Silence of the lambs Advance Content Critism November 6th, 2015 Brody McMaster Silence of the Lambs, is commonly said to be one of the most famous thrillers made. After watching the film for the first time, I noticed the director had many interesting themes and concepts. Some of these themes included, good vs. evil, the search for peace, judging a book by its cover, and gender and sexuality in the workplace. The theme I found most interesting, and what I found the director made most apparent, was gender and sexuality in the workplace. The director showed that gender and sexuality in the workplace was the most noticeable theme because of the constant contrasts set between Clarice and her male co- workers, her continuous denial about her femininity, and the amount of danger Clarice runs into because as a women, she is always having to do things on her own. If you think …show more content…
Clarice was shot from high as well as low angles looking up on certain men. This is an easy, although effective way of portraying her as small and weak. The film is filled with creepy music and sound effects. Lecter is also always close and in the center of the frame, to make it feel like he is invading your personal space, another effective technique when filming successful thrillers. Lastly, the film the Silence of the Lambs has a symptomatic meaning. It reflects the theme of how women in the workplace in our modern society are accurately portrayed, and how even though Clarice was a great fit for an FBI agent, she was always put off to the side and talked down to. Overall, even though I am not a big fan of thrillers like this, I definitely enjoyed watching and depicting the film, as it was a film that displayed accurate examples and themes how a women in a man’s world is most likely
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
In 1996, the Wachowskis wrote and directed the noir crime thriller, Bound. In this film, the directors turned some of the archetypes of film noir on its head. Most notably, the role of women in film. Film theorist, Laura Mulvey, claims that the main role of women in film is to function as a source of pleasure, to be objectified, to be passive and at the command of male fantasy. This relationship of looking and being looked at causes each gender to have a particular presence within film; the male is active and the female is passive (Mulvey, 1975). However, in Bound, the character Violet, who is obviously objectified by the gaze of the male characters, does not hold a passive role within the film itself. Violet is a force that acts upon the narrative, manipulating events and scenes to her favor, along with actively controlling male gaze and using it to her advantage. Film theorist, Tania Modleski argues that there are passive and active roles within films that have connotations with “femininity” and “masculinity”, but these roles do not have to apply to the gender or outward appearance of characters that they align with. Modleski focuses more on the actions, not the outward appearances, of the film
...vie, the actresses that played them actually fit the role. Women usually do not have impacts on things, but in this novel, major things happened as a result of these women. These things include dishonest marriages, love affairs, wealth, power, and jealousy. This goes to show that women are not always the innocent ones in novels, or any other type of literature.
do not seem suitable to be human beings. He understands the things he does are
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
A female in film noir is typically portrayed in one of two ways; she’s either a dependable, trustworthy, devoted, and loving woman, or she’s a manipulative, predatory, double crossing, and unloving temptress. Noir labels the cold hearted and ruthless woman archetype as a Femme Fatale. A femme fatale is walking trouble, and she’s aware of it. This woman is gorgeous, refined, eloquent, and commands the attention of any room she’s in. When the femme fatale desires something, she pursues it. If there’s an obstacle in her way, she overcomes it. If she can’t handle it herself, all she needs to do it bat her eyelashes and the nearest man is all too willing to take care of it for her. In essence, the most dangerous thing about the femme fatale is her
Paula Bohince grew up in rural Pennsylvania town and still resides there. (Bohince, Paula). The theme and setting reflects a young innocent girl raped in a Pennsylvania town. The poet writes the poem from the victim’s perspective. The words give a creepy feeling of what has happened. The poem describes a young girl who was brutally taken advantage of and relays the devastating affect it had on her. The diction is very fitting for the poem. It creates a very vivid picture of the devastating affect the attack had on the girl. The diction creates a gruesome picture and tone for the reader. The use of words like transparency, black lamb and maggots generates a rejected feeling in the girl. There is no place she can hide and her feelings are constantly being eaten away.
... explicit meaning it has many implicit meanings, because of this most of the meaning can be taken and changed between the viewers of the movie. The gender constructions and meaning throughout this movie are in line with the time period of the movie. This movie showcases rather typical gender construction and meaning for the 1960’s.
In Mary Shelley's Frankenstein and Oscar Wilde's The Picture of Dorian Gray women are often portrayed as passive and weak characters. During the 19th century when these books were written, the proper domestic ideology was that women were naturally squeamish, defenseless, innocent beings, who needed protection from the male worlds of business and politics (Stepenoff). This theme is demonstrated throughout both of these novels through major and minor characters. In the case of Frankenstein, Shelley, who is a feminist herself, covers her book with submissive women who suffer calmly and eventually die. Similarly in Wilde's story, there are a few female characters that do not show much immediate importance, but they ultimately have a major impact on the story. Both authors portray their female characters as weak and passive, yet, despite their minor roles, these women strongly influence the men and greatly alter the course of events in each novel.
By dissecting the film, the director, Jennie Livingston's methodology and the audience's perceived response I believe we can easily ignore a different and more positive way of understanding the film despite the many flaws easy for feminist minds to criticize. This is in no way saying that these critiques are not valid, or that it is not beneficial to look at works of any form through the many and various feminist lenses.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
The novel “Animal Farm” was written by the author name George Orwell. Animal Farm is a novel based upon the lives of a society of animals wanting a better life for themselves living on the Manor Farm. The setting of the book is a farm called “Manor Farm”. The theme of this book is that the animals should make a stand; if they continue doing the same thing they will continue getting the same results. It is better to be free and starving, than to be fed and enslaved.
In the past women have suffered from inequalities where women have been stopped from achieving their goals and dreams. One can argue that this is not true, they can simply say it was a different time period, a different set of social norms, different traditions, but the reality is that women back in the days compared to today are still facing many issues with inequality it can also be seen in the way female characters are displayed among television and film. For instance, in the film “Fifty Shades of Gray” Anestia is a female character that is portrayed as a female who has no voice for herself and has to learn how to be submissive just so she can remain by the side of the man she claims to love which is Christian Gray. Anestia eventually learns to not have a voice as to what she truly wants and desires from him, and becomes okay with the idea of following his orders. This film has sent a message to young females that it is okay to not take a stand and not have a voice for themselves with situations they are not happy with. This film is a perfect example to demonstrate how female inequality is still being persuaded among our society through films and television. But films like Amelie are changing females life into encouraging females to take action and follow their
In the novel, Sherlock Holmes The Hound of the Baskervilles, by Sir Arthur Conan Doyle, Sherlock Holmes and Dr. Watson are given a case that is paranormal. They decide to split up and Dr. Watson is given the task to stay by Sir Henry’s side while looking for clues. They cross paths against and Sherlock Holmes and Dr. Watson meet to discuss this case as a murder. They find major clues against Mr. Stapleton leading to his death. The novel explores the theme of not being ruled by fear through characters dealing with the apparent supernatural myth coming to life.