By the late 1900s, approximately five billion human beings occupied planet Earth. Whether they crawled on top of comfortable carpets or scurried across dark alleys, five billion people carried the ability to not only walk on the earth, but also to shape it, to mold it with their footsteps. Among this era's sculptors that molded the ground below them with their various talents was Walt Disney, a man who grew up to become a film producer, a screenwriter, a director, an animator, an entrepreneur, an international icon and a philanthropist. With his imagination, ambition, and a little help from a special mouse, Disney transformed both the entertainment industry and international culture itself. He pioneered full-color animated cartoons, created "the happiest place on Earth", and introduced the world to inspiring family movies that to this day encourage both children and adults alike to pursue their dreams and chase happiness. However, while Disney's movies all end with a "happily ever after", the actual tales the movies are based on are far from happy; they are rather morbid, realistic and poignant. The Little Mermaid, Disney's movie about a young princess lusting after a prince, serves as an example of a story in which Disney strayed far from the actual tale. The basis of Disney's feel-good, family movie is Hans Christian Andersen's The Little Mermaid, which shocks readers with the death of the mermaid's beloved prince, the mermaid's awareness of her physical pain, and the loss of her innocence. Analyzed through a psychoanalytical lens, both Walt Disney's and Hans Christian Andersen's A Little Mermaid displays female subjectivity in favor of a dominant patriarchal world.
Patriarchy is a social system in which men are the primary aut...
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...dersen's original story traces the little mermaid's journey to obtain a soul, something she cannot complete without both the help of a man and the sacrifice of her own femininity in order to assimilate to a patriarchal world. Disney's story takes the subjectivity of femininity even further by replacing the little mermaid's spiritual, self-fulfilling aspiration of an immortal soul with a lustful desire for love instead. The little mermaid's decision to give up her voice for legs in both Andersen and Disney's stories transforms her into a "woman [that] man wants her to be" rather than a "woman for herself" (Sells 180). Both versions of the mermaids hold the belief that they can gain love by suppressing their true identities. However, since they have no verbal communication skills and are mute, they can express their personalities only by relying on their appearances.
Disney Princess movies target children and are none other than a transfigured fairytale story in which innocence and moral virtue are questioned. In pursuit of romance and having the mindset of doing whatever it takes for love, Disney creates this magical world and targets the youth, especially young girls. Walt Disney was a creative and “radical filmmaker who changed [one’s] ...
Back in the roaring twenties America was seeing such world-changing phenomenons such as The Great Gatsby, and penicillin, but what took the world by surprise was none other than Walt Disney and his lovable creation, Mickey Mouse. Walt Disney, throughout his entire lifetime and career, always had an idea, a spark, and a way to make things better. Even in the face of tough times, he never failed to keep his optimistic attitude and kind faith in humanity from infecting those around him. A major part of his success was due to the technological innovations that revolutionized the film industry.
In 1989, John Alvin created a stunning movie poster for the soon-to-be iconic movie, The Little Mermaid. His visual contains movement and depth that creates a sense of wonder when the viewer looks at the poster. At first the viewer might look at John Alvin’s The Little Mermaid and see a story about a forbidden romance between the two main characters that are artfully rendered in the middle of the poster. However, when looking closer at the visual, the viewer can begin to gather all sorts of messages from John Alvin’s use of symbolic colors to project certain meanings and his placement of specific images to portray sexual attraction. Even Alvin’s careful positioning of the characters on the poster helps the viewer to further understand the
According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which help them to obtain a man. They are often encouraged to use their looks and their body to capture a man’s attention, and having a curvy, petite body is required in all good Disney women. The Little Mermaid is a 1989 movie directed by Ron Clements and John Musker, where “A mermaid princess makes a faustian...
Trites, Roberta. "Disney's Sub / Version of Andersen's The Little Mermaid." Journal of Popular Film and Television 18.4 (1991): 145-52. Print.
Produced in 2009, The Frog Princess is a Disney animation inspired by the Grimm Brothers’ fairytale, The Frog Prince. Both The Frog Princess and The Frog Prince deal with a multiplicity of issues, all of which contribute to supporting positive messages and morals (Ceaser, 2009). However, though The Frog Princess is based on a classic fairytale, it is far from being the same. The writers at Disney have taken a classic fairytale and created a “Monster” (Prince, 2001). This essay will examine the evolution of the original Grimm Brothers’ fairytale, the messages both main characters represent, and how the adaptation to fit a modern child readership diminishes a classic fairytale. Through discussing these arguments, this paper will prove that Disney’s adaptation into The Princess and The Frog is counter-productive in representing the original story’s messages, morals, and values.
Although the film received rave reviews and substantial profit, I argue that the Disney adaptation loses the fundamental elements of Andersen’s original story and presents a new narrative laced with negative values and inferior moral lessons. The changes in the Disney remake are closely connected to cultural and social aspects of America in the late 1980’s, making it arguably more relatable and successful for current audiences of the time. However, Disney’s adaptation of The Little Mermaid perpetuates negative American ideals and incorporates classic Disney fairytale elements, ultimately erasing the positive moral overarching theme of Hans Christian Andersen’s original story. The historical, cultural, and social setting of both the original fairytale and the Disney adaptation of The Little Mermaid are incredibly important when analyzing the differences between the two. Hans Christian Andersen wrote The Little Mermaid in 1837 in Denmark.
The mermaid in Andersen’s version offers a greater depth of character as opposed to Disney’s mermaid. Anderson writes when introducing
“Stick out your little tongue, and let me cut it off in payment, and you shall have the potion." "Let it happen," whispered the little mermaid” (Andersen). The little mermaid in this short story has the most beautiful voice of sea and to give up her voice was a major thing that she never thought she would have done before. She gave up her voice to the sea witch so she could make a potion to allow the little mermaid have the legs of a human so she could have a chance to be with the man she loves, the prince.
Once upon a time, there was a 16 year old mermaid princess named Ariel who gave up her voice, an important part of her identity, in order to be with a man who she became infatuated with at just one glance. Ariel has a very traditional gender-stereotypical role in the film, as the helpless, clueless, naive, physically weak, submissive, and attractive female protagonist that Disney films, especially the classics, portray so often (England). There is a lot of controversy surrounding this film in regards to its patriarchal ideals. The Little Mermaid, like most media, is build for the ‘male gaze’, a term coined by Laura Mulvey that suggests that visual entertainment, such as movies, are structured to be viewed by a masculine consumer. I will argue that the male gaze perpetuates harmful gender-stereotypes in The Little Mermaid.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
The theme in Hans Christian Anderson’s The Little Mermaid, is knowing how to follow your heart and dealing with the consequences after doing so. The little mermaid makes up her choice to be with the prince. She has to leave all of her sisters, her father, and her beloved grandmother behind. She trades in her tail for legs that hurt her to walk on. All for a prince who does not end up loving her like the way she had hoped. These consequences that come after lay out her fate by the end of the fairy tale.
In today’s modern age, young children are being raised by their TV screen. Reining from the original tales of Perrault and the Grim Brothers, the Disney princess line has been a staple on the screens since the 1930s (Do Rozario 1). However, these princesses have gone through dramatic changes to remain relevant to todays youth. The effects that can be influenced by the roles expressed in these types of films send mixed messages to the audience, causing them to ask themselves whether or not they should believe what the princess is expressing on the screen.
The text I will be deconstructing is the Walt Disney Feature Animation film The Little Mermaid released in 1989. The film was directed by Ron Clements and produced by John Musker. The Little Mermaid (1989) is the story of a young mermaid who gives up her voice in order to become human and find her one true love Prince Eric. I find the film to be incredibly significant, not only in its portrayal of feminine roles, the human body, and the willingness to sacrifice for true love, but in the film's vast audience and popularity. I will be using the feminist framework, as described in Critical Media Studies: An Introduction by Ott and Mack (2010), to deconstruct The Little Mermaid (1989).
Over the years, Disney has presented many movies to their audience—most having a Princess as the protagonist. These movies became a babysitter for most parents in the early stages of their child’s life. Most people found these movies as relatively harmless. The obvious assumption about the Disney Princesses is that they only desire true love since almost every movie ends in romance. Parents just viewed these movies as romantic movies on a child’s level. However, these movies were not solely intended for an audience of an age that can be counted on both hands. They were intended to speak to “an intelligent and active audience” (Sumera 40). However, there are many people who disagree with the ways of the Disney Princess movies. The disagreements lie within the portrayal of women gender roles in these movies. It is argued that Disney portrays women as a being nurturing individuals without any control over their identity. The women are unable to think for themselves, because they are uneducated, and they are quick to fall in love with the first man that pays them any attention. However, this is not completely true. The people that are against the portrayal of women in the Disney movies are failing to recognize the underlying concepts in these movies. For example, Belle, in Beauty and the Beast, was well educated, Mulan went to war despite the consequences, and Merida, in Brave, stood up to her mother in refusal to marry. The Disney Princesses desired intelligence, bravery, strength, and independence—not true love’s kiss.