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What is the goal of dalit literature
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The term, Subaltern, derived from Latin word ‘Subalterns; as a noun, means, an officer below the rank of captain, specially a second lieutenant ; at its adjectival level, it means of inferior rank, the later meaning is applicable so for as literature is concerned. Obviously, the term covers the subject, the masses, the deprived and neglect section of the society. It seems that the term ‘Subaltern’ has come into effect in the post-colonial era. Ranjeet Guha has worked on the project entitled Subaltern Studies; but his project deals with post-colonial history. Gayatri Spivak, in her controversial essay, Can the Subaltern Speak, brought the term under its special effect, as far as literature is concerned. But her essays about the subalterns are specially associated with the females.
The term subaltern comprises not only the women but those people who have been deprived of liberty, equality fraternity and justice. The group of Indians that has been deprived of this all is called Dalits and their writing Dalit literature. As Dalits are deprived of the rights to live, their writing is marked as a revolt against the social system, and the efforts to establish social justice. Arjun Dangle, an eminent Dalit writer and activist rightly points out.
“ Dalit literture is marked by revolt and negativism, since it is closely associated with the hopes for freedom by a group of people who, as untou- chables, are victims of social, economic and cultural inequality.”
Differentness and revolt are the special qualities of Dalit literature. In comparison to the mainstream literature , Dalit literature is different in case of language, experience, and hero. While the mainstream literature is merely for entertainment, Dalit literature puts the heart- r...
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...d, but to the real world of neglected people.
Works Cited
1) Guha, Ranjit. Ed. A Subaltern Studies Reader. Delhi: Oxford University Press, 2000.)
2) Dangle, Arjun. Ed. Poisoned Bread: Translations from Moedrn Marathi Dalit Literature. Hyderabad: Orient Longman Limited, 1994.
3) Garud, Shyamal. Dalit Stri Atmakathane. Pune: Yashshree, 2010.
4) Sathe, Anna Bhau. Samagra Anna Bhau Sathe. Kolhapur: Shramik Pratishthan, 2011.
5) Limbale, Sharankumar. Towards an Aesthetic of Dalit Literature. Trans. Alok Mukherjee. Hyderabad: Orient Longman Private Limited, 2004.
6) Ibid.
7) Karhade, Sada. ‘Dalit Sahitya Chikitsa’( Dalit Literature: A Critical Study.) Aurangabad: Swarup Prakashan, June 2001.
8) Pantawane, Gangadhar. ‘Sahitya: Prakruti Aani Prawruti’ (Literature: Nature and Form). Aurangabad: Swarup Prakashan, August 199.
One statement in the beginning of the book was especially poignant to any one who studies Indian culture, It is easy for us to feel a vicarious rage, a misery on behalf of these people, but Indians, dead and alive would only receive such feelings with pity or contempt; it is too easy to feel sympathy for a people who culture was wrecked..
In Nehru’s India, women were victims of a “passive revolution” that subtly advanced bourgeoisie men of higher castes under a guise of parliamentary democracy. Though women have presided over the Indian National Congress, served as a prime minister, and represent a large part of India’s la...
...e most privileges, while the Dalit, or untouchables, remain the lowest and are subjected the same inhumane conditions.
There is a story of “two school friends, Angie and Bogge, who spend the whole day together”. They eat together and have lots of fun shopping and watching movies. But when Angie goes home, her parents beat her because they think that the person she was spending time with was not right for her because Bogge doesn’t belong to Angie’s class of caste system” (Luitel,1). India’s caste system deprives some individuals, the ones who don’t want to conform, from thinking and feeling like an individual, and individuals who can make one’s own choices. So, not all people fit into their role in a caste system that is meant to create a stable and utopian society.
Gairola, Rahul. “Burning with Shame: Desire and South Asian Patriarchy, from Gayatri Spivak’s ‘Can the Subaltern Speak?’ to Deepa Mehta’s Fire.” Comparative Literature 54:4 (Fall 2002). 307-324. EBSCOhost.
Singh, Hira. 2008. “The real world of caste in India,” The Journal of Peasant Studies 35 (1):
Leenerts, Cynthia. "'How Can We Be Like We Used to Be?': The Collective Sita and the Collective Draupadi in Raja Rao's Kanthapuraand Jyotirmoyee Devi's The River Churning." South Asian Review 24.2 (2003): 84-105. Rpt. in Contemporary Literary Criticism. Vol. 255. Detroit: Gale, 2008. Literature Resource Center. Web. 21 Apr. 2014.
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
Nicholas B. Dirks. (2011). Castes of Mind: Colonialism and the Making of Modern India. Princeton University Press
For untouchables ignorance showed by the social world hues untouchable’s identity. Whether untouchables who are assigned as "various" don't consider themselves to be 'dalit', poor, handicapped, or creature, these terms by the by depict a key reality in society tuned to the oppression of ‘dalit’ and
Right from the ancient epics and legends to modern fiction, the most characteristic and powerful form of literary expression in modern time, literary endeavour has been to portray this relationship along with its concomitants. Twentieth century novelists treat this subject in a different manner from those of earlier writers. They portray the relationship between man and woman as it is, whereas earlier writers concentrated on as it should be. Now-a-days this theme is developing more important due to rapid industrialization and growing awareness among women of their rights to individuality, empowerment, employment and marriage by choice etc. The contemporary Indian novelists in English like Anita Desai, Sashi Deshpande, Sashi Tharoor, Salman Rusdie, Shobha De, Manju Kapoor, Amitav Ghosh etc. deal with this theme minutely in Indian social milieu.
Caste system has been the scourge of Indian civilization and culture. The battle against this oppressive and inhuman is older than even some of the great religions of the world. The first warrior to wage against this system was probably Gautam Buddha who waged the war against this inhuman system in 6th century B.C. No doubt, Buddha was able to put some dents in the system, but after the Nirvana of Buddha, the system once again rose like a phoenix and gained strength to crush humanity. In fact, the system has proved to be the most agile and resilient against the liberal human traditions. According to Porter:
Mishra, Vijay. "The Texts of Mother India." After Europe.Ed. Stephen Slemon and Helen Tiffin. Sydney: Dangaroo Press, 1989. 119-37.
Of the themes which dominate the representative writings of the forth world literatures include the theme of resistance, rebellion, opposition, assertion, challenge, sacrifice, suffering and displacement. All these general ideas are interconnected with the common concept of ‘freedom’ and an aspiration for which is truly a driving force for the indigenous people. In this paper an attempt has been made to look into the theme of resistance and how it contributes to the development of the spirit of self-determinism as it is reflected and re-presented in the Fourth World literatures with special reference to dalits’ writings in India in order to appreciate and advance the common cause of freedom in the larger interest of Humanity.
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...