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Cinema as the art form of the century
Sound in cinematography
Film as an Art form
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Recommended: Cinema as the art form of the century
The Rope is frequently analyzed and discussed for the intriguing methods of filming and editing that were utilized. The approach that The Rope takes to telling the story of David’s murder from multiple perspectives is unique and admirable. The Rope was filmed in a tasteful manner by deliberately being mindful of the audience throughout the film. The minimalistic and pure techniques utilized in the filming and editing of The Rope establish the film as an excellent example of classic Hollywood style. The close-up shot is one of the more obvious filming methods used in this clip, however it is extremely influential on the audience’s perception and understanding of the scene. A close-up shot is very close to objects and events while emphasizing …show more content…
When Rupert characterizes the evening as “strange”, Philip is consuming his drink. Immediately when Philip finishes his drink, he hastily utters “what do you mean strange?”. In writing, this would seem to be an innocuous inquiry. However, the timbre of Philip’s voice when he says this, along with his deep breathing, are revealing of his sudden concern. Timbre is defined as the character or quality of a musical sound or voice (Striphas 9/15). The timbre of Philip’s voice is strained, thin, and anxious. This indicates his difficulty suppressing his worries about what Rupert just said, however it does not appear that Rupert catches on. In conjunction with this, the timbre of Brandon’s voice opposes that of Philip’s because it is pure, rich, and soothing. This seems to prevent Rupert from being alerted to Philip and Brandon realizing his suspicion. Rupert is contained in a state of fast-paced and intense thought, which is enabled by the timbre of Brandon’s voice gently guiding Rupert’s …show more content…
The lack of sound is equally as important as the lack of editing. Specifically, the lack of non-diegetic sound contributes to the quality and meaning embedded in the scene. Non-diegetic sound is external to the world of the story and only audible to the audience (Striphas 9/17). Even though if non-diegetic sound was present it would logically not influence the behavior of the characters, it would still alter how the audience perceives the scene. There is no non-diegetic sound in this scene whatsoever. If there were a soundtrack or narration accompanying the film, the overall mood of the scene would certainly be different. However, in stride with the aforementioned idea of classical Hollywood style, the filming is stripped to the minimum while only presenting what is necessary for the story. This enhances the scene as a whole because the conversation is all that the ears of the audience are processing and paying attention to. The exchange between Brandon and Rupert becomes more intense, particularly the pauses between speech. This is because in those moments there is absolute silence. Any non-diegetic sound would remove these short gaps of silence, which would ultimately diminish the power of the scene to a moderate
Firstly, diegetic sound is very effectively used throughout in several ways. Diegetic sound can be heard at the beginning when Robert is giving Samantha a bath. The song Three Little Birds is playing and Robert begins singing along. Robert plays the song again when he is driving down the road, which is another example. The reoccurring sound is a song Robert uses for comfort because the lyrics tell him not to worry.
Sound as we discuss in our discussion question section, sound plays a significant role in every scene, it helps the audience in many ways such as to know the audience what is going to happen or to get the into the character. Now on days many directors increase realism brought on by sound inevitable forced acting styles to become more natural the scene can be identifying a digetic sound. Many people may think that the sound effect that a director use in a movie, novella or documentary is the same, they are totally confused, its two types of sound such as digetic sound and non digetic sound
As, the scene fades back from black, non-diegetic sound takes place as the background sound source. Sound that hasn't been implied to be present in the action: added for the dramatic effect. The suspense in the scene is constructed from this sound. Furthermore, props throughout this movie are essential, the audience are
Although the rain and thunder are unnoticeable, viewers can presume that the weather is rainy outside, which explains the minimal lighting coming through the windows. Lionel stomping up the stairs, the sound of jacks, and the chewing as the three young boys eat are all examples of diegetic sounds which appear natural. By using diegetic sound, viewers perceive the story as more realistic because it places the audience within that scene. The use of the recorder and orchestral music is also important because it adds drama to the scene. When Susy picks up her book, the loudness of the music increases, which intensifies the scene to make it appear more dramatic.
Specific camera angles and framing are techniques used frequently throughout the film. A number of scenes have been shot from a high angle looking down at the action. These shots can feel like they are alienating the action and characters within the scene. This style of shot mimics Security cameras and the type of footage they record. Examples of this can be found periodically throughout the film, be found throughout the film with an example being when David touches the man in green in the crown and uses his newfound power to
In the last scene of Man on fire called the “Forgiveness Scene”. There were a lot of close ups, with a mix up of long shots, Deep Focus, and most importantly a Establishing Shot to give the audience the wear about of the scene taking place. The close up is where the camera
When I watching this movie, I notice that I felt less separation from the movie. Initially I could not find a reason for that but, soon after I realize that the camera is not static but it wobbling slightly. In most movie, camera does not move and it creates the frame. In the other hand, this movie’s handheld camera type of camera works imitate the human eyesight feeling and make people feels like to experience the event in a movie as a one of the character. In this perspective, do not explain too much about the detail is emphasizing this experience. Consider these things, I really excited and enjoyed couple of scene which are the running through battle field and engaging to the baby. In the every day world, both scene is pretty rare to experience. For the battle field scene, majority of the people have avoiding to be in there so that is rare. The engaging to the baby experience is quite normal event for most people and of course it is grate experience but, in this movie setting, baby is extremely rare and seeing baby is truly miracle event. To emphasize and provide this miracle event, this camera work is perfect to apply.
...s when it cuts Richie’s forearm skin. The use of diegetic sound allows the viewer to feel as if this montage is going through Richie’s head as he cuts himself. As Richie is standing in front of the mirror we see things from his point of view and we understand his reality at the moment. The rapidly edited montage of memories is analogous to the immediacy of his actions.
All of Brakhage’s films we have seen in class are nothing short of masterpieces. In Window Water Baby Moving is a great comparison to the Cat’s Cradle. Window Water Baby Moving is a beautiful arrangement of images of Brakhage’s wife Jane before and after giving birth. These films have very powerful meanings behind them and they are both much better off without sound for the audience to connect. In class we have argued that a film without sound is less fulfilling and interesting. In my opinion, I find the films without sound much more interactive. Generally, sound is very distracting and can take away from the film. I find that having no sound leaves more of the film up for the audience’s
In brief, the audience can see how this 1931 sound film could be shaped by sound in a number of ways. Considering that sound at this time was a new phenomenon it is understood why mostly diegetic sound was used over nondiegetic sound. This director also showed the audience how the story could be affected by sound with examples like the clock becoming a character and storyline of its own and also the murderer being identified with his whistling. With the lack of sound and the collage of images during specific times, the director was able to create a mood without music or sound. Apparently this was a technique that was learned throughout his many years of silent films. These details were what brought the story together and would not have been done so precisely without the technique of sound.
The vast majority of sound used in the film is non-diegetic, especially the musical ideas, which is
In the scene when Amélie’s perfume cap drops to the floor and hits the wall tile, sound effects emphasize the visual image of what actually happened. Before the cap hit the floor, the background music became silent, and all the audience heard was a loud band from the cap. After the cap hit the floor, it quickly rolled, and knocked a tile off the wall. After the cap hit the tile, a loud rumble emphasized that there was importance that lied behind that wall. The director applied multiple sound effects to key the importance as to the box that was behind the wall. Although the sounds were simple, it created an interesting vibe to the audience. Some of the key sounds of the scene were the cap hitting the floor, the cap knocking the tile of the wall, and the loud rumble that occurred after the hole in the wall was created. On the other hand, this film also uses silence expressively. In the final scene, when Amélie greets Nino at her door, silence expressively describes the mood of the two characters. The only sound the audience hears is the kisses they are giving to each other, but even their facial expressions describe that they are in love with each other and meant to be
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
...te the mood and feeling that he wants from the film. In The Girl With the Dragon Tattoo sound effects are used in a very subtle manner to motivate large pieces of the plot. For example, in the scene when Martin Vanger allows Mikael into his house and treats him to wine and dinner, a constant whistling of wind can be heard until Martin eventually gets up and closes the door, allowing Martin’s mistress to reveal that nobody knows that she is there, and thus giving Martin the ability to kill her. This sound effect returns later at a very pivotal point in the story when Mikael breaks into Martin’s house to find evidence, and is caught by Martin because Martin hears the whistling of the open door and goes to close it. It is this kind of attention to detail that causes Fincher’s films to be so articulately entertaining, yet also extremely deep and important to his time.
People take everyday sounds for granted; not realizing that without those realistic sounds life is pretty silent when you’re alone. These sounds are such an important part of life yet they are often considered noise and either masked or completely taken out of modern film, a lot of the time in Hollywood blockbusters. This movie however, does not shortcut any of those imperative sounds. For example, one of the scenes the most dominate sound is rustling of bags and luggage, fiddling of keys shuffle of feet, these sound usually muted are in fact louder than the dialogue which is hushed to a low whisper. The volume of these otherwise inconspicuous sounds not only put you into touch, which with the character is going...