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The evolution of horror movies
The history of horror films
The evolution of horror movies
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The Silence of the Lambs is a horror thriller film, directed by Jonathan Demme in 1991, which features Dr Hannibal Lecter; a serial killer psychopath. The film’s trailer showcases the prominence of violence, and the fear it instills into its responders through the codes and conventions of the thriller genre. Although many conventions contribute to the trailers overall effect, it is the film techniques which seem to have the greatest influence, however without the contributions of the trailer’s setting, tone and characterisation the lasting effect would be severely lessened.
The trailer teases the menacing and violent nature of the film, through the filming techniques which continue to create suspense and anticipation within a responder.
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The trailer showcases a shaky and disorientating scene, as Agent Starling walking through the prison prior to her interactions with psychiatrist and convicted serial killer; Dr Hannibal Lecter, this ultimately identifies the fear and curiosity of both her and the viewers. This filming technique allows the viewers to feel as though they are part of the experience, creating a sense of reality as the film’s protagonist; Agent Starling faces the typical impossibilities despite her being positioned against the common ideology and perception of a protagonist through her gender. The Silence of the Lambs provokes tension and a sense of anticipation in the viewers mind through the trailer’s use of contrast. The continuing development of imagery in a responder’s mind, allows this contrast of light and dark to become such a prominent aspect, as the lightness comes to represent the free world, and often the protagonist’s safety, whereas the shadows become an element of surprise, furthering the portrayal of mystery and suspense. Therefore, this trailer both utilises and plays on a responder’s fear through its metaphorical display of good and evil, as it continues to transition between the lightness, and darkness of each scene, it is often emphasised using dark dialogue, and creative camera angles. These angles often strengthen the protagonist’s portrayal of both innocence and vulnerability, which allows a responder to become invested in both the story line and character, providing movies such as The Silence of the Lambs the opportunity to communicate the film’s meaning and social context into society, raising awareness of social inequalities. The menacing nature of The Silence of the Lambs is greatly displayed through the film antagonist Buffalo Bill, although the trailer often propositions Hannibal Lecter in this role.
Despite the typical hidden identity of an antagonist, Hannibal Lecter continuously emphasises the fear which Buffalo Bill had instilled, and his psychopathic nature often fitted society’s typical understanding, through the growing prominence of his chilling characteristics, and undeniable intelligence. These are most clearly showcased through the close ups, although the trailer also belittles him through the high filming angles within the prison, however it also displays Buffalo Bill’s position and power. This development of power throughout the trailer plays a vital role in the protagonist and antagonist relationship, which ultimately identifies the film. Despite the prominence and irrefutable effects of the filming techniques, the use of both music and narration emphasises the film’s thriller nature. The narration allows for a deeper exploration into the films display of good and evil, whilst highlighting character mental alertness and overall characteristics, whilst the music continues to emphasise The Silence of the Lamb’s thriller aspect. The shocking and suspenseful storyline is continuously supported through the fast transitions but ultimately the loud bangs, and the continuous use of and haunted music, which adds to the prominent sense of suspense and mystery within the thriller
genre. Like many trailers, The Silence of the Lambs has its greatest impact through its editing. Its occasional use of colour during the ever so prominent fast transitioning scenes add an element of shock, and emphasises the protagonist’s danger. This ultimately furthers a responder’s desire to watch the film, and creates an expectation of excitement, but most importantly adds the vital element of thrill within The Silence of the Lambs.
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
In Kurt Vonnegut's book Slaughterhouse Five, the protagonist , Billy Pilgrim, the remains of a man who has become a traumatized war struck soldier. In creating and developing Billy Pilgrim, the war, along with family influence, shapes how Billy acts in his two different lives: life in the military and life alone. Billy Pilgrim is surely on a mission, because his excessive time travelling doesn’t seem to happen for no reason. Billy circulates around his life even through the moments of capital importance when he seems hopeless. He’s a mind boggling and confused man who tries to play the game of life the way society expects him to but sometimes has the feeling that he was meant for greater things. Vonnegut portrays our protagonist as an archetype, the epitome of a christ-like messiah who has come to save humanity.
The beginning of Hannibal is very powerful and very moving. The actions of the rogue Nazis were so inhuman that it destroyed a young man’s mind. The mere thought of eating his beloved sister had to be horrifying. It is not difficult to imagine his revulsion, his unimaginable pain. As a person looking in at the tragedy caused by war, it can be imagined that if the mind is not
Clarice was shot from high as well as low angles looking up on certain men. This is an easy, although effective way of portraying her as small and weak. The film is filled with creepy music and sound effects. Lecter is also always close and in the center of the frame, to make it feel like he is invading your personal space, another effective technique when filming successful thrillers.
Enhancing the sustained fright of this film are an excellent cast, from which the director coaxes extraordinary performances, and Bernard Herrmann's chilling score. Especially effective is the composer's so-called "murder music," high-pitched screeching sounds that flash across the viewer's consciousness as quickly as the killer's deadly knife. Bernard Herrmann achieved this effect by having a group of violinists frantically saw the same notes over and over again.
Most novels are not able to adequately present two distinct themes that oppose each other; Slaughterhouse-Five is not most novels. It is unique in almost every way, especially with respect to its themes. In Slaughterhouse-Five, Kurt Vonnegut develops, to the surprise of the reader, the themes of both the necessity of the concept of free will and its illusion. While these themes seem to contradict each other, they are also complimentary. Kurt Vonnegut’s unique writing style enables the reader to perceive both of these themes in the text.
Lamb to the Slaughter, by Roald Dahl, instantly grabs a reader’s attention with its grotesque title, ensuing someone’s downfall or failure. The saying “lamb to the slaughter,” usually refers to an innocent person who is ignorantly led to his or her failure. This particular short story describes a betrayal in which how a woman brutally kills her husband after he tells her that he wants a divorce. She then persuades the policemen who rush to the scene to consume the evidence. This action and Patrick’s actions show the theme of betrayal throughout the story which Roald Dahl portrays through the use of point of view, symbolism and black humor.
One often experiences a sense of shock in film due to the filmmaker’s ability to manipulate technical elements such as sound and camera angles in order to elicit feelings of suspense and tension from the audience. More specifically, the definition of suspense suggests that this shocked emotion arises when someone is aware of his or her lack of knowledge about the development of a meaningful event; thus, suspense is a combination of anticipation and uncertainty dealing with the ambiguity of future events (Merriam-Webster). In terms of storyline expectations, it may be contrasted with the unknown, curiosity or surprise.
In the movie “Silence of the Lambs”, the secondary antagonist, Dr. Hannibal Lecter, was interrogated by FBI trainee Clarice Starling on the whereabouts of the main antagonist nicknamed Buffalo Bill. Starling asked Lecter for his help on solving the case because he is a brilliant psychiatrist and psychopath, currently incarcerated at the Baltimore State Hospital for the Criminally Insane. Buffalo Bill was kidnapping young women and skinning them in order to make a “woman suit” for him to wear, being a deranged transvestite. Starling asked for Lecter’s expertise because of his medical background and experience with his own personal disorder. Lecter was presently imprisoned because he is a ruthless cannibalistic serial killer. Before the audience actually meets Lecter, they are told he is dangerous, manipulative and an outright monster, calling him a “most prized asset”. Upon meeting him, Lecter appears to be subdued within his cell, a combined mixture of oddness and genuine care in his body language and facial features. When Starling introduces herself, Lecter listens intently, seemingly approachable and friendly for advice. Although the tone of his voice gives off a rather disturbing persona, he can easily be categorized as a disciplined, cultural and polite individual at first glance. In the 16 minutes total that Lecter appears in the movie, his presence automatically commandeers the flow of the conversation and mood of the environment that he is placed in.
In conclusion, I have demonstrated how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types. With this sequence, Coppola has shown the savagery of war and our complicity in this violence as an audience.
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
I spent a lot of time considering what movie I would watch to write this essay. I listed off the movies that I would like to watch again, and then I decided on The Notebook. I didn’t really think I could write about adolescence or children, so I thought that, maybe, I could write about the elderly. The love story that The Notebook tells is truly amazing. I love watching this movie, although I cry every time I watch it. The Notebook is about an elderly man that tells the story of his life with the one he loves the most, his wife. He is telling the story to his wife, who has Alzheimer’s Disease, which is a degenerative disease that affects a person’s memory. She has no recollection of him or their life together, or even her own children. She wrote the story of their love herself, so that when he read the story to her, she would come back to him. There are three things that I would like to discuss about this movie. First, I would like to discuss their stage of life and the theory that I believe describes their stage of life the best. Second, I would like to discuss Alzheimer’s DIsease and its affect on the main character who has it and her family. Third, I would like to discuss how at the end of the movie, they died together. I know it is a movie, but I do know that it is known that elderly people who have been together for a long time, usually die not to far apart from one another.
The Passion of the Christ is one of many films about the life of Jesus but this particular one is different to the others. Released in 2004, directed by Mel Gibson and filmed in the ancient Aramaic language, `The Passion' focuses mainly on the death of Christ and shows us the full extent as to what he suffered to save mankind.