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Analysis of sound as a technique in films
Movie Sounds of Music Analysis
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Francis Lawrence’s I Am Legend is a drama about the sole survivor of a plague who lives in New York City. The sole survivor, Robert Neville, spends his days searching for a cure with his dog, Samantha. The key elements of sound that will be analyzed in this paper on I Am Legend are diegetic sound and non-diegetic sound. Firstly, diegetic sound is very effectively used throughout in several ways. Diegetic sound can be heard at the beginning when Robert is giving Samantha a bath. The song Three Little Birds is playing and Robert begins singing along. Robert plays the song again when he is driving down the road, which is another example. The reoccurring sound is a song Robert uses for comfort because the lyrics tell him not to worry. Secondly,
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer grow a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation.
Owen starts the octave in a bitter tone as he criticizes the treatment of the dead soldiers. He asks rhetorically what the “passing bells” (1) will sound like to the families of the soldiers who perish. Instead of normal funeral bells that one can expect, the soldiers receive bells in the form...
Crane is contemplating whether she should take the money that is laying on the bed and get out of town. The money was supposed to be put in a safe in the bank, but Crane has another idea of how to use it. The music represents the implied voices telling her to take the money. As she thinks more and more about it, the music crescendos, which the audience can interpret as the voices getting louder. Then, a similar melody as some of the earlier scenes is heard when Crane sees her boss as she is stopped at the stoplight on her way out of town. Her boss perceives she is home with a headache. When Crane realizes the man is her boss, the music speeds up and becomes extremely loud. This continues as she proceeds to head out of town. Soon after, Crane is found asleep in her car by a police officer. He questions what she is doing out in the middle of nowhere sleeping in her car. She skillfully avoids answering most of the questions and seems to persuade the officer that she had just gotten very tired in the middle of the night. As she drives away from him, the non-diegetic music plays with a similar melody as before. However, this time it has a few slight deviations including sharp, short notes from a
Background sounds and music heavily affect who controls the conversation in All Quiet on the Western Front. Comparing the chaotic, almost annoying sounds present during the soldier’s conversations to the heroic marches or absolute silence behind the older generation’s propaganda, the audience and other characters are more easily influenced by the clearly heard
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
Language is the bearer of meaning and is a universal medium of communication (Evans, 1973; p. 42; Stenlund, 1990; p. 14). With in electroacoustic music, language is used as a 'tool for establishing an aesthetic' (Keane, 1986; p. 118). Pierre Schaeffer considers it as being 'presupposed' (Windsor, 1995; 1.1.1). Although, both talking about language they talk about different aspects of language in relation with electroacoustic music. Schaeffer talks about the creation of music, Keane talks about the process before making music. Schaeffer's theory of language may mask the communication between composer and liste...
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
I am Legend, directed by Francis Lawrence, is a 2007 American post-apocalyptic dystopian film. Throughout the entire dystopian trailer, the director has used the visual construction of it as the primary device to not only entice the audience, but also deduce the key elements of a dystopia. In doing this, Francis Lawrence has implicated a wide array of visual techniques such as the use camera angles, montages and word inter-titles to aid him in evoking the primary elements of a dystopia.
In Hitchcock's own words: "I think what sound brought of value to the cinema was to complete the realism of the image on the screen. It made everyone in the audience deaf mutes." Because he is known for his visual techniques, Alfred Hitchcock’s unique use of sound is a topic which does not receive the attention it deserves. This is what this paper will try to accomplish, to explain why his unique use of sound deserves so much attention.
One is faced with endless possibilities when they can compare two things the reality is that almost everything in this world is comparable. Even so, how does a classic romantic novel from the 1800s compare with a cheery musical about a singing Austrian family. Jane Eyre, one of the worlds most famous books, was published in 1847, and although it is a romance novel, it is serious and somewhat slow-paced. The Sound of Music is possibly the happiest musical of all time. Written in the fifties and becoming one of the worlds most famous movies in 1965, the songs are about goat-herds falling in love and whiskers on kittens. Jane Eyre and the Sound of Music have several differences in their moods, settings, and endings, yet they share similarities
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
Reeves, Alex. "A Brief History of Sound Design." Advertising Week Social Club. The Beak Street Bugle, 21 Jan. 2014. Web. 23 Feb. 2014.
Since I've settled down and become a family man, however, I have discovered a whole new world of sounds that give me more pleasure than music ever did. Something I never thought possible. I would like to describe for you the world of sound that I experience in a typical day.
Neher, Erick. "Movie Music At The Philharmonic." Hudson Review 64.4 (2012): 668-674. Academic Search Complete. Web. 3 Dec. 2013.