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History of women in literature
King Arthur's courtly love in medieval literature
Contribution of women in literature
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She is the most perdurable female figure in King Arthur and his Knights. Without her the suspense and the plot flow could not have been achieved. Her influence has enabled her to penetrate into men’s world a trait that distinguishes her from the rest of the women. Knights are referred to as the queen’s knights. We could say the same of the ladies who accompany the queen and keep the knights in good company (pg.52) .Queen Guinevere, as the King’s wife, is acknowledged by males.
But despite her access to the Round Table, she has no legitimate power. She is a woman figure who can be discarded as desired. Her presence in the male dominated arena is a source of discord among them. She is resented as a threat to the bonds of men, an eventuality which will lead to the end of the Round Table. She is represented as a danger to the misogynist circle.
Malory gives Guinevere a maternal character, whose love is expected to be impartial to her children, and in this case to her knights. By being the king’s wife, Queen Guinevere acquires a political and a symbolic duty in the kingdom, but this status does not exempt her from male’s contempt towards the female gender. All her attempts to improve her status are watered down by male rivalry.
Queen Guinevere does not find pleasure in the male company. Love, the only benefit she could reap from men is given no room. Guinevere’s preference for Sir Lancelot creates animosity amongst the Knights of the Round Table. Her illegitimate affair is resented by Sir Modred as betrayal. The latter’s concealed jealousy towards Sir Lancelot turns into an open demonstration of loyalty to the King Arthur and eventually to unprecedented war.
Queen Guinevere is a source of trouble among the Knights of the Round Tab...
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... the male gender, for it is the only language men decipher with ease. Love, a probable ground on which men and women can converge is divisive and destructive to all those who turn to it in their efforts to bridge the gender gap.
The capacity to conceive and give birth adds value to the women in Malory. Lady Igraine’s significance is only mentioned in relation to King Arthur’s birth. Through Galahad, Elaine’s importance is underlined, but all the glory goes to Lancelot and Galahad himself. Queen Guinevere is childless and this could be the reason why she is not appealing to King Arthur. The latter focuses his attention on Sir Gawain and Sir Lancelot as his possible heirs. Sir Thomas Malory’s female characters are centered on male ideals and traits. Women can only be considered in relation to heroic male actions, roles which they complement or defy.
Facing felony charges of misdeed, Lanval’s entire fate lies solely in the hands of his lady. When King Arthur agrees that: “if he [Lanval] can produce proof; / if his love would come forward, / if what he said, / what upset the queen, is true, / then he will be acquitted” (451-455), Marie places incredible power in the presence of a woman. In a time when being male was the prime prerequisite for holding authority—and women were openly seen as senseless and insignificant—Lanval’s lover’s ability to determine a knight’s fate makes a mockery of the current societal
Queen Guenevere is the first women to be introduced in the poem while the holiday feast is going on. The reason she is seen as having power is because of where she is seated at the feast. The poem states, “The noblest knight in a higher seat, as seemed proper; / Queen Guenevere gaily dressed and placed in the middle, / Seated on the upper level, adorned all about… (Winny 2011: 7).” The fact that she is even mentioned as being at the feast as well as sitting at the same level as all of the noblest knights shows the power she has. It was rare to see a woman seated with knights let alone seated near the noblest of all the knights. Also, the way in which the poem glorifies her appearance and outfit matches the entitlement she is seen having because of her seating position. Many times, descriptions of knights are exaggerated and that is just what is done with Queen Guenevere. In the quote it states that she is “adorned all about…” meaning she was all done up and looking beautiful (Winny 2011: 7). She is described as being “The loveliest to see / Glanced round with eyes of blue-grey; / That he had seen a fairer one / Truly could no man say (Winny 2011: 7).” This quote saying that she was so beautiful and that no man could say that they have seen anything more beautiful than her. This showing that her beauty alone gives her power over the men, power to attract them with her
The narrative opens with a holiday feast in King Arthur’s court. The richness of this setting is represented by the decorations surrounding Queen Guenevere described in lines 76-80. “With costly silk curtains, a canopy over,/ Of Toulouse and Turkestan tapestries rich/ All broidered and bordered with the best gems/ Ever brought into Britain, with bright pennies/ to pay.” These lines also symbolize the queen’s role in the poem of a stately symbol of chivalric Camelot and as a female ideal. In this setting women are all around, but Guenevere is positioned above them and is surrounded by expensive, beautiful things. She is clearly made superior.
Lanval, a handsome knight, falls desperately in love with a beautiful maiden, who grants the knight her love on the condition that he keep their bliss in full secrecy. Upon returning home, Lanval is confronted by Guinevere, who attempts to seduce him . After her initial advances are rejected, the Queen tries a new tactic, attacking Lanval 's masculinity: "I have been told often enough that you have no desire for women. Base coward, wicked recreant, my lord is extremely unfortunate to have suffered you near him. " By questioning Lanval 's worthiness to serve by Arthur, Guinevere is questioning Lanval 's very status as a knight, and once again we see a knightly protagonist put into a hopeless situation as many of his chivalric duties--- courteousness to the Queen, faithfulness to his King, honesty and loyalty to his lover, and defense of his own honor--- are forced into an unresolvable conflict. Lanval defends his honor and honors his King 's trust, but breaks his promise to his lover and grievously insults the Queen: "I love and am loved by a lady who should be prized above all others... you can be sure that one of her servants, even the very poorest girl, is worth more than you, my lady the Queen, in body, face and beauty, wisdom and goodness. " Lanval 's inability to simultaneously commit to all of his knightly responsibilities is comically underscored by his polite hesitation ("my lady the Queen") even
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales
Eliduc is a typical medieval story of courtly love. The Lai contains the common characteristics of other Marie de France’s Lais; as a worthy and valiant knight is confused about his love life. The knight is caught between the duty he owes his wife and the new love he feels for a foreign princess. Oddly enough, the two female characters, his wife and his secret lover have similar names; Guildeleuc and Guilliadun. This is significant because these two women meet and rather than becoming enemies as would be expected, they work as a team and live together. Over time the title of the Lai has changed to Guildeleuc and Guilliadun because it is based on the two women. Common to other medieval stories, Eliduc is moving and purifying, as it involves two innocent female characters who are caught up in a love triangle with a man who never meant to stray from his wife or emotionally hurt either of the women. Although Eliduc is similar to other Lais in many ways, it ends differently than others that have been discussed in class. The majority of Marie de France’s work ends in tragedy in terms of love, Eliduc does not, it ends with positive love. While the love between Eliduc and Guilliadun should not work out because of the secrets and adultery, the couple manages to break the social conventions of medieval society and are able to live happily together for quite some time. The three main characters in Eliduc manage to overcome obstacles of social conventions through their absolute freedom and unrestricted desires.
All three of the main women’s roles are marginalized and reduced in importance, the entire plot of the poem rests on Morgan le Fay, who is introduced at the end of the play with a handful of lines, Lady Bertilak, who is reduced to how the men around her feel about her, and Guenevere, who is another extremely important character mentioned only in a few lines. Morgan le Fay is the single most important character in SGGK. Even though she is an absolutely vital character, she is named exactly once. It is at the end of the poem that the Green Knight (Lord Bertilak) reveals to Sir Gawain that everything in the poem, from the main challenge to the smaller tests, was Morgan’s idea and should be credited to her ingenuity and magic (SGGK, l. 2445-2470). Part of
Guinevere from the very beginning of the legend is portrayed as a passive, typical lady of the court. In stanza four, the author describes Guinevere almost as a trophy or ornament of the court: "Queen Guinevere very gaily was gathered among them/....The prettiest lady that one may describe/She gleamed there with eyes of grey/To have seen one fairer to the sight/That no one could truly say" (74-84). Guinevere does not take an active role in the court. She does not have speaking role and basically just sits among the knights of the Round Table. Her passivity and silence could be the result of medieval anti-feminism. According to Bloch in medieval times what a woman wants is to speak. Medieval authors such as Andreas Capellanus, the supposed author of The Art of Courtly Love writes, "Furthermore, not only is every woman by nature a miser, but she is also envious, and a slanderer of other women......fickle in her speech,....a li...
As a result of the knight's behavior, the queen gives the knight an ultimatum. He now must find "what thing it is that wommen most desiren" within a twelve months time frame (Norton, 911). Alison does not depict the knight in the nicest light. I guess she is the one "painting the lion" in this case.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
When I observe literature works of Medieval and Renaissance period, a man success is determine by the roles of women. I heard a famous quote say "behind a great man there is a amazing woman". As I examine literature works, in the Medieval time of "Sir Gawain and Green Knight "and the Renaissance period of The Faerie Queene of Book I. We have two extraordinary Christian like figures Sir Gawain and Red Crosse who represent Christianity in their respectably time period . Both men endured several tests and have sinned against God. While these men were in the mist of their downfall, they had significant woman who guided them along way to find Christ again. I will view the roles of women like Lady Bertilak of Sir Gawain and Una of the Red Crosse
The second event that this paper will discuss is in book XI, shortly after the previous events with Elaine. Lancelot returned to the kingdom of Camelot after learning he was deceived into sleeping with Elaine. As time progressed, Elaine gave birth to Lancelot’s son Galahad. Within Camelot, Sir Bors tells both Lancelot and the court of the birth of Galahad. Queen Guinevere is outraged to learn that Lancelot betrayed her by sleeping with another woman. Queen Guinevere is calmed after learning that Lancelot was only unfaithful because he was enchanted into sleeping with Elaine. With the return of King Arthur to Camelot, he calls for a feast, inviting all ladies and lords. One of the ladies who came to Arthur’s feast was Elaine, the mother of Galahad.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...