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The summary of little mermaid
Analysis on fairy tales
Sexuality in literature
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Recommended: The summary of little mermaid
Mermaids have always been very popular in literature for many years. They're known for being beautiful seductresses with long, flowing hair and skinny torso's attached to a gorgeous tail. Hans Christian Andersen's personal life and interest in mermaids led to his fairytale, "The Little Mermaid," which was published in 1837. "The Little Mermaid" is a disturbing tale about a mermaid who gives up her voice and tail for a Prince she barely has come to know. Two of the main characters in the tale, The Little Mermaid and the Sea Witch display many aspects of sexuality. With the help of an experienced Sea Witch, the mermaid is able to enter her state of sexuality. Andersen uses sexuality through the little mermaid to fit the female standards in the eighteenth century. …show more content…
His references to sexuality in “The Little Mermaid” relate back to his own personal life. Andersen struggled with his own sexuality throughout his life. His relationship with sexuality seems to be troubling by getting denied often by both men and women. It is suggested that Andersen was bisexual as he would openly write love letters to both men and women. One in particular was a man named Edvard Collin. Andersen wrote a love letter to him mentioning how much love he had for him. Collin responded through his writings saying that he did not feel the same way. Collin, like the Prince in the fairytale, was also pressured by his family to marry a princess. At the time, same-sex marriage was not acceptable. Collin then went on to marry a woman which led Andersen to move away and write his infamous fairytale, "The Little Mermaid." It is still unclear as to if Andersen had sexual feelings towards men, but it is very clear that he had sexual feelings when writing his tales. This fairytale seems to be a reflection of Andersen's own failed love life. He experienced the pain of failed love, just as the mermaid
Anderson, Hans Christian. “The Little Mermaid.” Folk and Fairy Tales. 3rd ed. Eds. Martin Hallett and Barbara Karasek. Toronto: Broadview, 2002.
According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which help them to obtain a man. They are often encouraged to use their looks and their body to capture a man’s attention, and having a curvy, petite body is required in all good Disney women. The Little Mermaid is a 1989 movie directed by Ron Clements and John Musker, where “A mermaid princess makes a faustian...
Although Hans Christian Andersen’s “The Little Mermaid,” published in 1837, contains many patronizing nineteenth-century attitudes towards women, a value system that at least acknowledges the legitimacy of femininity shapes the fairytale. Unfortunately, Walt Disney’s 1989 film version of “The Little Mermaid” eliminates the values that affirm femininity in the original story (Trites 145)
Once upon a time, there was a 16 year old mermaid princess named Ariel who gave up her voice, an important part of her identity, in order to be with a man who she became infatuated with at just one glance. Ariel has a very traditional gender-stereotypical role in the film, as the helpless, clueless, naive, physically weak, submissive, and attractive female protagonist that Disney films, especially the classics, portray so often (England). There is a lot of controversy surrounding this film in regards to its patriarchal ideals. The Little Mermaid, like most media, is build for the ‘male gaze’, a term coined by Laura Mulvey that suggests that visual entertainment, such as movies, are structured to be viewed by a masculine consumer. I will argue that the male gaze perpetuates harmful gender-stereotypes in The Little Mermaid.
Disney’s “The Little Mermaid” tells the story of a young mermaid Ariel, who wishes to live on land with her love, Prince Eric. She learns from a sea witch, Ursula that the only way she will be able to do that is if she is given legs. (Livingston18) In return for her voice, Ursula agrees to grant her legs but ultimately tricks Ariel by telling her if she does not kiss the prince after three days then she will belong to Ursula. (Livingston18) In the end, Prince Eric kills Ursula and marries Ariel. Unlike Euripides’ Medea, the director’s of the Disney movie chose to create a physical appearance that failed to comply with society’s expectations in order to create the ideal image of a woman. In the movie,...
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
Although the film received rave reviews and substantial profit, I argue that the Disney adaptation loses the fundamental elements of Andersen’s original story and presents a new narrative laced with negative values and inferior moral lessons. The changes in the Disney remake are closely connected to cultural and social aspects of America in the late 1980’s, making it arguably more relatable and successful for current audiences of the time. However, Disney’s adaptation of The Little Mermaid perpetuates negative American ideals and incorporates classic Disney fairytale elements, ultimately erasing the positive moral overarching theme of Hans Christian Andersen’s original story. The historical, cultural, and social setting of both the original fairytale and the Disney adaptation of The Little Mermaid are incredibly important when analyzing the differences between the two. Hans Christian Andersen wrote The Little Mermaid in 1837 in Denmark.
Looking deeper into Peter Pan it is able to be inferred that it is not a story to be read to impressionable young children. Racism, and violence run rampant throughout the pages of this story. The most noticeable thing in the play is misogyny. Since I first began looking deeper into the play it has shifted my views of a purely innocent boy, who did not want to grow up, into views of a boy who is a racist, a sexist, and constantly getting himself, and everyone around him in trouble. Peter Pan may not want to grow up, but he probably should learn a few manners before being such a huge influence to the lost boys.
Women are crucial to society. They are our voices, and they revolutionize our people. More importantly, mothers are a big part of our society. J.M Barrie’s Peter Pan is a magic-filled story about a mischievous young boy named Peter, and his tribe, the Lost Boys, who explore and go from raising themselves to attaining a mother. This story can be studied under the lens of the Feminist Critical Theory, which focuses on women empowerment and their outstanding role in society. Literature allows society to explore this role, which J.M Barrie displays impeccably in his book. Barrie’s book definitively presents Wendy’s journey from childhood to motherhood, her role in the development of Peter and the Lost Boys, and the idealization of women. Peter
She soon stopped hanging out with her friends and changed her entire personality, losing her voice, in order for Eric to fall in love with her. A thorough research has been carried out by linguists Carmen Fought and Karen Eisenhauer in which they researched how often each gender role spoke in each film. Their objective for doing this was to shine light on the way in which male roles used to dominate speech time, in comparison to recent Disney films that show women giving more vocal characters to play. Snow White (1937), Cinderella (1950) and Sleepy Beauty (1959) all show that women characters get over 50% of dialogue, whereas all of the Disney princess films released in the late 80s and 90s show that females only had around 20% of the overall dialogue time. Considering these films all have a female lead, these statistics show that male characters withhold supremacy even when they aren’t the main character, overpowering the female lead in her own film.Throughout the majority of Disney’s films, there’s an underlying statement that normalises male dominance and in which holds a negative impact over the youth of today, if children’s films continue to portray this outdated message over and over again, then children will grow up with a huge misconception of how they should be, which leaves a worryingly foundation set for the upcoming generation of this time. Many children idolise the characters in Disney films that’s why it’s very important to analyse the representations these characters are portraying for the children of our society to see. When a child has been engraved with these stereotypes since they can remember, it will be difficult for a child to separate these
The Little Mermaid is the most often cited story when demonstrating Hans Christian Andersen’s lonely life. The story is a great metaphor for Andersen’s longing for love. The little mermaid spends her childhood caring for a statue of...
The film Lars and the Real Girl cast Lars, an adult male with not only odd behavior, but the social immaturities similar to a child as well. Our main character also carries around a heavy load of baggage which plays a very important role is his diagnosis. To begin with it’s obvious that Lars is socially inept from scene one. In fact, in an earlier scene, Karin, Lars sister-in-law married to brother Gus is speaking to her husband about how Lars must be very lonely.
When watching the film “Lars and the real girl”, many components of perception are given to us to observe and study. Lars suffers from a dissociative disorder keeping him away from interaction. Karin (Lars sister in law), tries to help understand Lars by attempting to invite him to dinner or family events. Due to the abuse that Lars endured from his father, he is now scarred and suffers from the delusion that Bianca (sex doll) is real. The scene where Lars introduces Bianca to his brother and Karin, we can observe the perspective that lars took into consideration when he compares his life to Biancas and with striking similarities.
No matter how much we try and do everything right, some things just are not meant to be and the mermaid was not meant for the prince (Ingwersen). Love can make people go crazy and they will do anything to receive that same love and passion back from them (Cravens). In this story, the little mermaid is madly in love with the prince and she does everything and anything to gain love back from him. “Stick out your little tongue, and let me cut it off in payment, and you shall have the potion." "Let it happen," whispered the little mermaid” (Andersen).
Hans Christian Andersen adapted the short story, “What the Old Man Does is Always Right” from a Danish folklore titled, "Gudbrand on the Hillside". (Garry, et. al. 2005) It was noticeable how Andersen romanticized fairy tales by combining folk art with the comical elements of life. (Cole, et.al. 1983) Having experienced life’s simplicity by belonging to the lowest social class in his time, Andersen had firsthand account of his protagonists in his fairy tales which are his greatest contribution to world literature. (Wullschläger, 2001) Andersen also wrote “The Little Mermaid", "The Ugly Duckling", "The Princess and the Pea”, and “The Emperor’s New Clothes”, wherein he also showed detailed understanding