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Taming of the shrew and gender roles
Taming of the shrew and gender roles
What is the development of gender roles in the taming of the shrew
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The Effectiveness of Shakespeare’s Linguistic Choices in Conveying the Power Struggle Between Katherine and Petruchio
This essay will study the text ‘The Taming of the Shrew’ by William
Shakespeare. It is a play written in London in 1592 and published in
1623. The play is set during the Jacobean era (1420-1600). The purpose
of the play is to entertain an audience. The secondary purpose may be
to inform a modern audience about power and roles of men and women in
the Jacobean era. During this period of time, a person’s power was
shown by the language they used, so the more quick-witted and
articulate a person was in conversation the more social power they
held. Shakespeare uses various linguistic features in conveying the
power struggle between Katherine and Petruchio.
Throughout the play Petruchio belittles Katherine and damages the face
she presents of herself in an effort to ‘tame the shrew’. ‘Kath. A
joint-stool. Pet. Thou hast hit it. Come, sit on me.’ The face that
Katherine presents is not that of a typical woman. She is very
vituperative and unwilling to conform to society’s expectations of
marriage. And by using this sexual innuendo to counter her insult,
Petruchio performs a face threatening act. He reminds her of his
intent to marry her and the fact that to him, she is just another
woman. The utterance ‘Come, sit on me,’ is an imperative. By using
this Petruchio is suggesting that he feels he has enough power over
her to be able to order her around. This damages her positive face of
self-image, but she counters this insult in an effort to preserve her
face. ‘Kath. No such jade as you, if me you mean.’ The noun ‘jade’
refers...
... middle of paper ...
...he same
way so this would have been a pun, although a modern audience may have
trouble understanding this.
Throughout the play Shakespeare uses many effective linguistic
techniques to show the power struggle between Katherine and Petruchio.
The two characters are of equal intelligence and wit, and this shows
in conversation and how they are able to feed off of each others
words. ‘Pet. For knowing thee to be but young and light – Kath. Too
light for such a swain as you to catch.’ Katherine takes the adjective
‘light’ which Petruchio has used in a negative light and changes its
context to show her in a positive light. Both characters use this to
their advantage. Petruchio to show Katherine that he is equal to her
and able to ‘tame the shrew’ and Katherine to counter his proposal and
show that she does not want him.
hetoric – ars bene dicendi – is, according to the antique definition, the art of speaking and writing well, adequate to the situation, proving morality and the desire to obtain an effect, an expression which can attract the general interest. According to W. Jens, it contains both the theory (ars rhetorica, the art of speaking), as well as the practice (ars oratoria, eloquence). Rhetoric created, as theory (rhetorica docens), a multitude of categories to produce (and analyse) some efficient texts.
William Shakespeare’s dramatic and poetic techniques and his use of hyperbole are used to describe the characters emotions and weaknesses. The use of dramatic irony is used to create personal conflict. This is done throughout the play to describe the characters concerns and their situations.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. The Norton Shakespeare. Second ed. New York: W.W. Norton, 1997. Print.
Mowat, Barbara A. and Paul Werstine, ed. Introduction. Shakespeare: Othello. New York: Washington Square Press, 1993.
Berger, Harry. “The Prince’s Dog: Falstaff and the Perils of Speech-Prefixity.” Shakespeare Quarterly 49.1 (1998): 40-73. Print.
Words have a tremendous effect on any person or any situation, especially if used cleverly. In the play Othello we can see that Iago has the ability to use the power of words along with imagery for malicious purposes, but due to his effective use of language the other characters considers him to be an honest and moral person. In this essay I will firstly state how imagery and the power of words complement each other and then provide examples with explanations regarding the influence of language in the play Othello.
Shakespeare, William. Romeo and Juliet. Language of Literature. Ed. Arthur N. Applebee. Evanston: McDougal Littell, 2002. Print.
Crawford, Alexander W. Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear. Boston R.G. Badger, 1916. Shakespeare Online. 20 Aug. 2009. (April 30 2014) < http://www.shakespeare-online.com/plays/othello/othelloessay2.html >.
Shakespeare’s effective use of word choice in ‘brave’ makes the audience understand the protagonist deeply. Ironically, later in the play, Macbeth’s ambitions take over him and become the antag...
One of the main catalysts in Shakespeare's 'Romeo and Juliet' is powerful, uncontrollable emotions; love, hate, wrath, infatuation, and outrage are all apparent in the play and have a direct impact on the tragic events that unfold. In act one, scene two, the strongest emotions conveyed are those of despair, love and sincerity. Shakespeare uses imagery, figurative language and powerful vocabulary to convey these emotions to the audience.
...ironic use of manipulation before and after the wedding, Petruchio is able to tame Kate. Or so he thinks. The only real change is that Kate agrees with him, but she only does this to get her way. Therefore she is manipulating him by pretending that he has been able to tame her. He has not tamed her, because she also utilizes the art of manipulation. Before, Kate’s only defense against patriarchy is to be outspoken; now, she negotiates her own sense of power within patriarchy by using manipulation. Shakespeare’s critic of the patriarchal social structure is therefore just, because not only are women denied the same legal power as men, but their manipulative power is also disregarded and considered a weakness. Therefore women are not to be blamed for utilizing this powerful form of control, because that is what the patriarchal social structure forces them into.
This depiction of Petruchio conforms to Shakespeare’s technique of using false realities, in order to create humour. This can also be seen in the false identity that Petruchio puts forth in his quest for dominion over Kate (that of the eccentric egomaniac). However, these false realities are not enough by themselves, as the audience has nothing to go by but what they see before them, and so they are not to know that this is not Petruchio’s true personality, and so Shakespeare employs another essential element of humour: he lets the audience know what is truly transpiring, while the characters themselves remain oblivious to the truth. He does this using a soliloquy, in which Petruchio states the strategies he shall use in order to tame Kate:
With scenes such as when Petruccio denied Kate food, clothing, and gifts, women were further deprived of their dignity. That scene showed the power of the male over the female. Shakespeare also portrayed men, as being superior to women by having Petruccio seem more “cunning'; than Kate. “This is a way to kill a wife with kindness.'; This was Petruccio’s quote referring to the way he was treating Kate. He complimented her all the time and never took the answer “no';. With Petruccio’s control over Kate, Shakespeare further deprived women of their dignity.
In Shakespeare’s play, Twelfth Night or What you Will, the characters are involved in a plot complete with trickery, disguise, and love. Each character is defined not by his or her gender or true identity, but by the role they are forced to take because of the complicated situation that arises. Unlike their gender, the speech the characters give an insight to their true personalities. In the Twelfth Night, the character Duke Orsino uses flowery and over-dramatic language, long poetic sentence structure, and melodramatic metaphors to display his overemotional romantic nature despite the different emotions in his various speeches.
Walley, Harold R. “Shakespeare’s Conception of Hamlet.” PMLA, 48.3. Modern Language Association, 1933. pp. 777-798 . 19 February 2009.