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Technology changes and problems in the film industry
An essay on the history of motion pictures
An essay on the history of motion pictures
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Films have been a large part of the world for many years, but without the beginnings of cinema in the late nineteenth century and the advancements in technology that began in the early twentieth century, the brilliant films of today would not be possible. From silent films to talkies, black and white films to color films, the short and bland movies which were created years and years ago have led to the masterpieces filled with vibrant colors and stimulating sounds of today. Thomas Edison once said, “I had some glowing dreams about what the cinema could be made to do and ought to do in teaching the world things it needed to know—teaching it in a more vivid, direct way…” Thomas Edison had no doubt that the cinema industry would amount to something …show more content…
“The cinema was invented during the 1890s. During the first decade of the cinema’s existence, inventors worked to improve the machines for making and showing films” From the moment films started being made, inventors were already trying to progress the industry and improve the machines used to produce these films; this shows the determination and imagination of the inventors of the machines used in films. The brilliant movies which are being produced around the world today would not have the opportunity to amount to anything if the producers and inventors of the late nineteenth century had not been as motivated and determined as they were. Without the invention of the phonofilm and vitaphone, the Technicolor and the Eastmancolor, and Walt Disney’s introductions to CGI animation, movies of today would be stuck in the late nineteenth century: short, bland, and silent. As the brilliant Walt Disney once said, "You can design and create, and build the most wonderful place in the world. But it takes people to make the dream a
The decade was largely dominated by silent films, but the creation of movies with sound followed afterwards. These innovations greatly improved the movies and made them more immersive and exciting for the viewer. Soon after the invention of sound in movies, the silent era movies...
‘12 years a Slave, award winning film director Steve McQueen associates making a film to, "writing a novel – you're telling a story. " This message is powerful and defines the true purpose of filmmaking that is, ‘to tell a story.’(Victorino) Hollywood has capitalized on the aspect of visual storytelling first introduced in 1985 by the Lumiere brothers with their first movie ever made for projection -- Workers Leaving the Lumiere Factory. They (Hollywood), then designed a Studio System called Classic Hollywood Cinema to Finance, Organize, Produce, Market, Distribute, and Exhibit movies for financial gain while entertaining movie goers. This term was coined by David Bordwell, Janet Staiger and Kristin Thompson to define Hollywood’s film making during the period of 1913 to 1960. From the D.W. Griffith successful 1913 first movie ever shot in Hollywood, ‘In Old California’, to the James Cameron’s 2009 movie Avatar grossing over 760 million in the box office, this process continues to be effective and lives on today.
Since the late 1890’s films have been constantly changing the history of pop culture and the way people view war, politics, and the world as a whole. As the timeline of the history of film progressed, there were many different phases: gothic noir, slapstick comedy, tragedy vs. love, romance, and many more. Towards the more recent times, the central ideas of films started drifting to the greatness of the directors. Directors such as Stanley Kubrick, Martin Scorsese, Steven Spielberg, and many more were noted as outstanding directors of action and cinematography. In this paper I will speak about Wes Anderson, Martin Scorsese, and the ever so infamous Baz Luhrmann. These directors have changed the way filmmaking has been and will be looked at from this point on.
Within every history class, English class, and even some science classes, the art of storytelling is a primary foundation for human communication and understanding. Whether it be through myths – Greek, Roman, Egyptian, you pick – or wives tales or even Grandpa telling his old war stories, stories have power. Now, through technological advancements in the last 150+ years (thank you Thomas Edison for your obsession), we have film as a mode to tell stories. Fictional or not, films tell a story; they have the power to give you not only entertainment but enlightenment too. Through continuing advancements, filmmakers have the ability to challenge and manipulate the power of the story through creative resistance; by exploring other elements of storytelling via film, filmmakers can create dramatically different films from similar ideas by using a multitude of techniques. Films are even used to create social commentary.
Films were blossoming during the “Roaring twenties.” At the beginning of the decade, films were created mostly in Hollywood and West Coast, but as well as in Arizona and New Jersey. Most people do not know that the greatest output of films was between 1920 and 1930 and was 800 films per year. Nowadays, people consider big output of 500 films per year. The film business was a huge one because the capital investments were over $2 billion. At the end of the decade there were 20 studios in Hollywood and the interest in films was greater then ever.
Throughout history there has always been an some sort of iconic female through that period of history from Cleopatra to Marie Antoinette who made their fame through affairs. The trend continued by the rising female Hollywood stars of the 1920’s-1950’s the glam and glitz of these actresses made fame and fortune and easy persuasion to buy war bonds and support the troops during the 1940’s. During World War two from 1939 to 1945 men were called to the front lines to fight overseas in various first, second and third world countries to protect their countries from harm of the axis powers. The rise of the malicious Adolf Hitler, Benito Mussolini and Hideki Tojo and their attempt of refuting communism had grown to involve many countries in the war,
In the textbook ‘American Film: A History’, Jon Lewis discusses the components which he believes are markers of “the end of cinema as we know it”. By Cinema, Jon Lewis is meaning the all-encompassing thing that is film-making and film-viewing, as well as the marketing, and business side of Hollywood itself. The changes that resulted from the conglomerate business model, the marketing system of the industry and the advance in technology are the major argument points discussed by Lewis, however I think that technology itself is truly the overarching cause of the changes that’ve been seen.
In the early years of narrative cinema there was little pressure on filmmakers for the ‘evolution of film forms before nickelodeons’ (Salt, 1990, pp31) as cinema neither became a mass nor high cultural product and was still a novelty but ‘Production companies’ profits were based principally on the sales of longer fiction films’ in the later years (Musser, 1990, pp256) so focus was made for the production of popular narratives so I will show how the early development of narrative evolved from trick films to complex narrative. I will analyse the short film Mary Jane’s Mishap (1903, Smith) and an extract from the seminal The Birth of a Nation (1915, D.W.Griffith).
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
As time and people are continually changing, so is knowledge and information; and in the film industry there are inevitable technological advances necessary to keep the attraction of the public. It is through graphic effects, sounds and visual recordings that all individuals see how we have evolved to present day digital technology; and it is because of the efforts and ideas of the first and latest great innovators of the twentieth century that we have advanced in film and computers.
The release of Gordon Hollingshead and Alan Crosland’s The Jazz Singer in 1927 marked the new age of synchronised sound in cinema. The feature film was a huge success at the box office and it ushered in the era David Bordwell describes as ‘Classical Hollywood Cinema’; Bordwell and two other film theorists (Janet Staiger and Kristin Thompson) conducted a formalist analysis of 100 randomly selected Hollywood films from the years 1917 to 1960 in order to fully define this movement. Their results yielded that most Hollywood made films during that era were centred on, or followed, specific blueprints that formed the finished product. Through this analysis of Hollywood films the theorists were able to establish stylised conventions and modes of production under which a classic Hollywood film was fashioned (Foster, 2008), the film Lord of the Rings: The Fellowship of the Ring (2001) directed by Peter Jackson will be used as a case study to demonstrate these specific conventions.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
Many people don’t think about it so much, but movies (or just film in general) have become such a big part of our lives that we don’t think much of it because it just feels like a usual part of living. But have you ever wondered why this is, and how far back film started? Movies and film have been around for a long time, have developed in big ways throughout time, and has advanced in such a big and new way to this day.
‘Then came the films’; writes the German cultural theorist Walter Benjamin, evoking the arrival of a powerful new art form at the end of 19th century. By this statement, he tried to explain that films were not just another visual medium, but it has a clear differentiation from all previous mediums of visual culture.
...n able to reach otherwise. With unlimited possibilities and the creative minds in the world, the film industry is likely to consider seeing drastic changes. Like the world has in the past, peoples’ likes and dislikes will change with the ever-changing technological world. What we enjoy as a society in 2005 is likely to be considered as bland as we consider the black and white silent films, in the years to come.