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History of the film industry
History of the film industry
History of cinema essay
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Technicolor Research Topic Report: Sound and Image.
This is a written report where my partner on the topic and I presented a ten minute oral summary of our chosen research topic on Technicolor. We chose Technicolor as we felt it had most to say to us, threw the progression of the technology the problems threw out the years of perfecting the technology, to the ultimate glory of the Technicolor experience.
As we didn’t know too much on Technicolor we were quite eager and wanted to broaden our knowledge on the subject.
We started the research primarily on the internet as we found a lot of informative sites we also confirmed the information using books. The books and sites used were www.technicolor.com, www.widescreenmuseum.com/oldcolor/technicolor1.htm and www.imdb.com. The books are as follows, Glorious Technicolor: the movies' magic rainbow / Fred E. Basten. Barnes, 1980 and Mr. Technicolor / Herbert T. Kalmus with Eleanore King Kalmus.
Our intention on the project was to separate the project with Tom doing the early years and I doing the later years in the company’s history. We would share the different information with each other helping each other understand the difficult technological information to hand with the different camera systems that were created threw out the years.
Technicolor was the collaboration of Herbert Kalmus, Daniel Comstock and W. Burton Westcott in 1912 with the intention of creating flicker free color films, Technicolor as we know today has produced much success and revolutionized the way we look at cinema but this was not without there many teething problems. Actors and critics criticized the technology every step of the way.
There first invention produced was the Technicolor System 1 Additive Color, which I’m sorry to say flopped massively due to the unfortunate screening of The Gulf Between in 1917 which only a few frames remain of this film today. This was the first public premier of the technology and was disastrous. The film was captured through two separate filters red and green and the light through those two filters was captured on a single reel of film, when processed this negative had red and green information captured on a black and white reel, when this was processed the reel was placed into a projector and then threw red and green filters. To project the image an adjustable prism that had to manually lined up by the projectionist as two separate images formed on the projection screen this did not work as planned as the projectionist failed to line up the images correctly.
Making a cyanotype for the first time was a fun experience. A cyanotype is blueprint (literally) that makes a silhouette of the object. It was an early kind of photograph that was created by John Herschel (Stulik, 4). As I learned the process of making the cyanotype and made two prints myself, I noticed that it is similar as taking a picture with a camera when it comes to their uses and processes
...the very first Western in color. October 2nd The Twilight Zone is introduced by CBS. RCA sells 90,000 color T.V. sets. In 1960, after spending more than $130 Million in research and advertising, color television finally records its first profit for RCA. From a production standpoint, the one million units per year barrier are not broken until 1964.
The media object selected for analysis is the Daguerreotype. Louis-Jacques-Mande Daguerre (1787-1851), a Romantic painter and printmaker, had introduced the Daguerreotype on 7th January 1839 and would forever change the perspectives of the visual experience through photography (Daniel, 2004). Ever since the advent of the Daguerreotype, people were able to view a detailed imprinting of a certain visual frame on a treated sheet of copper (which today is called the film) (Daniel, 2004).
Newton, Henry, and William Winsor. "Spotlight on Colour: Flake White." Winsor&Newton. N.p., 2011. Web. 30 Apr. 2014.
prospective, and the basics of light, shadow, and space, and the use of color(Moir 21) .
It is some kind of irony that when Hollywood switched over to cheaper and faster forms of making color films, classic Technicolor equipment was dismantled and sold to China - which now makes some of the best-looking color films in the world.
Tim Jenison, the man behind the documentary film entitled Tim’s Vermeer set out to replicate a painting in the style of the beloved artist Johannes Vermeer. In order to do this, Jenison replicated a system of lenses that he believed Vermeer had used hundreds of years before him for the sake of duplicating the correct light variations around the objects of his muse. The course of the documentary showcases Jenison as he first constructs this hypothesis of Vermeer mastering light, moves on to Jenison's development of his lense device, and finally to Jenison using his device to paint a work of art in hope that it will be comparably close enough to the work of Vermeer that his hypothesis can be proven. Whether or not Jenison succeeded can be debated and was one of the topics that the panel of professors including Professors Baugh, Gorchoff, Myers, Willhardt, and Wright discussed at the convocation.
Technicolor created America’s first motion picture process in 1916. Exactly a century later, it’s introducing a hub for augmented and virtual reality.
On December 28, 1895 Georges was an audience member of the first seen movie or “moving picture” made in the world. This was a very short single reel, one shot film documenting a train pulling into the station. When the image of the train started approaching the audience, the audience screamed thinking they would actually get run over by the train. This revolutionary new type of “magic” was discovered by the Lumiere Brothers, who used their invention, the Cinematographe, to capture the first movie ever made. Melies soon after asked to purchase a camera from the Lumiere Brothers, but they refused. In desperate attempt to utilize this new entertainment tool, he set out to build his own camera.
This trend also found roots in the emergence of photographic technology, originally developed in the early 1800’s and advanced continuously until the present. During this time, artists and photographers suddenly found that they could much more easily captur...
Approximately twenty years later, Edison made his first moving picture machine. Though he had hoped to combine the phonograph with the kinetoscope in order to produce a talking and moving film, he failed to do so, and simply left it as it was. Edison felt as though there was no future for this device, so he allowed others to copy the idea and make their own versions of it (Barnham). From there, it advanced until it became what’s considered a modern movie
Technology has had a huge impact on the world, especially the film industry. It has had a long past and as the technology advances, it becomes more and more realistic. It all began with the first machine patented in the United States that showed animated pictures or movies. It was called the “wheel of life” or “zoopraxiscope” and was patented in 1867 by William Lincoln. Moving drawings or photographs were watched through a slit in the zoopraxiscope. However, modern motion picture making began with the invention of the motion picture camera. Frenchman Louis Lumiere is usually credited with the creation of the first motion picture camera in 1895, but several others were invented around the same time. What Lumiere invented was a portable motion picture camera, film processing unit and a projector called the Cinematography, all three functions in one invention. This made motion pictures very popular and it is also known as beginning the motion picture era. In 1895, Lumiere and his brother were the first to present projected, moving, photographic pictures to a paying audience of more than one person. However, they were also not the first to project film. In 1891, the Edison Company successfully demonstrated the Kinetoscope which allowed one person at a time to view moving pictures. Also in 1896, he showed the improved Vitascope projector and it was the first commercially successful projector in the United States.
Two dimensional computer generated imagery was used to express depth and to produce new shades that could not be depicted just through animation and drawing.
The Lumiere Brothers made a massive impact in the world of film that greatly shaped the world today. From their initial improvement to Edison’s Kinetograph and Kinetoscope, they greatly improved the world of film. The movies they made are extremely significant today because everything from the people they filmed to the manner in which they shot it was a pioneering step. The brothers were responsible for the first comedy, home movie, remake, film, and commercial. By making their camera portable they were also able to branch out from the confines of a studio and film on a moving train and all around the world. Each one of their films is also like mini documentaries about that time. The various films in The Lumiere Brothers' First Films show the
The 1920’s and 1930’s was considered the golden age for movie production. In the 1920’s the production code started censoring the film makers. This stated that any movie written had to pass a certain criteria examples included: if containing sex, violence, and killing. Early silent movies were often accompanied by live piano or organ music. Films were black and white. According to A Short Stories of the Movies, D.W Griffith, never had the intention to make movies, accidentally writing and reporting for a Louisville newspaper led him to become a movie producer, and writer. He is known as the inventor of Hollywood for using close-up shots, which tightly frames an object; today is known as “zooming”. He also used cross-cutting, in order to make