I chose to focus my ideas and thoughts on Stan Brakhage’s film Cat’s Cradle. When I watched the film the first time around I was intrigued by the profound filming in the short film. In only six minutes Brakhage gave us so much information. My favorite part about Brakhage is that he declined to use sound in his Avant-garde films. Cat’s Cradle captured its audience with its intense dark hues of orange and red. The director Stan Brakhage set the beautiful and gentle mood. Although the Cat’s Cradle is a short film it does bring up big social issues regarding domestic roles in the household. Brakhage is showing us a strange montage on a day in his Cat’s Cradle. After watching the video a few times, I had look up the symbolism behind the meaning of a cat’s cradle. A cat’s cradle is a game done with looping strings over fingers. The game is notoriously known for its complexity and difficulty. There is also a complexity behind the montage of the film. Images of the movie flickered on the screen giving us an idea of the objects and people in the room. The way the images of the cat, the flowers, the foot, the zoomed …show more content…
All of Brakhage’s films we have seen in class are nothing short of masterpieces. In Window Water Baby Moving is a great comparison to the Cat’s Cradle. Window Water Baby Moving is a beautiful arrangement of images of Brakhage’s wife Jane before and after giving birth. These films have very powerful meanings behind them and they are both much better off without sound for the audience to connect. In class we have argued that a film without sound is less fulfilling and interesting. In my opinion, I find the films without sound much more interactive. Generally, sound is very distracting and can take away from the film. I find that having no sound leaves more of the film up for the audience’s
Vonnegut deals a lot with fantasy in his book, Cat's Cradle. From the beginning, he talks about the religion that he follows: Bokonism. This is not a real religion, however he has rules, songs, scriptures, and opinions of a person that practices this fantasy religion. Within his description of this religion however is black humor as well. I think that by him making up this whole religion and an entire island of people who follow it, is in a way mocking today's religion and the way that people are dedicated to their beliefs.
Throughout the novel Bless the Beasts and Children, by Glendon Swarthout, symbolism is used frequently to show a weakness in a character or to fulfill a purpose in the novel. The most apparent weaknesses in the bedwetters was their need for radios to help them sleep. The hats portrayed each characters personality and background in some cases. Also, The Box Canyon Boys Camp is in itself a symbol representing American society in general.
Unless you despise babies or children, there is a huge audience for this movie. The intended audience is not just those who have fostered a child, but those who are interested in what it means to be a human, discover new things, and witness miracle after miracle. Thomas made the documentary without a narrator, without subtitles, and without interference, letting the images he filmed sp...
Be there for them when they need it. Nothing it more important in life (money, or a job) than to just be there and spend time with your family. I contend that through the use of the illusion of life the artist attempts to impart the important life lesson to the audience of always making time for loved ones. The purpose of the essay is to analyze the rhetorical significance of the song “The Cat’s in the Cradle” by Harry Chapin and his wife Sandy. The song, “The Cat’s in the Cradle” is important to study rhetorically because of the lessons it conveys to listeners on life, family, and the importance of making time to be there for others. First I will give the background of the artist and song. The methodology used is discussed next. Then the analysis of the song by applying the method to the artifact. Finally the essay ends with the implications the song “The Cat’s in the Cradle” has on the
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
Cat's Cradle is, "Vonnegut's most highly praised novel. Filled with humor and unforgettable characters, this apocalyptic story tells of Earth's ultimate end, and presents a vision of the future that is both darkly fantastic and funny, as Vonnegut weaves a satirical commentary on modern man and his madness" (Barnes and Noble n.pag). In Cat's Cradle, Kurt Vonnegut uses satire as a vehicle for threatened self-destruction when he designs the government of San Lorenzo. In addition, the Bokonists practice of Boko-maru, and if the world is going to end in total self destruction and ruin, then people will die, no matter how good people are and what religion people believe.
“No wonder kids grow up crazy. A cat’s Cradle is nothing but a band of X’s between someone’s hands and little kid’s look and look at all those X’s… No damn cat and no damn cradle,” Vonnegut writes is his appropriately titled book Cat’s Cradle. A cat’s cradle is a string trick we all grew up learning and seeing, and it is just as Vonnegut described, nothing. Everyday we experience things like a cat’s cradle; we experience insignificant objects, feelings, or idols that we base our life on. We base and change our lives off of things with no real significance. Kurt Vonnegut’s novels Cat’s Cradle and Slaughterhouse-Five demonstrate the ineptness of the human race to base our life and happiness off of intricate and interwoven lies, or off of a single point of view.
In the book The Giver, Louis Lowry uses symbolism to induce the reader to think about the significance of an object or character in the book. She uses symbolism using objects or characters to represent something when she wants readers to think about its significance. She chooses not to tell her readers directly, but indirectly, by using symbolism. For example, she used light eyes, Gabriel and the sled as types of symbols with different meanings.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
I believe that Vonnegut uses Cat's Cradle as an allegorical tale about what will happen to the world if we are not careful with technology that has the ability to end life on this planet. He points out one of the qualities of humanity; that people make mistakes, thus poisoning our minds and encouraging a better world.
In the movie, The Divine Secrets of the Ya-Ya Sisterhood, Callie Khouri directs something of a powerful story between a mother and her daughter. The movie Life as a House (Wrinkler, 2002) tells something of the same; of a father and the fight for the love of his son. The two movies both portray the fight between parents and their children. The commonality between father and son and mother and daughter is portrayed through the troublesome children and the problems that they face together. The “abuse “ that these children have received has formed them into the people they are today. What these characters had become is something that they do not want to be. As we age, we begin to discover the importance of family as depicted through Life as a House and The Divine Secrets of the Ya-Ya Sisterhood.
Dinaw Mengestu’s novel The Beautiful Things That Heaven Bears is a story about an immigrant from Ethiopia named Sepha Stephanos that discovers the freedoms he travels to the United States for are not easily accessible and that sometimes you can lose yourself trying to figure out who you are. The passage that most clearly represents this notion comes as Stephanos is reflecting at the end of the novel, he says: “What was it my father used to say? A bird stuck between two branches gets bitten on both wings. I would like to add my own saying to the list now, Father: a man stuck between two worlds lives and dies alone. I have dangled and been suspended long enough” (Mengestu, 228). This paper will examine the metaphor of the two worlds Stephanos
It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the viewer a two-hour escape from reality. This is a serious under-estimation of the power, purpose, and potential of film, because film, upon reflection, revea...
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
“Babies”. Is a documentary made by the Thomas Balmés. It offers a window on the lives of four infants in four completely different cultures. This is not a usual kind of documentary; there are no narration, no subtitles and actual dialogue was very minimal. The film explores childhood rituals, enculturation, socialization and parenthood. I will try to explore each of these themes and try to make the case that behaviors, values and fears are learned not something congenital. It has, in my opinion, comparative perspectives and different methods in rearing children in different societies. It achieves this by cutting the scenes in certain ways to show the differences between these different children. For example, in one part of the film, both Bayarjargal (the Mongolian child) and Mari (the Japanese child) were playing with their pet cats and then the two scenes were edited to a shot of Ponijo (the Namibian child) looking interested in flies. The four children developed in somewhat similar ways. However, there are differences in their behaviors due to the enculturation by seeing their parents or siblings who were doing what they thought to be the norms and the obvious landscape in which they are brought up. Two of the kids were born in rural areas (Namibia and Mongolia) and two were born in urban areas (the United States and Japan). The mothers of these infants were interviewed and chosen to be in the film