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Mermaids are they real
The mermaid story
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One example of proof that mermaids aren't real is Animal Planet, a channel is that known for its documentaries, the show portrayed scientists going into a submarine and exploring the ocean and capturing footage of mermaids. What actually was going on was the scientists were paid actors and they used props to make it seem real, and it tricked many people because there was “only the show's very brief disclaimer in the end credits noting it was a work of fiction”(Castro). Another example is the Feejee mermaid, in the 1840s a man named Samuel Barrett Eades set up a “mermaid” in his coffee shop. It is said that the odd-looking creature was created by a fisherman who sewed together a half ape and half fish as a joke. It then made its way to England,
Thesis Statement: Closing SeaWorld’s doors would be unjust, however; SeaWorld can repair its image by providing excellent care for its current residents and by shifting the business model from entertainment to rescue, rehabilitate and release at all locations.
While many theories exist trying to disprove the existence of this elusive beast, many also exist proving its existence. The first reported sighting made by St. Columba, an Irish missionary, in the a.d. 500s. He was from Scotland and came to spread Christianity. He saw the beast attacking a man and saved him by making a cross and ordering the beast to be gone. The Loch Ness Monster is not just a beast from the Medieval mythology. Many people have reported sightings of a creature matching the description “of an ‘extinct’ dinosaur called the Plesiosaur”(“Myths and Legends of the World”). There have been many attempts to find this elusive creature ,but all have turned up unsuccessful neither proving nor disproving the existence of the Loch Ness Monster.
Seaworld is a giant marine life theme park. The greatest attraction to these many theme park would be those killer whales. In fact, these killer whales are the face of the park. As gigant as these mammals are, seaworld is keeping them in some pretty tight quarters. Mr. Jett and Mr.Ventre says “Wild killer whales can swim a hundred miles daily as they socialize, forage, communicate, and breed. In stark contrast, with little horizontal or vertical space in their enclosures, captive orcas swim only limited distances, with most spending many hours surface resting.” The animals don't have the freedom they need. Also when taking the whales out of their natural habit the whales tend to be depressed and not as heath in that situation. They need their freedom in the big ocean blue. Bring them into the small living units, breeding whales in captivity all for the entertainment of humans. At young ages the calves are taken away from their mothers on to a new seaworld park. Mothers of the calves have even been seen denying their offspring.
711 million people a year sponsor the act of kidnapping, torture, and starvation around the world. If you’ve ever been to a zoo, aquarium or a Seaworld park, you’re one of those 711 million people. Lately, controversy has struck the world over the treatment of animals in those types of facilities. There are many good rehabilitation centers in zoos worldwide that help injured, endangered or ill animals, which is why a lot of people do support them. However, there is a darker side to these parks and facilities. These animals cruel pasts and hidden lives will never be heard unless we help. Help them escape their tortured lives, and see their families they were ripped from when they were only babies. Be the voice of the voiceless and shut down
Knowlton, Nancy. Citizens of the Sea, Wondrous Creatures from the Census of Marine Life. Washington DC: National Geographic Society, 2006. Print.
Under the sea, in an idyllic and beautiful garden, stands a statue of a young man cut out of cold stone – for the Little Mermaid who knows nothing but the sea, the statue stands as an emblem of the mysterious over-world, a stimulus for imagination and sexual desire, an incentive for expansion of experience, and most predominately, an indication that something great and all-encompassing is missing from her existence. Traces of curiosity and a vague indication of the complexities of adult desires mark the child mermaid; in such a stage of development, the statue will suffice. However, as the Little Mermaid reaches puberty, the statue must allegorically come alive in order to parallel the manifestation of her new-found adult desires – the statue must become a prince in his world of adulthood above the sea. Thus, powered by an insistent and ambiguous longing for self-completion, the Little Mermaid embarks on a journey of self-discovery, and, to her ultimate misfortune, prematurely abandons her child-like self as sexual lust and the lust for an adult life takes hold of her.
The size of the painting is 34 3/8 x 45 3/4 in. (86.5 x 115 cm). The height in proportion to the width shows that the painting is not proportional but it is not far off from forming a perfect square. The frame does not cut-off any of the people in the painting. The composition is centered and zoomed in to show what is going on. The composition is not simple but it is not complex either. The composition is not geometrically ordered. The people seem to be free and in motion. There is asymmetry throughout the painting. In the organization of the painting the objects appear to be crowded. There is not a lot of space between the people who appear to be fighting. The shapes of the people show that the mermaids are fighting a big guy and the placement of them shows unbalance. There are a couple objects presents. A total of three mermaids are presents including a triton and some objects are in the background represented by shadows. The sizes of the objects in the center of the composition are big compared to the ones in the background. A lot of emphasis is present in the center of the painting. The forms of the mermaids and triton are volumetric and a nice scenery is present in the background. The mermaids and trition are formed by contoured lines. Some of the lines are sharp and defined to show the natural curves on the human body and there is blurred out lines in the water to show waves and movements. The lines help give the painting a realistic feel to it. The lines are active in the reflection of the water. The color pallet present in the painting is soft with neutral warm colors. Only a couple different colors were used and the red color on the mermaid stands out the most. The neutral skin color is dominant because it is the color mo...
Throughout time we’ve come to terms on different versions of stories that have been altered to fit what we want to read or see for our enjoyment. Having variations of a story can demonstrate what type of audience is in the sight of the creator. The term “disneyfication” is the word to describe the idea of turning a story into a modern day version that creates an illusion to the real story written before. This has happened several times in past decades, where stories are altered to set an example for the audience, whether it’s believing in oneself or getting the job done, to get what you want, is different from the original tale. The comparison between Hans Christian Andersen “The Little Mermaid” and Disney’s “The Little Mermaid,” are a set
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
The first thing to pop into one’s mind when they hear The Little Mermaid is most likely the Disney animated movie starring the beautiful red haired mermaid, Ariel. However, as with most Disney films, The Little Mermaid is an adaption of an original story written by Hans Christian Andersen in the 1830s. The creation of this classic fairytale into an animated feature required alterations from the Disney corporation, leading to a final product that is reminiscent of Andersen’s original story with added layers of American culture, sexism, and musical numbers. The initial release of Disney’s The Little Mermaid was highly successful both domestically and overseas, resulting in a total box office revenue of about 180 million. Although the film received rave reviews and substantial profit, I argue that the Disney adaption loses the fundamental elements of Andersen’s original story and presents a new narrative laced with negative values and inferior moral lessons. The changes in the Disney remake are closely connected to cultural and social aspects of America in the late 1980’s, making it arguably more relatable and successful for current audiences of the time. However, Disney’s adaption of The Little Mermaid perpetuates negative American ideals and incorporates classic Disney fairytale elements, ultimately erasing the positive moral overarching theme of Hans Christian Andersen’s original story.
The text I will be deconstructing is the Walt Disney Feature Animation film The Little Mermaid released in 1989. The film was directed by Ron Clements and produced by John Musker. The Little Mermaid (1989) is the story of a young mermaid who gives up her voice in order to become human and find her one true love Prince Eric. I find the film to be incredibly significant, not only in its portrayal of feminine roles, the human body, and the willingness to sacrifice for true love, but in the film's vast audience and popularity. I will be using the feminist framework, as described in Critical Media Studies: An Introduction by Ott and Mack (2010), to deconstruct The Little Mermaid (1989).
She soon stopped hanging out with her friends and changed her entire personality, losing her voice, in order for Eric to fall in love with her. A thorough research has been carried out by linguists Carmen Fought and Karen Eisenhauer in which they researched how often each gender role spoke in each film. Their objective for doing this was to shine light on the way in which male roles used to dominate speech time, in comparison to recent Disney films that show women giving more vocal characters to play. Snow White (1937), Cinderella (1950) and Sleepy Beauty (1959) all show that women characters get over 50% of dialogue, whereas all of the Disney princess films released in the late 80s and 90s show that females only had around 20% of the overall dialogue time. Considering these films all have a female lead, these statistics show that male characters withhold supremacy even when they aren’t the main character, overpowering the female lead in her own film.Throughout the majority of Disney’s films, there’s an underlying statement that normalises male dominance and in which holds a negative impact over the youth of today, if children’s films continue to portray this outdated message over and over again, then children will grow up with a huge misconception of how they should be, which leaves a worryingly foundation set for the upcoming generation of this time. Many children idolise the characters in Disney films that’s why it’s very important to analyse the representations these characters are portraying for the children of our society to see. When a child has been engraved with these stereotypes since they can remember, it will be difficult for a child to separate these
By the late 1900s, approximately five billion human beings occupied planet Earth. Whether they crawled on top of comfortable carpets or scurried across dark alleys, five billion people carried the ability to not only walk on the earth, but also to shape it, to mold it with their footsteps. Among this era's sculptors that molded the ground below them with their various talents was Walt Disney, a man who grew up to become a film producer, a screenwriter, a director, an animator, an entrepreneur, an international icon and a philanthropist. With his imagination, ambition, and a little help from a special mouse, Disney transformed both the entertainment industry and international culture itself. He pioneered full-color animated cartoons, created "the happiest place on Earth", and introduced the world to inspiring family movies that to this day encourage both children and adults alike to pursue their dreams and chase happiness. However, while Disney's movies all end with a "happily ever after", the actual tales the movies are based on are far from happy; they are rather morbid, realistic and poignant. The Little Mermaid, Disney's movie about a young princess lusting after a prince, serves as an example of a story in which Disney strayed far from the actual tale. The basis of Disney's feel-good, family movie is Hans Christian Andersen's The Little Mermaid, which shocks readers with the death of the mermaid's beloved prince, the mermaid's awareness of her physical pain, and the loss of her innocence. Analyzed through a psychoanalytical lens, both Walt Disney's and Hans Christian Andersen's A Little Mermaid displays female subjectivity in favor of a dominant patriarchal world.
Once upon a time, in a world where Mermaids and magic isn’t just a fairy tale, the story of the Mermaid who has been rescued from the sea, and her aquarium carer is held.
We absolutely astounded you with our first selections of 25 rare sea creatures in parts one through three, and you have come back seeking more mind-blowing discoveries! We have finally returned with our final part four, bringing you the top nine most incredible species of sea creatures that you never knew existed!