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Character analysis of sir lancelot
Character analysis of sir lancelot
Character analysis of sir lancelot from the first knight
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The second event that this paper will discuss is in book XI, shortly after the previous events with Elaine. Lancelot returned to the kingdom of Camelot after learning he was deceived into sleeping with Elaine. As time progressed, Elaine gave birth to Lancelot’s son Galahad. Within Camelot, Sir Bors tells both Lancelot and the court of the birth of Galahad. Queen Guinevere is outraged to learn that Lancelot betrayed her by sleeping with another woman. Queen Guinevere is calmed after learning that Lancelot was only unfaithful because he was enchanted into sleeping with Elaine. With the return of King Arthur to Camelot, he calls for a feast, inviting all ladies and lords. One of the ladies who came to Arthur’s feast was Elaine, the mother of Galahad. …show more content…
Lancelot’s action of sleeping with Elaine, rather than Guinevere results in him ignoring Elaine throughout the feast due to his shame. Whereas Lancelot does not love Elaine, Elaine is truly in love with Lancelot. Lancelot’s action of ignoring Elaine breaks her heart. Elaine confessed her pain of heart break to Dame Brisen, who once again plotted against Lancelot. Dame Brisen’s planned to once again trick Lancelot into sleeping with Elaine. Dame Brisen learned that Guinevere was planning on sending a messenger to Lancelot to tell him to come to her chambers that night. Upon learning this information, Dame Brisen pretended to be Queen Guinevere’s messenger and directed Lancelot to Elaine’s chamber, rather than Guinevere’s chamber. Lancelot believing that he was in the chamber of Guinevere resulted in him sleeping with Elaine. As Lancelot slept with Elaine, who he thought was Guinevere, the real Guinevere was waiting for his arrival in the chamber beside Elaine’s. Hearing Lancelot talk in his sleep, Guinevere began to cough loudly to get his attention. Upon hearing the cough of Guinevere, Lancelot realized what he had done and in his madness, he jumped naked through a window and ran away into the wilderness to not be seen again for some time. There are two primary story plots within this this summary that are important to this paper. The first being the deception of Dame Brisen, and the second being Lancelot’s madness. Regarding Dame Brisen’s deception of Lancelot, it is similar to the event in the last paragraph. Lancelot is tricked into sleeping with Elaine, instead of his intended target Queen Guinevere. Since Lancelot and Elaine are not married to anyone, they do not commit adultery. The fact that Lancelot does not commit adultery with Guinevere is enough of an justification for authors such as Kennedy and Sturges to be satisfied regarding the innocents of Lancelot’s character. As stated in the previous paragraph, Kennedy and Sturges ignore the factor of intention. According to Bullough, he states that “Jesus extended the meaning of adultery to include thoughts as well as actions, by stating that whoever looks on a woman to lust after her already committed adultery with her in his heart” (8). When Lancelot enters the chamber of Elaine, his intention is to be with Guinevere, demonstrating his pursuit of adultery. Even though Lancelot is tricked into sleeping with Elaine, in his heart he was committing adultery with Guinevere. This point was further discussed in the previous paragraph, therefore to avoid being redundant, this paper will now discuss Lancelot’s madness. There are multiple theories regarding why Lancelot went mad after realizing he had slept with someone other than Guinevere for a second time. Reflecting the thesis of this paper, Lancelot went mad due to the guilt building within himself.
Not only did Lancelot betray Guinevere, but also King Arthur, Elaine and his religion. In the mind of Lancelot, he betrayed his true love Guinevere by once again sleeping with another woman. Lancelot betrayed Elaine by further leading her in believing that he loved her. Lancelot betrayed King Arthur by having an adulterous relationship with his wife Guinevere. Finally, he betrayed his own religion through his pursuit of an adulterous relationship with Queen Guinevere. All of Lancelot’s guilt build up till this point of story, in which it finally overpowered him, leading him to madness. Regarding the betrayal of Lancelot’s religion, this paper will briefly introduce this theme and further later discuss it in the next paragraph. A constant theme within “Le Morte d’Arthur” is the conflict of true love and religion. In the case of Lancelot and Guinevere’s relationship, to pursue their true love, they must forsake their own religion. The act of adultery is considered a sin, therefore if Lancelot wants to be with his true lover Guinevere, he must forsake his religion. Overall, Lancelot’s guilt is what drove him mad, the guilt of everyone that he had
betrayed.
In this tale Lyonet was sent to find a noble knight to rescue her sister from the Red Knight of the Red Launds.When she came to King Arthur’s court to ask of such a knight to aid her, a man to the name of Sir Beaumains asked to be the one to rescue the sister of Lyonet. At this point of the tale Sir Beaumains was considered to be not as noble as Lyonet had wanted. Beaumains wouldn’t leave her on her journey back to her sister. Lyonet kept referring to Beaumains as a kitchen knave from King Arthur’s court and would give him no respect as a knight. Throughout the journey Beaumains would not reveal his true identity and Lyonet kept wishing him gone. She would tell all of the knights that they came across in their journey what kind of man he was and taunt them to get them to fight. Every time Beaumains would win. Finally Beumains overcame the Red knight of the Red Launds and saved Lyonet’s sister, Dame Lyonesse. Once Lyonesse was freed she fell madly in love with Beaumains and wanted to be with him. Everytime Lyonesse would sneak into the room to “be with” Beaumains Lyonet would send a knight into the room and to do great harm to Beaumains so that they could not do the things they were trying to do. Lyonet never trusted Beaumains to be a truly noble knight until his name was revealed and his lineage was known.
In the beginning of Le Morte d’Arthur, background information is given. The background information explains that Sir Lancelot (King Arthur's favorite knight), has fallen in Queen Gwynevere. (King Arthur's wife) Once Sir Lancelot confessed his love to Gwynevere, she revealed that she was also in love with him and the two began a passionate love affair that lasted two years without King Arthur knowing. Sir Lancelot definitely has broken the code of chivalry because his duty was to protect the King and Queen as their knight however, he has disrespected him by having an affair with Gwynevere. It was Sir Lancelot’s affair that led to the following, events that then led to King Arthur’s death. A knight’s duty is to honor the King, not to disrespect him and have an affair with his wife without him knowing. Additionally, Sir Lancelot wasn't sentenced to death by the King but the Queen was sentenced to be burned at the stake. This goes to also show the corruption of Britain's Society. If another pilgrim within a lower class would have done what Sir Lancelot did, he would have been sentenced to death. Both the Queen and Lancelot contributed to their affair which brings up the question of, why should the Queen be burned at the stake and not
The Arthurian cycle shows a sporadic awareness of the impossibility of mere humans fulfilling all the ideals that Arthur and his court represent. The story of Lancelot and Guenevere, Merlin's imprisonment by Nimu‘, and numerous other instances testify to the recognition of this tension between the real and the unrealistic.
Thomas Malory’s Le Morte D’arthur, T.H. White ’s Once and Future King, and George Romero’s Knightriders encompass the evolution of the Arthurian tale from Malory’s time to the 1980s. Through this time many things have changed and these changes can be seen within the differences between each work. While there are many prominent differences chivalry or the knightly code is one of the main forces that tie these tales together.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
The love triangle of Arthur, Lancelot, and Guenever is a constant theme throughout every account of the Arthurian legend. Geoffrey Ashe's The Arthurian Handbook states that "We may say that these knights are expected to serve their King..."(81). The revelation of the affair finally comes when Sir Agravaine shouts, "'Traitor Knight! Sir Lancelot, now art thou taken'"(White 569). Lancelot was summoned to Queen Guenever's bedroom, and Sir Agravaine is finally exposing the affair and gaining revenge on Lancelot for unhorsing him many times in the past. The two people that Arthur trusts most are Guenever and Lancelot. Arthur is well aware of the affair between the two, but chooses to pretend that nothing is going on. Due to this naivety, Arthur earns the disrespect (and even hatred) of Agravaine and Mordred, who eventual...
The Arthurian legends of Iwein and Gawain and the Green Knight are two examples of the medieval initiation story: a tale in which a character, usually in puberty or young adulthood, leaves home to seek adventures and, in the process, maturity. Through the course of their adventures, including a meeting with the man of the wilderness, temptations at the hands of women, and a permanent physical or mental wounding, the character grows from adolescent awkwardness and foolishness to the full potential knightly honor. While both Arthurian legends fit this format, the depth of character development, specifically in terms of relationships, is vastly different. Whereas Gawain and the Green Knight does little more with relationships than demonstrate the evils of female temptations, Iwein effectively explores the formation, destruction, and resurrection of numerous male and female relationships.
Eliduc is a typical medieval story of courtly love. The Lai contains the common characteristics of other Marie de France’s Lais; as a worthy and valiant knight is confused about his love life. The knight is caught between the duty he owes his wife and the new love he feels for a foreign princess. Oddly enough, the two female characters, his wife and his secret lover have similar names; Guildeleuc and Guilliadun. This is significant because these two women meet and rather than becoming enemies as would be expected, they work as a team and live together. Over time the title of the Lai has changed to Guildeleuc and Guilliadun because it is based on the two women. Common to other medieval stories, Eliduc is moving and purifying, as it involves two innocent female characters who are caught up in a love triangle with a man who never meant to stray from his wife or emotionally hurt either of the women. Although Eliduc is similar to other Lais in many ways, it ends differently than others that have been discussed in class. The majority of Marie de France’s work ends in tragedy in terms of love, Eliduc does not, it ends with positive love. While the love between Eliduc and Guilliadun should not work out because of the secrets and adultery, the couple manages to break the social conventions of medieval society and are able to live happily together for quite some time. The three main characters in Eliduc manage to overcome obstacles of social conventions through their absolute freedom and unrestricted desires.
The elements of courtly love operate at several levels simultaneously in The Knight of the Cart; they are expressed by the behaviors of Lancelot, Queen Guinevere, Meleagant and other characters in the story. Two vividly deployed elements are the concepts of loyalt...
In this romance, there is a battle between reason and love. Both try to thwart the paths of the other. When love is taking control, there is always a sense of reason that prevents Lancelot from doing what he wants, and when reason has the better of him, love makes him go in a different direction. Reason is the logical explanation behind each action taken or decision made by Lancelot. Love is the attraction that Lancelot feels for Gweneviere and it has a way of pushing aside reason, when he tries to make a judgment. These two elements are almost the devil and angel inside of Lancelot. Neither one can be described as good or bad, but can be considered opposites of each other. Also, most times, love is a stronger trait in Lancelot than the process of thought and reason.
Lancelot, Bors, and Perceval all strive to become more like Galahad, and the author effectively uses these characters to teach his readers lessons about spiritual chivalry and personal salvation. The author provides each of these knights with a series of monks and hermits who counsel and guide him in the ways of spiritual chivalry, for only the most pure Christian knights have any hope of finding the Grail. The adventures of Perceval are very straightforward and easy to interpret, so he provides readers with a suitable introduction to spiritual chivalry and the importance of virginity, asceticism, and complete faith in God. The author faces Bors with more complicated challenges and visions than anything Perceval must handle; since the author tells Bors' adventures after Perceval's, readers should be more prepared to interpret their meaning and significance with regard to spiritual chivalry and personal salvation. The advice Lancelot receives from his series of monks and hermits shows readers the importance of confession and penance, but the author makes it clear that readers should not emulate Lancelot's life of sin ...
Brewer, Derek. The Presentation of the Character of Lancelot. Lancelot and Guinevere, A Casebook. Ed. Lori J. Walters. New York: Garland, 1996. 3-27
The tales of King Arthur and many of their numerous characters are well known in literature. The Arthurian world is one of the great myths of modern times. Those great pieces of literature have many common themes, one of them being courtly love “L’amour Courtois”. This paper talks of courtly love as seen in King Arthur’s world especially examining “Yvain or the Knight with the Lion” and “Lancelot: or the Knight of the Cart”. Furthermore, one of the goals is to show how that courtly love could be seen in today in our world.
The Arthurian legends are well known in today's society. However, very few people know of the "real" Arthur -- who he was and what his accomplishments were. This paper will establish a difference between legend and truth, show evidence to support and explain who the real Arthur was, and shed some light on the sometimes confusing Arthurian legends.
How would you describe Sir Lancelot? Most people would say he is the strongest, bravest, and kindest knight of the round table. Some might say he is the biggest Benedict Arnold of all time because of the adultery he committed with Queen Guinevere. However, his chivalry and code of honor make him the epitome of a true gentleman. These contrasting qualities set Sir Lancelot apart from all the other knights and characters in the “Morte D’Arthur.” Lancelot’s gallant, courageous, and conflicting personality make him a complex character in this dramatic tale of love and betrayal.