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The role of music in movies
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The role of music in movies
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The Presentation of Heroes and Villains in Shrek by DreamWorks and Other Traditional Fairytales in Walt Disney Stables
DreamWorks's 'Shrek' is the award winning animated film from 2001,
known to be the modern day fairytale with its informal language and
alternative storyline. Shrek is very much the opposite of what we know
to be traditional fairytales, tales that send out heart-felt warmth
and feed the imagination. These tales of fantasy have been known
throughout many generations and with the experience of Shrek we may be
introducing a whole new interpretation of fairytales. This story
overrides any of the traditional fairytale boundaries with its heroic
princes', beautiful princesses and terrifying beasts.
The first scene that we come across is of an imitation fairytale book
that is seen in Sleeping Beauty as if to show that this will turn out
to be a conventional fairytale. The soft classical music being played
in the background shows authenticity of a stereotypical fairytale.
Suddenly a large green hand rips out a page and snaps the book shut.
Already we notice certain opinions that are being expressed towards
fairytales in this story and give us the impression that this will not
be just any ordinary fairytale. The moment Shrek steps out of the
outhouse, modern upbeat music begins to play and we continue to watch
Shrek's daily life as an ogre. Although we see him basking in mud we
are still able to feel warmth towards him. His large grin and
non-angular features give him a soft, friendly look, which also makes
him different to the conventional evil characters with their stern
appearances. All of these ingredients are what makes him ...
... middle of paper ...
...ints of view to change the way that the
characters are seen. In stereotypical fairytale the hero's and
villains would be viewed in ways to exaggerate their appearances, but
Shrek deliberately distorts the way you watch the film. This is to
keep attention and to bring a funny side to the way the film was
produced.
In conclusion, Shrek is a modern fairytale, which allows a
contemporary audience to relate to its morals and messages. The
characters are not uniform with traditional fairytales but all of the
components of the stereotypical story are there. The fact that certain
aspects are disguised means that the film can offer different
significances to people of different age groups and different
backgrounds. It covers a wider range of subject matter, which allows
it to offer a lot more than conventional fairytales.
Presentational Devices of Shrek and Reversal of Traditional Roles In this essay, I am going to analyse the characters in 'Shrek'. I will mainly focus on Shrek and Lord Farquuad. I will also write about how the film makers use different presentational devices to create an unusual film. Stereotypically the prince is good and the ogre is evil. In traditional fairy tales ogres are pictured as man-eating beasts, while the Princes are tall, handsome and save the Princess.
The Reversal of Traditions in Shrek In traditional fairy tales ogres are man-eating beast. The prince usually rescues the princess; they marry and live happily ever after. How do the makers of 'shrek' use presentational devices to reverse this tradition to reveal the ogre as good and the prince as evil?
The creators of films Shrek and Mulan have clearly shown us the hero's journey step by step through the different film techniques and effects used to represent the hero's journey. This has shown us how Shrek and Mulan formed into hero's through the events of call to adventure, crossing the threshold, challenges, the abyss, transformation, revelation, atonement and the
Throughout literature, there is a prevalent model found in various narratives that ensures its success. This archetype, called the “journey of the hero,” discovered by Joseph Campbell, serves as a guideline of three stages for authors to manipulate to their own desire. The departure, the initiation, and the return essentially create the same storyline, yet these formats can be molded into unique and refreshing works of art. Aspects of the “journey of the hero” in the movie Shrek 2 are highlighted as the main hero, Shrek, and his wife Princess Fiona depart from their accustomed residence, the swamp, rediscover the meaning of true love through peril, and return with Shrek being able to balance his identity between an ogre and royalty.
A fairy tale story can easily establish rhetoric devices in order to enhance its storyline or give some character development. The movie Shrek is about an ogre named Shrek and a donkey named Donkey who is ordered by a prince named Farquaad to rescue a princess named Fiona so he can get his swamp back, but Shrek ends up falling in love with the princess himself (Adamson, Jenson, 2001). The movie Shrek breaks the norms of a typical fairy tales, reversing the role of who would be the hero and who would be the villain. This film adopts rhetoric devices like the four cognitive schemata to construe the perception of the characters towards Shrek, the Social Penetration Theory to show the growing relationships Shrek has with Donkey and Fiona, and verbal
Film analysis with a critical eye can give the viewer how animation giant Disney uses literary element to relay key messages to the audience. Walt Disney’s “The Princess and the Frog” is a perfect example how different literary theories like ‘the Marxist theory’ and ‘Archetypal theory’ can be embedded in the simplest of the fairy tales. The different literary elements in the movie, shows a person how characters like ‘the banker’ and the setting of the houses helps to portray the socio-economic differences in New Orleans at that time. Applying ‘the Marxist theory’ and ‘the Archetypal theory’ to the plot, characters and the setting, shows how movies can be a medium to confront social issues and to prove that all fairy tales are of the same base.
Since the days of mythological origin to the origin of pop culture, various mythological stories have been adopted and presented to newer generations. Some of these presented adaptations of mythological stories have significantly been modified in order to be deemed entertaining by audiences in a pop culture generation. Thus, my study will seek to compare mythological hero's during their time to how they have been depicted in modern day. Moreover, my study will analyze the similarities and differences between the Greek hero Heracles and his replica character, Hercules, depicted in Disney's adaptation of this myth. Although there are few similarities between the two versions, the differences between Heracles and Disney's Hercules are prominent. These differences help modern day audiences relate more easily to the characters in the story. Furthermore, the alterations have enabled a new aspect of heroism to emerge since Disney tailors it's movies towards youth who can seek valuable lessons from animated movies. Disney's choices through these alterations will be determined by focusing on the main plot, characters presented in the movie, peripheral details, and the notion of being a "true hero" that Disney presents.
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
The widely popular film Shrek, produced and distributed by DreamWorks in 2001, grossed a total of $484,409,218 in worldwide sales (Box Office Mojo). The success of the film has led DreamWorks to create several shorts, companion films, and sequels. From its memorable characters to its whimsical, edgy humor, Shrek was an amazing, highly successful animation that would pave the way for DreamWorks to make billions off the franchise. Shrek’s success can be attributed to three main factors: the range of ages it appeals to, its creative use of intertextuality, and its ability to cover a wide range of the fairy tale functions proposed by Vladimir Propp.
Produced in 2009, The Frog Princess is a Disney animation inspired by the Grimm Brothers’ fairytale, The Frog Prince. Both The Frog Princess and The Frog Prince deal with a multiplicity of issues, all of which contribute to supporting positive messages and morals (Ceaser, 2009). However, though The Frog Princess is based on a classic fairytale, it is far from being the same. The writers at Disney have taken a classic fairytale and created a “Monster” (Prince, 2001). This essay will examine the evolution of the original Grimm Brothers’ fairytale, the messages both main characters represent, and how the adaptation to fit a modern child readership diminishes a classic fairytale. Through discussing these arguments, this paper will prove that Disney’s adaptation into The Princess and The Frog is counter-productive in representing the original story’s messages, morals, and values.
The animated film Shrek is a Dreamworks fairy tale that teaches us to look beyond what we expect to see, by completely subverting the traditional fairy tale concepts of gender, appearance and beauty. The characters in Shrek are vastly different from what we would expect to see in their appearance and behaviour. With unexpected plot twists, the directors of Shrek create important messages and morals that would not usually be conveyed, using techniques such as humour. The techniques have been placed strategically to result in an entertaining and educational film.
In addition to the previously mentioned elements, Shrek's unusual plot provides entertainment for almost everyone. Shrek combines average fairy-tale stories and adds its own twist. The comedy has been described as "a wonderful parody of every fairytale story that you can think of." The characters in Shrek are classic heroes, heroines, sidekicks, and antagonists, yet their wit and humor save the film from being just another children's movie. Shrek's plot aims to keep its audience engaged with every twist and
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
Walt Disney and the Grimm Brothers used their talents, and, with help, became some of the most famous children’s literature writers and business owners of all time. Many children have read Grimm Brothers’ fairy tales and watched Walt Disney’s films and cartoons. The creators have used their tales, films, and cartoons not only during their lives, but even now.
The commonly used saying, “they lived happily ever after,” originates from early fairy tales. Fairy tales are stories that feature fanciful characters that convey a moral to teach children lessons and values that they will keep for the rest of their lives. The original story of “Cinderella” by the Grimm Brothers and the later Disney version Cinderella (1950) are both descriptions of a legendary fairy tale of a kind and gentle girl who overcomes the rancor of her stepmother and stepsisters and ultimately finds a happy ending. Although both stories have the same plot, the overall messages that they deliver are different.