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The Poetical Works of John Keats
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"Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too." So often, people look back upon their youth and wish that they still had it before them. Our natural tendency is to fear old age, to see it as the precursor to death, rather than a time of life, desirable in its own right. However, in John Keats' poem, To Autumn, he urges us not to take this view, but to see old age as a beautiful and enviable state of life, rather than something to be feared.
First of all, it must be established that Keats is even speaking about old age. After all, he does not directly refer to it in the poem. Therefore, if he is speaking about it at all, it must be indirectly, through the use of metaphor, and indeed, one sees that this is the case. The poem refers to autumn as being a "season of mists" (1) which would indicate a time of faded perception, which old age tends to bring. The senses begin to fail as the body gets older. The line adds that this season also includes "mellow fruitfulness" (1). One aspect of the word "mellow" involves sweetness and ripeness, but it also implies the gentleness often associated with maturity, both of which would refer to an aged condition, as both ripeness and maturity only come through
age. The poem later personifies Autumn as "sitting careless on a granary floor" (14). Granaries hold grain that has already been harvested and threshed. It is in the last phase of its existence before its "death" by consumption. Likewise, old age is the last phase of human existence. Also, a common characteristic of old age is baldness. In the poem, autumn's hair is "soft-lifted by the winnowing wind" (15). To winnow something to is eliminate the unnecessary parts, like chaff from grai...
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... a part of Autumn, but merely observes Autumn, and is therefore not part of the autumn/old age idea. The fact that he or she is roaming abroad also contrasts with the more relaxed habits of old age. The traveler is young, and by causing the rhyme scheme surrounding him to be imperfect, Keats communicates the slight dissonance it adds to the uniformity and harmony of the old.
Through the se of metaphor, imagery, form, and rhyme scheme, John Keats crafts a message in this poem for all to hear, both young and old. To those who dread the aging onslaught of the coming years, he says to remember autumn. To those wishing again for the good old days of childhood, and feeling dissatisfied with their old age, he says to remember autumn. Age brings fruitfulness, stability, leisure, and harmony. It should be embraced for the natural and wonderful part of life that it is.
For each seasonal section, there is a progression from beginning to end within the season. Each season is compiled in a progressive nature with poetry describing the beginning of a season coming before poetry for the end of the season. This is clear for spring, which starts with, “fallen snow [that] lingers on” and concludes with a poet lamenting that “spring should take its leave” (McCullough 14, 39). The imagery progresses from the end of winter, with snow still lingering around to when the signs of spring are disappearing. Although each poem alone does not show much in terms of the time of the year, when put into the context of other poems a timeline emerges from one season to the next. Each poem is linked to another poem when it comes to the entire anthology. By having each poem put into the context of another, a sense of organization emerges within each section. Every poem contributes to the meaning of a group of poems. The images used are meant to evoke a specific point in each season from the snow to the blossoms to the falling of the blossoms. Since each poem stands alone and has no true plot they lack the significance than if they were put into th...
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
The theme of John Keats? ?To Autumn? is to live your life actively until darkness consumes your body. The time frame, imagery, and diction of the stanzas prove this. The time frame shows that life is progressing, while the imagery is paralleled to life being taken away from the individual. The diction proves that the person is active during childhood, passive during adulthood and slightly active during the elderly years of life. The proofs clearly show what the theme of the poem is, proving every part of it thoroughly. This was a wonderfully written poem, and it gives a great message that everyone should learn and live by.
middle of paper ... ... He forgets about the impossible, and being immortal and being alone, but rather embraces the temporary and exhilarating. Keats presents his feelings on how he no longer wishes for impossible goals, and how it is much more preferable to enjoy life as much as possible. It is of no use longing for things we cannot have, and so we must learn to live with the myriad of things we already have, of which one in particular appeals to Keats: the warmth of human companionship and the passion of love.
In the first quatrain of the poem the speaker compares himself to autumn. The speaker says, “That time of year thou mayst in me behold” (1). He is seeing himself as the fall season of the year. A time of the year when nights arrive quicker and the temperature becomes cooler. When relating this season to life, it is when a person is experiencing stages of decline in their life making them closer to death. He creates an image of a tree, with leaves that have been falling with the change of season into winter. “When yellow leaves, or none, or few, do hang.” (2) When using the image of leaves falling from a tree and leaving it bare,
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
There are two sides, one symbolizing life, beauty, truth and immortality and the other in complete contrast representing death, mortality, suicide, reality and growing old. These are the main concept in the ode that refers to change. The changes Keats comes to realize throughout the poem.
The long and short lines, the irregular rhyme scheme, the recurrent participles (indicating work), the slow tempo and incantatory rhythm all suggest that repetitive labor has drained away his energy. The perfume of the apples - equated through "essence" with profound rest - has the narcotic, almost sensual effect of ether. Frost's speaker, like Keats', is suffused with drowsy numbness, yet enters the visionary state necessary to artistic creation:
The first stanza begins with Keats painting a picture of Autumn as being a “season of mist and mellow fruitfulness”. This is used in conjunction with the use of the image of a “maturing sun” which ripens the Autumn harvest of views and the fruits. The excessiveness of the Autumn harvest is achieved with the use of hyperbole. He describes the fruit being ripened to the core, the gourds are swelled, the hazel nuts plumped and trees bend from the weight of the apples. So the first stanza describes quiet vividly the fullness and abundance of life.
Shakespeare uses seasonal imagery in the first quatrain of the poem to show the comparison of aging to the time of season in the year. The narrator does this by using smaller images to create the larger main image of Autumn in the poem, which is his reflection on approaching old age. “That time of year thou mayest in me behold” (1). This is set in Autumn, the time between fall and winter. Fall is a representation of middle age and winter represents old
John Keats was one of the greatest poets of the Romantic Era. He wrote poetry of great sensual beauty and had a unique passion for details. In his lifetime he was not recognized with the senior poets. He didn’t receive the respect he deserved. He didn’t fit into the respected group because of his age, nor in the younger group because he was neither a lord nor in the upper class. He was in the middle class and at that time people were treated differently because of their social status.
The choice of presenting this ‘poem’ as a descriptive ode was not a very wise decision for J. Keats. When a poem is solely based upon describing a situation or an image, it is difficult to come across as emotional. Descriptive poems are often considered as the ‘black sheep’ of poetry since it does not express an emotion or a belief. While J. Keats is praising autumn in ode to autumn, he does not add in a variable of personality. It does come across as he enjoys autumn, but this emotion is a mere afterthought compared to the theme of autumn being a beautiful season. I am not a fan of the style of writing in Ode form so this poem didn’t have a very good chance to please me to begin with. If John Keats wrote this poem as a sonnet or perhaps a more personal style, it would be a much better poem in my eyes.
The poem as a whole is to prove that autumn was a great season. It
Retrieved February 17, 2014, from Spark Notes: http://www.sparknotes.com/poetry/keats/section3.rhtml
primarily appeals to the active sublime power of the west wind to give him that energy which is able to change the world. At the same time, another Romantic poet Keats drowsy accepts the idea of aging and accomplishment ^ in his ode "To Autumn" he celebrates fruitfulness of the autumn and bides farewell to the passing away year and together with it to his great poetry. The Romantic autumnal odes of Shelley and Keats are born from the poetic observations of natural changes and from their ability to penetrate the mood of fall which provides them a incentive for artistic creativity. In "Ode to the West Wind" Shelley mainly concentrates his attention on his observations of the death caused by the autumnal wind. He compares the "dead leaves" to "ghosts" (WW, 676/2-3), and the "winged seeds" ^ to dead bodies which "lie cold and low... within [their] grave" (WW, 676/7-8).