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Animal - human relationship
Animal - human relationship
Humans relationship with animals essay
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Entry 1 The story starts out during the early morning of a village near La Paz, California. A man named Kino, and his wife, Juana, are sleeping peacefully to the sound of nearby ocean waves crashing on the shore. Kino awakes to the sound of crowing roosters, and to the open eyes of his wife, which he is so used to seeing the the morning. He stands up and approaches his son, Coyotito, who is sleeping in his cradle. His wife, Juana, rises and begins to make a fire. Kino goes outside to enjoy the wonderful weather while Juana is preparing breakfast. After a couple minutes, Kino reenters his home to see that breakfast is ready, so him and his wife begin to eat, but soon they see a dangerous creature creeping up on Coyotito. Entry 2 As Kino and Juana are eating, a scorpion descends on the little Coyotito threatening to sting him. Coyotito sees the scorpion on his cradle, and reaches out to grab it. Coyotito shakes the cradle, which makes the scorpion fall and land on his shoulder and sting him. Kino sees what the scorpion has done and grabs it and crushes it in his hand. Juana grabs Coyotito and begins sucking the venom out of the wound. The child continues to moan and their neighbors begin to gather outside of their hut. Juana tells Kino to summon the doctor, but Kino does not have much hope that he will come. Juana grabs Coyotito and runs out of their hut towards the doctor’s house. Kino and the rest of the neighbors follow. Once they have reached the doctor, a servant is waiting outside his house. They tell him that their baby child needs to see the doctor immediately. The servant tells them to wait, while he calls the doctor. The servant comes back and tells Kino that he doctor is very busy today and won’t be able to help them... ... middle of paper ... ...hes her in the face and kicks her. He is disgusted with her. He then turns and leaves. Kino makes his way up the beach as a group of men assault him. Kino struggles to get away and while doing so he stabs one of the men and kills him. Juana finally gets on her feet and begins to make her way home. She sees Kino lying on the group hurt with another man dead next to him. She hauls the dead man into the brush and tends to Kino. She says they must run away immediately because of what a terrible crime Kino committed. Kino refuses at first, but then agrees. Juana runs back to the house grabs Coyotito, while Kino goes to the beach once again to prepare his boat, but realizes that the group of men made a hole in it. He becomes full of rage and kicks at the water. He then tells Juana what happened and they decide to hide at Juan Tomas’s house for a while. Entry 9
The Scorpions Sting is a very interesting book written by James Oakes. The book is outlined with four chapters. Chapters one through three explain the Republicans anti slavery policy, which significantly ties directly in with the metaphor and name of the book The Scorpions Sting. The Republicans believe that slavery could easily be done away with without any implications (War and Federal Government getting involved) and their way of doing this way by withdrawing federal support for slavery as a whole. To implement this idea the Republican Party would: stop promoting the spread of slavery, stop allowing it to show up in Washington D.C. and in U.S. military places, stop helping slave owners with the recapture of run-aways, and they also believed that they could try and surround slave states with free
Kino found one of the most valuable and precious pearls in the world and being convinced of its worth was not going to be cheated by only minimally upgrading his condition of life. Instead he wanted to break the fixed life and role that he and his family had and always would live. Kino refuses the maximum offer of fifteen hundred pesos that would easily ease his and his family’s pain and suffering for the coming months. Kino is then determined to trek to the capital to find a fair and just offer. Kino continues determined through the mountains after an attempt at the pearl, his canoe destroyed and his hut set a blaze. Continuing to put his family’s life on the line. It eventually takes the death of his beloved son Coyotito to make him realize he needs to stop being so greedy, no matter how hard he tries and to shut his mouth and know his role.
Although it was said that the real reason was that the owner of the hacienda wanted dead, to take away his fiancee, named Guadalupe. When the director of the prison asked John. What is your last wish sentenced to death ?, the answer: "a bank, a dozen large tallow candles and a matchbox." They comply with your request as locked in Cell Death. The man with a lot of fear and nerves lit the candles at the time felt a strange presence. The hours seemed centuries, and hour after hour had the chiming clock overlooking the cathedral. When and fear overcame him and sailing subsided, the lit again and looked closely to their around. What it was his surprise to see a huge scorpion about 30 centimeters long, which soon hid in their burrows. He took the matches and blew out the candle, remaining silent and letting time pass. Its aim was to kill the animal, or at least not be biting. When the clock indicated the 5 in the morning, he lit the match and ulna of his last candle and looked at the huge scorpion that was one step from your bank; Without thinking, he took off his hat and threw it on the scorpion. He took the bank and put it on top of the hat, so that the animal did not escape, seeing that he had caught, he was again left in the dark, and for a few minutes wept helplessly. From a distance, they heard the footsteps of the orderlies who came for the body of John to bury him. John,
In The House of the Scorpion by Nancy Farmer, the author creates a description with dialogue that portrays Matt’s feelings about life along with the passion to reconcile with Maria. It reveals Matt’s frustration and allows the author to show that Matt deeply cares for Maria, despite the fact that Senator Mendoza hindered their relationship. Mr. Mendoza speaks to Matt with indignation about how cruel and unfriendly he was towards Maria. He shows his true love for Maria, and while Matt feels guilty and later tries to apologize, Senator Mendoza has no remorse for him. Mr. Mendoza begins when he stated that Matt was “worse than an animal” (Farmer 133). Farmer uses the metaphor to emphasize how much Mr. Mendoza hates Matt. With effective use of personification, Mendoza then became
Moving from the poorest town to now living in the richest town was something Jacinto had a hard time adapting to. Jacinto missed his friends and family. The kids in the new town often laughed at him and frequently called him names. Jacinto started to hate Carlos and blamed him for everything, which included, making his mother sin and taking him from his friends and family. When Jacinto was thirteen he got into an altercation with kids from school that was again, making fun of him. This time Jacinto had enough and punched one of the kids in the face. The fight was broken up and Jacinto was seen as the trouble maker, because of his prior status of being poor. When Carlos heard of the fight he started to yell at Jacinto and began calling him names, while never letting Jacinto plead his side of the story. Jacinto became so angry that Carlos wasn’t listening to him that all the built up anger just came out, all at once. Jacinto picked up a glass a smashed it against Carlos face and then began to kick him when Carlos fell down. Jacinto kicked him so many times that Carlos began to spit up blood. After noticing the blood, Jacinto stopped kicking Carlos and fled out the house and ran away. Jacinto ran all the way to his grandparents’
outcome of Juana's loyalty to Kino. Her loyalty caused her to lose all that was
In The Pearl, by John Steinbeck, evil transforms certain humble citizens into envious savages. Evil was exhibited by the doctor who refused to treat Coyotito because his parents had no money. When the doctor heard of Kino and Juana's fortune in finding "the pearl of the world" (722), he boasted that they were patients of his while thinking of a better life for himself in Paris. Coyotito was healed when the doctor finally came to their straw hut. He deceived Kino by giving the baby a white powder that made him go into convulsions. An hour later he came and gave Coyotito the remedy and immediately wanted to know when he was getting paid. The evil in the pearl had reached the heart of the doctor. The pearl's evil did not restrict itself to infecting Kino's peers; it also affected Kino himself. He wanted to sell the pearl and use the money to better his family's standard of living. He had dreams and goals that all depended on the pearl.
The moon gleams luminously down on the clearing, revealing a small village that appears to be whittled out of the jungle. On the outermost edge of a cluster of small buildings there sits a hut, all of its windows lit by firelight. All of a sudden a fierce squalling cry pierces the quiet night. The mother lying inside the hut breathes out a sigh of relief as she wipes her sweaty brow. After all these months, her baby has finally made his way into the world. She reaches out and grabs a hold of her newborn son, bringing him up to her so she can see his tiny face. As she looks down on him, a whimper of dismay escapes her. It’s a monster! Surely this horrifying creature cannot be her baby! His face seems to be split from the lower lip up; he looks like he is snarling at her. As she watches, he utters another loud cry. The ghastly tissue where his cherubic mouth should be flaps wildly. Her heart sinks in grief as she realizes that all her pain has been for naught. This monster cannot be allowed to live. They will have to dispose of him.
Kino's relationship with Juana starts off as happy because they find the pearl, but as the story progresses the pearl brings Kino only darkness. Kino and Juana's relationship dynamic changes throughout the story.
Kino, a Mexican-Indian pearl diver, lives a content life with his wife, Juana, and his infant son, Coyotito. When his son is stung by a scorpion, there seems to be no hope for his treatment, due to the town doctor’s greed and sense of superiority. However, seemingly by chance, Kino manages to retrieve a massive pearl from the depths of the sea. Driven by a sense of hope for his son, Kino must protect his pearl from everything. John Steinbeck’s parable
Kino, Juana, and Coyotito go back to the beach and row out to an oyster bed, where he begins to search for the pearl. As Kino continues to search, Juana takes things into her own hands after being refused by the doctor and sucks the poison out of Coyotito and then puts seaweed on the wound, unknowingly healing him. Meanwhile Kino gathers several small oysters but suddenly comes across a particularly large oyster. He picks the oyster up and returns to the surface. When Kino opens the oyster he discovers the pearl. Word that the pearl has been discovered travel through the town quickly. People in the town became jealous of Kino and his family which eventually leads to a great deal of harm.
As the story unfolds, evil enters into the lives of Kino, his wife, and his son. In chapter one, the evil that enters the family first is the scorpion. The scorpion enters the home of Kino and stings Kino’s baby, Coyotito. After Coyotito was stung, another evil soon came along. This evil was the doctor. When Kino and his wife, Juana, bring Coyotito to the doctor, the doctor refuses to help because they had little to no money.
Juana, the wife to fisherman Kino, is one of the main characters in The Pearl. Coming from poverty, Juana and her husband live a minimalist life, as her simple clothes show (a battered blue head shawl and skirt, and a green ribbon knotted in her braids). Many themes in the story revolve around her. Although Juana understands her role to be a subservient and passive wife, she is smart, brave, and determined throughout the novella. Symbolizing the power and strength of women, Juana gradually becomes dominant over her husband. Juana’s second role in The Pearl is to be the protective mother of her son, Coyotito. Last, she is wise and logical in troubling times and acts as the voice of reason. Juana’s words and actions emphasize her various roles in The Pearl.
She can see the evil within the pearl, and all the people like Kino, the priest and the doctor. She stays with Kino throughout their journey, even after he hits her, because kino is “ It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it." (Steinbeck). she cannot imagine living without a man. Because of her position as a wife in a traditional society, Juana is necessarily subservient to Kino. She must follow what he views as his larger ambitions, even though her good sense cautions against it as their situation becomes increasingly desperate. Which is why she stays faithful to Kino and is with him every step of the way. Juana is the only who does no let the greed control her. She knew that what her and Kino were doing was dangerous, especially once they had gotten out of La Paz. Juana even refuses to leave him when they must hide from the trackers. Juana seems to be the only one who does no let the wealth captivate her. Like Kino, Juana is at first seduced by the greed the pearl awakens, but she is much quicker than Kino to recognize the pearl as a potential
This leads to change and, eventually, downfall. Before he finds the pearl, Kino “was a well-liked man” (43), and adored by all of his neighbors. Everyone looked up to his kindness and sympathy, but when he finds the Pearl, he changes. The pearl takes control over him, and he becomes too obsessed with getting his money. He loses his many things over it: “now it is my misfortune and my life and I will keep it” (66). The neighbors even suspect, “‘what a pity it would be if the pearl should destroy them all.’” (43) For example, KIno loses his family when he tries to protect the pearl and defies the pearl buying system, and when he mishandles Juana. Loisng his canoe symbolizes thi sloss of his family. He also loses his sanity. he beats Juana and kills four men. He “‘killed a man’” (61) and joins in many fights. For greed, he turns down the salesman`s offer for the pearl and ends with nothing left. Kino has the chance to take the money offered to him and be done, but he is greedy and he wants more. Then, at the end of the book, Kino throws the pearl into the sea, and with it, all the money he could possibly gain. He also lets the doctor treat Coyotito, even with his doubts, and now can not pay him because the pearl is his payment method, which is now gone. He thinks his money is secure, and in his mind, he is a rich man. This is not necessarily true, as readers learn, and because he was so secure, he must now pay for unnecessary