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Women in role play in william shakespeare
Romantic comedy analysis
Love and marriage in the taming ofthe shrew
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At the end of the play, The Taming of the Shrew, Petruchio genuinely cares for Katherine. In Act One Scence Two, Petruchio states,"... if thou knows one rich enough to be Petruchio's wife, as wealth is burden of my wooing dance..". This states that Petruchio was only marrying for money. Although, if this was true then he would not be attempting to change better her life after receiving the dowry. It would have been easier and less expensive to have treated her poorly.
In Act Five Scene Two, Petruchio states," Tweny crowns? I'll venture so my of my hawk or hound, But twenty times so much upon my wife." Petruchio took twenty crowns as an insult. If he really only wanted money, he wouldn't have gambled more than that in fear of losing money.
Therefore, Petruchio liked that Katherine was a challenge and by the end of challenge he actually cared for her. If he only wanted money then he wouldn't of bothered trying to tame her. He would've just let her live and unhappy life. Petruchio developed feelings for Katherine throughout the play.
Kate and The Taming of the Shrew describes the progression of the outspoken and headstrong Kate, wife of Petruchio, as she gradually transitions into an almost perfect example of an archetypal loyal wife. This classic female archetype can be expressed through blind and ignorant support of their husband without any personal opinion or any priorities and objectives other than to satisfy the needs and desires of their husbands. While Kate begins possessing traits that oppose the loyal wife archetype due to her strong willed personality, her shift to obedience. However she continues to think with cunning strategy throughout the entire play, regardless of her weakened mental state caused by Petruchio limiting her food and sleep.
Once the father had made this choice the daughters were forced to obey. The romance was seen as a pursuit of love to win the girl. In 10 Things I Hate About You, I chose to deal with the issue in The Taming of the Shrew in a similar fashion but with one significant difference. Marriage is the focal point in the play "not to bestow my youngest daughter before I have a husband for the elder".
The scene starts off Katherine terrorizing her sister, the men all introducing themselves, and Hortensio being hit by a lute. Katherine is eventually brought out to met Petruchio and they are left alone. Petruchio takes to calling Katherine by “Kate”, wriling her up. Kate begins to insult her suitor without hesitation. They then engage in an argument, which was more along the lines of clever puns and metaphors thrown to and fro. It then ends in Kate hitting Petruchio and his response being they will be married on Sunday, “will you. nill you”.
Examine the different ways in which Shakespeare presents the attitude towards marriage in the play, ‘The Taming of the Shrew.’
Petruchio physically asks her to sit on his lap “come sit on me” in a
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
This play has many themes of patriarchy concerning the roles of males and females in a marriage, the authority of fathers over their families, husbands over wives, and men over women (Bloom 13). In the title alone, there's the indication of the husband over the wife, the "taming" of the shrew (16), and the word shrew that is chosen to describe Katherine is somewhat demeaning. In modern day society there is no such boundaries put on women. There should not be one party who overpowers the other one. It is a marriage, a bond that is shared, and each should be respected in the same way. Today, women and men are equals in a marriage, or at least in the United States. Women are no longer as oppressed as they once were. This play is rather primitive on the views of women in society.
By charming her with kind words, Petruchio is able to manipulate Katherine into marriage and woo her, but in an unaccustomed way, as Kate is not used to men being so nice and direct with her. Petruchio is able to achieve this end by manipulating Katherine’s words. He twists what Kate says and makes it seem as if she is coming on to him sexually, while in reality he is the one implying the sexual innuendo. This manipulation can be seen when they have an argument about whether or not the wasp carries his sting on his tail or tongue, and Petruchio says “What, with my tongue in your tail? Nay, come again, good Kate. I am a gentleman—” (II, 1; 230-231). By contorting the words he ...
It shows that instead of a tamed shrew, she is a woman that knows how to get what she wants but goes about it in a different way at the end of the play than at the beginning. In conclusion, Shakespeare does it again with Taming of the Shrew. On the surface, there is Kate who seems to be off the wall and kinda crazy, but at the end of the play, you realize that by acting this way and learning “life’s little secrets,” she gets the life she always wanted.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
The Taming of the Shrew written by William Shakespeare depicts the common roles of men and women in the early seventeenth century. Shakespeare writes of Petruchio and Kate, a male and female who sharply oppose each other. Petruicho must "tame" his wife Kate without breaking her true inner spirit.
In this marriage Katherine has no power. She is verbally abused by Petruchio and denied what she needs. As said in the article,“ Kate is transformed after enduring the irrational world of Petruchio 's country house, where she is denied food, sleep, and fashionable accoutrements of her social class” (Karen 263). Katherine is tamed and she praises and respects him now that she is tamed. At the end of the play, when Katherine and Petruchio are at the wedding, Katherine is the only woman out of all at the wedding that actually listens to her husband when they all call their wives. Katherine ends up giving them a speech and telling them to respect their husband: “Thy husband is thy lord, thy life, thy keeper, Thy head thy sovereign, one that cares for thee And for thy maintenance commits his body” (Shakespear V. ii . 162-164). She respects who he is and all the work that he does for her. Petruchio has the power in marriage because she respects him and his
The plot of William Shakespeare’s The Taming of the Shrew revolves mainly around the story of the fiery, seemingly untameable Katherine and her suitor Petruchio’s efforts to turn her into the perfect wife. Petruchio’s domestication tactics include forcing the “devil’s wife” into marriage, publicly humiliating her at said wedding by kissing her against her will, depriving her of food and sleep, and inundating her with lewd comments. Even before Petruchio meets Kate – as he insists on calling her – servant Grumio implies that his master intends to use sexual force to overpower her: “He will throw a figure in her face and so disfigure her with it…” (1.2.115) At after her cruel ordeal, Katherine, whose independence used to be an immutable part
In The Taming of the Shrew, Shakespeare creates humour through his characters by creating false realities (as demonstrated by Petruchio’s behaviour and attire in the scene of his wedding) and by the use of subterfuge and mistaken identity (shown in the final scenes with the transformation of Kate and Bianca’s respective personas). He also uses irony quite extensively, especially towards the end of the play (as can be seen in the final ‘wager’ scene).
Katherine reveals this attitude in Act 2 Scene 1, lines 31-35, "nay, now I see she is your treasure, she must have a husband; I must dance barefoot on my wedding day, and for your love for her, lead the apes to hell." Talk not to me, I will sit and weep!.. " This anger is not concealed, it serves to provide motivation as to why a rational person would rebuke Petrucchio so rudely upon first encountering him. Katherine surely realizes that Petruchio is interested in her for ulterior motives other than love. Be it purse that the dowry will bring or the actions of an insincere lunatic who, "woo's a thousand.