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The history of the film industry
The history of the film industry
History of filmmaking
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Casalini 1
Tyler C. Casalini
Mr. David Heck
AP English 11
23 April 2014
AP English Research Paper – Rough Draft
Since the late 1890’s films have been constantly changing the history of pop culture and the way people view war, politics, and the world as a whole. As the timeline of the history of film progressed, there were many different phases: gothic noir, slapstick comedy, tragedy vs. love, romance, and many more. Towards the more recent times, the central ideas of films started drifting to the greatness of the directors. Directors such as Stanley Kubrick, Martin Scorsese, Steven Spielberg, and many more were noted as outstanding directors of action and cinematography. In this paper I will speak about Wes Anderson, Martin Scorsese, and the ever so infamous Baz Luhrmann. These directors have changed the way filmmaking has been and will be looked at from this point on.
Wesley "Wes" Anderson - born on May 1, 1969 in Houston, Texas - is an American director and screenwriter. Anderson’s films are known for their extremely unique style seemingly quirky narratives. He graduated from St. John's School in Houston in 1987, where he later used as one of the many sets in his film Rushmore. He then moved on and graduated from the University of Texas at Austin in 1990, where he met a future collaborator Owen Wilson who he frequently worked with. Anderson's first film, Bottle Rocket (1996), based on a short film that
Casalini 2 he made with the Wilson brothers, was a crime adventure concentrated on a group of young Texans eager to achieve major raids. Initially, Bottle Rocket was intended as a "...really serious movie: A guy coming around a corner just a second too late and this other guy's dead, and he's screaming, 'NO!!!'“ clarifies Ande...
... middle of paper ...
... Carey Mulligan and Tobey Maguire.
With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.
Bordwell David and Thompson, Kristen. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2008.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
Jacobs, Lewis. “Refinements in Technique.” The Rise of the American Film. New York: Teachers College Press, 1974. 433-452. Print.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
During a break from Rawhide in 1964, Eastwood filmed the western A Fistful of Dollars in Spain with Italian director Sergio Leone. The film made Eastwood an overnight star. He returned to Europe to film two more westerns, For a Few Dollars More (1965) and The Good, The Bad, and The Ugly (1966). Eastwood's character in these films was cold and tough, as were characters in his later westerns, such as The Outlaw Josey Wales (1976) and Unforgiven (1992). Nicknamed "spaghetti westerns" due to their Italian production, these films gained worldwide popularity. Another tough character he created was Harry Callahan, a detective who ignores police regulations and practices his own brand of justice. Callahan was introduced in Dirty Harry (1971), which viewers loved. Eastwood made four later films with the Callahan
Movie critic, Roger Ebert, has called him a “directing god”. He has been called the “most influential and best director of their time” by fellow director, George Lucas. Director Martin Scorsese has been an influential director for the past twenty years. In the 60’s class of directors that included, Francis Ford Coppola, George Lucas, Brian De Palma, and Steven Spielberg. Scorsese ranks with this class of artists, and his movies have changed the film industry of America (Friedman I). The impact of Scorsese can be shown in a number of ways, such as his style of directing, the films that he has made, and also the relationships that he has made in the film industry.
Marsh, Calum. "The Evolution of Wes Anderson." Esquire. N.p., 5 Mar. 2014. Web. 10 Mar. 2014.
Star Wars (1977) is one of the world’s most successful films of all time. It has made a terrific impact on popular culture since its release. Furthermore, Star Wars changed the narrative and aesthetic style of future Hollywood films. Star Wars Episode IV: A New Hope, illustrates how cinema has evolved since Fred Ott’s Sneeze (1894). Ultimately, this essay will explain the set up of Star Wars and how it connects to cinema history, in the point of views of the: narrative and cinematic style, genre, auteur theory and the global film industry.
Wes Anderson is certainly an auteur filmmaker. An auteur is someone who has creative authority over a project and gives it their own unique style or theme. Like Anderson, who directs and writes all of his films, auteurs are often hyphenates.
An auteur is known to hold sole creative control over his or her movies. The director, who passes on foremost stylistic qualities that reoccur in their accumulation of work with fundamental subjects and traditions all through their filmography effectively embody auteurism. Essential surmise of auteurism is known that the director is the product of his own work, adding his own personal influence to his filmography with certain thematic consistencies. The title is immovably applicable to Martin Scorsese who began his filmmaking career in the midst of the New Hollywood
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
Best known for his unique and non-linear style and to many people as the best director of the past decade, Christopher Jonathan James Nolan or just simply Christopher Nolan, is one of the most talented and influential film directors and screenwriters of our time. He, like most directors have never studied film and is a self-taught filmmaker. In this essay I am going to write about his early life and how he got into filmmaking. His early career and his rise to fame with Batman movies, his personal life and the influences he have had on the film industry which makes him one of the best directors of all time and my personal favorite.
This paper will compare directors Robert Wise and Oliver Stone, their styles, techniques, and overall message. Although both directors made films in different era’s, they both prompted the world to make a social and/or political change on some current issues of their time. Robert Wise’s production of West Side Story prompts audiences to leave racial prejudices behind, and Oliver Stone’s drama thriller Snowden prompts his audience to question their government, and decide if security is more important than freedom. Both directors use the technologies of their time to produce a compelling film that audiences would not only find entertaining but would prompt thought and self-reflection.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.