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Taming of the shrew essay on presentation of petruchioact 2 secene 1
How is petruchio presented in the opening of the taming of the shrew
Taming of the shrew essay on presentation of petruchioact 2 secene 1
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The Presentation of Petruchio by Shakespeare in The Taming of the Shrew
In addition to being the title of one of Shakespeare's earliest
comedies, The Taming of the Shrew was also the self appointed role and
paramount purpose of one of it's main characters, Petruchio.
Shakespeare presents this central character in a variety of ways and
care must be taken so that early unfavourable impressions of Petruchio
may not be misleading. What did Shakespeare want his audience to think
about this 'apparent' fortune hunter? Is this man from Verona a
heartless tyrant or just a strongly masculine figure, confident but
perceptive, who has met his equal in the feisty Katherina?
The plot has been revealed in Scene 1 for Bianca's would-be suitors to
find a husband for Katherina. Petruchio is introduced in Act 1 Scene
2, in a humorous way. Upon arriving at the house of his friend
Hortensio, he orders his servant Grumio to knock the door. His servant
makes great jest using a pun on the word 'knock' (which also means to
hit someone), deliberately misinterpreting his master. This angers
Petruchio who becomes impatient and wrings his ears causing Hortensio
to intervene to calm the situation. Shakespeare gives an immediate
impression of Petruchio as someone who is impatient and doesn't suffer
fools gladly. He will not hold back but strikes out when riled.
Petruchio furthers this impression of himself as a ruthless character
when he reveals his purpose for being in Padua is:
"Happily to wive and thrive as best I may".
(Act 1, Scene 2, line 53)
On hearing about 'a shrewd ill-favoured' heiress called Katherina from
Hortensio, he determines to marry h...
... middle of paper ...
...telligent man with exceptional
language skills, using metaphors, pun and poetry, but more
importantly, he presents him as the only possible person who could
have taken on the role of taming Katherina, using masculine strength
and aggression on occasion - yes, but showing perceptiveness and above
all outrageous humour. The watching audience would have been
thoroughly entertained.
BIBLIOGRAPY
The Taming of the Shrew Stevie Davies, Penguin Books Ltd, 1995.
The Taming of the Shrew, Monarch Notes and Study Guides, Margaret L.
Ranald, Monarch Press, 1965.
The Taming of the Shrew, York Notes Advanced, Rebecca Warren, York
Press, 2000.
The Taming of the Shrew, Notes, Salibelle Royster, Coles Publishing
Company Limited, 1964.
The Taming of the Shrew, Brodie's Notes, T.W. Smith, Pan Books Ltd,
1986.
One of the most emotional and moving scenes in William Shakespeare's tragedy Hamlet is in Act III, Scene I lines 90-155 in which the title character becomes somewhat abusive toward his once loved girlfriend Ophelia. It is interesting to examine the possible motives behind Hamlet's blatant harshness in this "Get the to a nunnery" scene toward the easily manipulated and mild mannered girl. While watching Kenneth Branagh and Mel Gibson's film adaptations of the play, the audience may recognize two possibilities of the many that may exist which may explain the Prince's contemptible behavior; Kenneth Branaugh seems to suggest that this display of animosity will help the troubled man convince his enemies that he is in fact demented, whereas the Mel Gibson work may infer that Hamlet's repressed anger toward his mother causes him to "vent" his frustrations upon Ophelia, the other female of importance in his life.
Examine the different ways in which Shakespeare presents the attitude towards marriage in the play, ‘The Taming of the Shrew.’
An exploration of Shakespeare’s presentation of trickery and deception in his play ‘Much Ado about Nothing.’
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
Trickery and Disguise in Merchant of Venice, Taming of the Shrew, and Much Ado About Nothing
The concept that ‘things are not always as they seem’ is quite evident in the events surrounding, and including, Petruchio’s wedding ceremony. This particular scene in the play demonstrates how the use of false realities (a real situation falsely presented in order to deliberately deceive) can be used to create humour. Biondello describes Petruchio’s appearance to Baptista, and by doing so sets up the expectations of the audience. He says that Petruchio comes wearing:
The Shakespeare play, The Taming of the Shrew, is romantic comedy written in the sixteenth entry. The play has been appropriated into many different films and musicals. Ten Things I hate about you, directed by Gil Junger, is a film, that the play has been transformed into. The film and play both use disguise as a comedic element. Both the play and film also have the main theme of money, gender roles and family relationships. The three main characters in the play and film, Katherine(Kat), Petruchio(Patrick) and Bianca(Bianca), have many similarities and differences. However Kate and Patrick's relationship is quite different to Katherine and Petruchio's relationship.
Petruchio achieves his goal through witty persuasion rather than resorting to beating his wife like many a man before him has done. Though Shakespeare does not go as far as some feminists would like him to, Shakespeare does much for the fight for equality of the sexes. Katherine’s as strong, or stronger than any woman in Shakespeare’s plays. The amazing thing is that she achieves this without ulterior motives, such as Lady Macbeth. She is an honest, bright, independent woman.
Manipulators spend their time searching for people’s greatest vulnerabilities; most of the time, people’s vulnerabilities come in the form of people’s greatest fears. In both the play Othello by Shakespeare and the book Challenger Deep by Shusterman the manipulations that the protagonists face center aground their fears. In Othello, Iago, the antagonist, foments a plan involving all of the main characters in pursuance of manipulating Othello into killing Othello’s wife, Desdemona, and Othello’s second in command, Cassio. Iago uses Othello’s fear of Desdemona's dishonesty to convince him to “strangl[ing] [Desdemona] in her bed” and “let[ting] Iago be [Cassio’s] undertaker” (Shakespeare IV.i.226, 230). In other words, Othello, concerned about his wife's non-existent scandal, lets Iago act as his mind, consequently falling right into Iago’s trap, and kills
Throughout the scenes of Othello, the plot and characters of the play seem truly loving and trustworthy at first. Othello is a tragedy written by the master of English theater himself, William Shakespeare. The play tells the story of a powerful general of the Venetian army, Othello, whose life and marriage are ruined by a conniving, deceitful, and envious soldier, Iago. However, the subject of jealousy and betrayal has began to spread throughout almost each character 's veins after the manipulations of Iago come to alter the play all together. Shakespeare has created a mixed series of informal trials in which individuals are made to furnish proof of their claims. Through the manipulations of Iago, however, the play reveals how language can
always mean that a person is good or bad and so by making Othello a
The Effectiveness of Shakespeare’s Linguistic Choices in Conveying the Power Struggle Between Katherine and Petruchio
One cannot deny that villains tend to make every sort of movie much more interesting. They have this foolproof scheme all planned out that’s just so exciting to see played out to the audience. However, no matter what type of villain someone is watching or reading about, manipulation is always involved in his or her villainous plan. One such villain is from the play Othello, Iago. He managed to manipulate plenty of characters throughout the play by convincing every one of the honest, trustworthy front he put up. This act of being a good person allowed him to use characters in the play to his benefit. They all thought he was their friend and was always honest, so they had no choice to take his word over anyone else’s. This was all possible, however,