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History of cinematography
History of cinematography
History of cinematography
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So Abrams introduced me to an article about a man who changed the film world forever. This man’s name is Garrett Brown and he invented the Steadicam, the Skycam, Flycam, and the Divecam. Now you maybe wondering what are these things? Well, let me give you a little history lesson. Back then, cameras were attached to a chair and the chair would travel on a rail or the camera would move around on a dollie where it was attached to a platform. However, this would take a very long time to build and of course, cost a lot. At the same time, handheld cameras would be all over the place. Garrett thought there has to be a better way to be able to film and move at the same time, so he invented the Steadicam. The Steadicam allows cameramen to follow
Rolf de Herr’s 2002 film The Tracker represented some human beings in the past who have been extremely naïve, barbarous, and bigoted when it came to dealing with Indigenous Australians. This film portrayed white racism in the characters of the Fanatic, the Veteran, and at first the Recruit until he becomes stronger and eventually changes his demeanor towards the Aboriginal people. Even though the Tracker experiences immense hardship throughout the movie he was always two steps ahead of his bosses since he was very familiar with the land and was also able to outsmart his superior officers. The Tracker is a gloomy film which presents the dark past of Australia that must never be forgotten.
In the years between 1933 and 1945, Germany was engulfed by the rise of a powerful new regime and the eventual spoils of war. During this period, Hitler's quest for racial purification turned Germany not only at odds with itself, but with the rest of the world. Photography as an art and as a business became a regulated and potent force in the fight for Aryan domination, Nazi influence, and anti-Semitism. Whether such images were used to promote Nazi ideology, document the Holocaust, or scare Germany's citizens into accepting their own changing country, the effect of this photography provides enormous insight into the true stories and lives of the people most affected by Hitler's racism. In fact, this photography has become so widespread in our understanding and teaching of the Holocaust that often other factors involved in the Nazi's racial policy have been undervalued in our history textbooks-especially the attempt by Nazi Germany to establish the Nordic Aryans as a master race through the Lebensborn experiment, a breeding and adoption program designed to eliminate racial imperfections.
Our intention on the project was to separate the project with Tom doing the early years and I doing the later years in the company’s history. We would share the different information with each other helping each other understand the difficult technological information to hand with the different camera systems that were created threw out the years.
Jaws is a 1975 thriller that was directed by Steven Spielberg and is also based on a 1974 nook with the same name. The film is about a great white shark attacking Amity Island which is obviously not real but a fictional resort.
..., precision lenses, recorders, sounds consoles, lights, reflecting screens, auxiliary motors, cartons of supplies, electricians, sound technicians, and cameramen,” when a single water pump was nowhere to be found. It is borderline inconceivable that all this technology could be present to document such a tragedy, and none present to save the girl’s life.
The film 8 ½ centers on a filmmaker, Guido Anselmi, who struggles with the making of a new movie. Throughout the film, we see Guido’s fantasies, dreams, memories, and reality and often the line in between these moments is blurred. It is hard to indisputably tell whether a particular scene is truly happening in the reality of the film. What we do know, though, is that every scene is happening, either consciously or not, for Guido. Even if he does not really live in a house with all of the women in his life, that scene can reveal something about Guido since he is the one having the fantasy.
Classical Hollywood Cinema is a chain of events that has a cause – effect relationship within a time and space. The environment looks realistic and believable to the viewers because the style is predictable, and the time is linear throughout the film. Each scene with the development of the plot and story is motivated by cause and effect. The filmmaking process involves four major steps that cut across the board. The process revolves around these levels that make it orderly to every individual involved in filming. The process has the following stages: Idea and Development, Pre-Production, Production and Post- Production. In Idea and Development it is normally
The invention of television affected filmmaking in America financially by a great decrease in audience attendance due to movie goers choosing to watch TV in their own home. Amid the 1950’s, specific elements were employed by the film industry to bring the audience back to the movie theater such as film innovations, marketing gimmicks and adult-themed movies. In order to compete with television, the production code changed as film studios began releasing films to theaters that would show films that were not approved by the Production Code Administration (PCA). American cultural and social tensions were reflected in films of this time as risqué topics were being more openly discussed instead of being swept under the carpet.
Eadweard Muybridge was a director who made the first movie in 1878, The Horse in Motion. He used multiple cameras and put the individual pictures into a movie. Muybridge’s movie was just pictures of a galloping horse. Muybridge also invented the Zoopraxiscope,the first ever movie projector that made short films and movies. It was able to quickly project images, creating what is known as motion photography and the first movie to ever exist. To use the Zoopraxiscope a disc is put on the device and is turned. As the disc turns, the images are projected onto the screen and the movie starts ...
As time and people are continually changing, so is knowledge and information; and in the film industry there are inevitable technological advances necessary to keep the attraction of the public. It is through graphic effects, sounds and visual recordings that all individuals see how we have evolved to present day digital technology; and it is because of the efforts and ideas of the first and latest great innovators of the twentieth century that we have advanced in film and computers.
In the film ‘Into the Wild’ directed by Sean Penn, there are some scenes in the movie and enable us to understand how it was developed. I found one important scene in the movie, this is the scene in which Chris’ feels that his journey was almost end, the director uses some camera shots, dialogues and some soundtracks for us to see and understand the scene in this movie.
Photography is a part of almost everyone's everyday life whether it is through a smartphone, laptop, or professional camera. Before the late 1800s, though, even a simple picture was not possible. Although many people worked hard and put their ideas and inventions of new cameras in the world, Louis Daguerre is among one of the most important. Michael Hart, in his book, The 100: A Ranking of the Most Influential Persons in History, ranks Daguerre as the 47th most influential person in the world. This ranking is appropriate because of the many ways his invention influenced today's world. His technique was practical and widely used in the 1800s. Although his methods are different
How It Works Cameras. New York, New York: Gloucester Press, 1991. 4. The syllables are. Print.
Edwin S. Porter contributed the following editing styles and techniques to film. He used a dissolve between every shot just and he frequently had the same action repeated across the dissolves. According to Filmrefrence.com “Edison Company’s new Vitascope projector in Indiana and California, and Porter worked with them as a projectionist in Los Angeles and Indianapolis. Later that year he went to work for Raff & Gammon in New York but left after the Edison Company broke with Raff & Gammon. He then toured with entertainers through the Caribbean as an exhibitor of motion pictures, and in early 1897 he helped build the projector at the Eden Musée”(Filmrefrence.com.2014).
In the film The Help, directed by Tate Taylor, an important scene is the scene when Eugenia whose nickname is Skeeter confronts Charlotte her mother about Constantine their old loyal, loving maid. Skeeter wishes to know the truth about how Constantine left their family. The main purpose of this scene is to show the difference of coloured and whites in the 1960s in Jackson, Mississippi. Also love between Skeeter and Constantine in particular when Skeeter finds out that her mother fired Constantine, only to die before telling her the truth. Four significant aspects the director used in this scene are cinematography, music, characterisation and dialogue.