting the works of Stravinsky with not only his own works, but with his contemporary's of the early 20th century, the division and resemblances between neoclassicism and modernism can be thoroughly observed.
Modernism is defined in Merriam-Webster's Dictionary as "a self-conscious break with the past and a search for new forms of expression." While this explanation does relate what modernism means, the intricacies of the term go much deeper. Modernism began around 1890 and waned around 1922. Virginia Wolf once wrote, "In or about December, 1910, human character changed." (Hurt and Wilkie 1443). D.H. Lawrence wrote a similar statement about 1915: "It was 1915 the old world ended." (Hurt and Wilkie 1444). The importance of the exact dates of the Modernist period are not so relevant as the fact that new ideas were implemented in the era. Ideas that had never before been approached in the world of literature suddenly began emerging in the works of many great authors. Two of the pioneer Modernist writers were Joseph Conrad and T.S. Eliot. The tendencies to question the incontestable beliefs embedded in all thinking and to focus on the inner self dominated. Old viewpoints were tossed aside to make way for the discovery of modern man's personal spirituality. Two works that are considered important forbears in the Modern period are T.S. Eliot's The Wasteland and Joseph Conrad's Heart of Darkness.
They ridded the demands of the art community by not requiring great technical skill for something to be beautiful, and because of the lack of talent and thought that went into the art of their time period, there is only some pieces that I could consider true art. Traditions and encounters even stated that, ““Although the origin of the name Dada is unclear, it is believed to be a deliberately nonsensical word.” This quote shows that the artists didn’t want their work to fit into a previous category, and were often trying to prove that art can arise from anything. Dada pieces were unlike any art made, because they rejected using the precise technique and detail in their art, but what made this movement so unique was that it, “declared an all-out assault on the unquestioning conformity of culture and thought (T&E).” The idea of changing politics and long held views by art and not words was a drastic change for the art
People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.