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Analysis of shrek
Fairy tale elements in shrek
Analysis of the movie Shrek
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Recommended: Analysis of shrek
Presentational Devices of Shrek and Reversal of Traditional Roles
In this essay, I am going to analyse the characters in 'Shrek'. I will
mainly focus on Shrek and Lord Farquuad. I will also write about how
the film makers use different presentational devices to create an
unusual film. Stereotypically the prince is good and the ogre is evil.
In traditional fairy tales ogres are pictured as man-eating beasts,
while the Princes are tall, handsome and save the Princess. One
example of a fairy tale where an ogre is mentioned is 'Jack and the
Beanstalk'. In the fairy tale the ogre is a man-eating giant. The
giant ogre chases Jack down the beanstalk. An example of a fairy tale
where a prince is mentioned is 'Snow White and the Seven Dwarves'. In
this fairy tale the Prince frees Snow White from a spell by kissing
her and they live happily ever after.
The film stars the famous voices of, Mike Myers supplying the rough
Scottish twang for 'Shrek', Eddie Murphy's motor mouth 'Donkey',
Cameron Diaz as Princess Fiona, and John Lithgow as 'Lord Farquaad'.
The directors of this film were Andrew Adamson, Vicky Jensen and
Victoria Jenson.
DreamWorks (the distributor) has tried to poke fun at Disney wherever
possible. 'Shrek' has won many awards such as Best Musical, Best
Comedy, Best Animated Film etc. 'Shrek' shocked the world when it sold
$110 million in DVD and Video sales in just it's first three days of
release. The 'Shrek 2-Disc' DVD is now the #1 selling DVD of all time.
'Shrek' still remains the #1 grossing movie in 2001 at the U.S. box
office. 'Shrek' cost approximately $70 million to make, but this does
not include DreamWorks marketin...
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...an-eating beasts and princes are good. In
this film their roles are reversed. The ogre is portrayed as evil. The
princess is not seen as a conventional princess as she fights Robin
Hood and his Merry Men. This is an unconventional film. To make a good
film you don't just need great characters but you also need great
presentational devices to influence the audience and capture their
attention. The filmmakers have done a great job in making the film
into an unusual, unconventional film. The presentational devices help
the audience to learn more about certain characters. 'Shrek' has been
such a successful film that there has been a sequel made. The makers
of 'Shrek' have now made the second sequel to it 'Shrek2. Meet the
parents'. This film follows how Shrek meets Princess Fiona's family
and how it goes all wrong for him.
The Reversal of Traditions in Shrek In traditional fairy tales ogres are man-eating beast. The prince usually rescues the princess; they marry and live happily ever after. How do the makers of 'shrek' use presentational devices to reverse this tradition to reveal the ogre as good and the prince as evil?
playing and the voice of Shrek as a narrator as he reads part of a
The creators of films Shrek and Mulan have clearly shown us the hero's journey step by step through the different film techniques and effects used to represent the hero's journey. This has shown us how Shrek and Mulan formed into hero's through the events of call to adventure, crossing the threshold, challenges, the abyss, transformation, revelation, atonement and the
Since the days of mythological origin to the origin of pop culture, various mythological stories have been adopted and presented to newer generations. Some of these presented adaptations of mythological stories have significantly been modified in order to be deemed entertaining by audiences in a pop culture generation. Thus, my study will seek to compare mythological hero's during their time to how they have been depicted in modern day. Moreover, my study will analyze the similarities and differences between the Greek hero Heracles and his replica character, Hercules, depicted in Disney's adaptation of this myth. Although there are few similarities between the two versions, the differences between Heracles and Disney's Hercules are prominent. These differences help modern day audiences relate more easily to the characters in the story. Furthermore, the alterations have enabled a new aspect of heroism to emerge since Disney tailors it's movies towards youth who can seek valuable lessons from animated movies. Disney's choices through these alterations will be determined by focusing on the main plot, characters presented in the movie, peripheral details, and the notion of being a "true hero" that Disney presents.
Walt Disney was born in 1890 to a woman named Señora Isabelle Zamora. His father, Elias, met Isabelle in California of that same year and the two carried on an affair that ended with the birth of Walt. Later, Elias brought the two back to Chicago, Illinois where Isabelle became a housekeeper for the Disney family. Walt was assimilated into the Disney household and treated as the biological son of Elias and Flora Disney. Isabelle was with the family for years, being passed on from the Elias and Flora household to the Walt and Lillian family years later (Eliot 152-157). This account of Walt Disney’s birth poses many questions about myths, legends, and rumours that encircled the life of the “man behind the mouse”. Biographies and documentaries attempt to give accurate chronicles of his life and delve into the mind of this genius. Even people who make a career of studying the man’s life can only make theories about his actions from oral descriptions given by those who knew Disney personally. However, On Friday, October 24, 1947, Walt Disney testified in front of the House Un-American Activities Committee (HUAC) and left his legacy on record for the entire world. While the testimony was documented and cannot be questioned, Disney’s motives for testifying, impact it had on his animated features, and how the ordeal affected his image are issues that are still scrutinised and debated.
The costumes in Shrek The Musical were the cherry on top of an already well produced play. Shrek and Fiona looked like actual ogres and looked very realistic with the green face and body paint. From head to toe, Shrek looked like a real life ogre. His clothing topped of him ogre like look and made him look very far from human. Similarly, when Fiona turned into an ogre she envisioned an ogre from head to toe. Donkey’s costume was also very realistic. He looked very similar to Donkey in the movie and his ears brought the whole costume to life. Lord Farquaad’s costume was the most interesting in my personal opinion. His costume was made very creatively to make him look oddly short. He was left walking on his knees throughout the show and there was a black piece of fabric with short legs on the front to hide his actual legs. His makeup, especially his eyebrows made him look more sassy which fit his character very well. The flashy gems and fabric of his costume made him look like royalty which was very well fitting since he is a king in the play. Another costume that stood out to me was Pinnochio’s. His nose that lengthened when he lied was very creatively made and also very realistic. The body paint on his face and arms made him look like a real life doll and his shoes were a good touch in my opinion to the costume.
The protagonists in this book are the Pevensie children: Peter, Susan, Edmund and Lucy. Even though they have just stumbled into the realm of Narnia, they are quick to protect it from the hands of the White Witch. Peter is fair and just. Even though he is a little bit of a control freak, he always does the right thing. Susan is beautiful and gentle. There is more to her than meets the eye. Edmund is stubborn and does not like to be told what to do. Even though he betrays his siblings and follows the White Witch. he does what is right in the end. Lucy is very kind and faithful. She believes in Narnia even when no one else does. She always does what is right.
Social Psychology is the scientific study of how we influence, affect, and relate to one another. Social psychology is studied to see how the influence of others can impact how we act. This can be seen in many aspects in life. Most specifically, social psychology can be seen in movies. Recently, I have viewed the movie Shrek which was released in 2001. Shrek is a kid’s movie about an ogre named Shrek who rescues a princess from a castle for Lord Farquaad in order to regain his swamp and privacy. During this process, however, Shrek falls in love with the princess and discovers a secret about her. While watching Shrek, I have noticed that many theories and concepts from social psychology were apparent in the film.
Cinderella, Sleeping Beauty, Snow White, and many other Disney movies all have one thing in common, they feature a female lead who needs a male figure to save them. However, things started to change after the release of Mulan in 1988. Movies that were only representing female leads as weak and always needed to rely on someone, started to feature females who showed off their more masculine side. Mulan was one of the first animated films that had started to dive into that, not to mention it was based on a true story, making it even more powerful. In the article “Post-Princess Models of Gender: The New Man in Pixar/Disney”, authors Ken Gillam and Shannon R. Wooden explore Pixar movies show male characters who were not afraid to show their emotions
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
The widely popular film Shrek, produced and distributed by DreamWorks in 2001, grossed a total of $484,409,218 in worldwide sales (Box Office Mojo). The success of the film has led DreamWorks to create several shorts, companion films, and sequels. From its memorable characters to its whimsical, edgy humor, Shrek was an amazing, highly successful animation that would pave the way for DreamWorks to make billions off the franchise. Shrek’s success can be attributed to three main factors: the range of ages it appeals to, its creative use of intertextuality, and its ability to cover a wide range of the fairy tale functions proposed by Vladimir Propp.
In the film directed by Andrew Adamson, and Vicky Jenson, a creature named Shrek lives a peaceful life deep in the woods, and then one day this life is disturbed by all sorts of fairytale creatures that have been relocated to Shrek’s home by the ruler of Duloc, Lord Farquaad. Shrek and the talkative Donkey arrange to find Lord Farquaad in order to convince him to take the fairytale beings back from where they came from. Farquaad, who wants to become the King of Duloc, agrees to take the creatures back under one condition: the ogre must bring Princess Fiona so that she may become Lord Farquaad’s bride. Shrek fulfills his quest but on the way back to Duloc he develops feelings toward Princess Fiona. Piotr Sobocinski, the movie cinematographer, applied variety of visual ideas that focused on the beauty of a fantasy landscape during the long journey. Harry Gregson-Williams, John Powell, and James McKee Smith made the motion picture complete by adding music to the story. The music and ...
The animated film Shrek is a Dreamworks fairy tale that teaches us to look beyond what we expect to see, by completely subverting the traditional fairy tale concepts of gender, appearance and beauty. The characters in Shrek are vastly different from what we would expect to see in their appearance and behaviour. With unexpected plot twists, the directors of Shrek create important messages and morals that would not usually be conveyed, using techniques such as humour. The techniques have been placed strategically to result in an entertaining and educational film.
In today’s modern age, young children are being raised by their TV screen. Reining from the original tales of Perrault and the Grim Brothers, the Disney princess line has been a staple on the screens since the 1930s (Do Rozario 1). However, these princesses have gone through dramatic changes to remain relevant to todays youth. The effects that can be influenced by the roles expressed in these types of films send mixed messages to the audience, causing them to ask themselves whether or not they should believe what the princess is expressing on the screen.
At the end of the play, The Taming of the Shrew, Petruchio genuinely cares for Katherine. In Act One Scence Two, Petruchio states,"... if thou knows one rich enough to be Petruchio's wife, as wealth is burden of my wooing dance..". This states that Petruchio was only marrying for money. Although, if this was true then he would not be attempting to change better her life after receiving the dowry. It would have been easier and less expensive to have treated her poorly.