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Treatment of nature in poetry
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In the poem “The Cloud” by Percy Bysshe Shelley, Shelley exposes the power of nature and it’s relation to the human condition. Typically when we examine the concept of life, we think of our lives as being linear and sequential. However, through “The Cloud” we see how nature directly correlates to the cycle of life and the connecting themes of life, death, and rebirth. Shelley uses figurative language in a multitude of ways throughout the entirety the poem in order to entice and captivate the reader. Personification is used to breath life into the poem; the speaker in the poem is the cloud, for which the poem is aptly named. The cloud experiences a variety of emotions throughout the poem, this element of personification has a humanizing component. …show more content…
The poem stanzas are formed of quatrains, and have varying meter throughout. Each stanza is traditionally end stopped, which also adds to the overall rhythm of the poem. Shelley uses punctuation heavily throughout “The Cloud,” which contributes to the melodious quality the poem has which further engages the reader. Although the poem does cover the gamut when it comes the emotions expressed within the poem, it has a largely joyous and blissful tone. In the poem, “The Cloud” the speaker discusses in depth the power and emotion that nature as a whole contains and represents. Nature is truly one of the only things in life that is immortal; it is in a constant state of transition from one season to the next. The cycle of life is never ending as it constantly perpetuates life, death and ultimately rebirth. The speaker identifies and reaffirms this theme of rebirth heavily in the final stanza, starting as a child and transitioning through the cycle of life stating, “I change, but I cannot die.” At the end of the final stanza the final four lines of prose read, I silently laugh at my own
7. The personification in the second stanza is that she gives poems the ability to hide and are waiting to be found. The author states that poems are hiding in the bottom of your shoes, and they are the shadows drifting across your ceiling before you wake up. This is personification because she gives the poems traits that only a living organism can possess.
Shelley uses symbolic meaning to depict the destruction of a statue and the “sands that stretch far away” in relation to the effects of pride, a direct contrast from the words on the pedestal. The images of the deteriorating items gives the readers an understanding of time’s ultimate power beyond both life and pride. However, the cliché use of sands as a means of representing time still explains to readers that the passing of time is prevalent in the poem and related to the destroyed items presents the concept of a useless
The poem “Thanatopsis” by William Cullen Bryant reveals a very unusual aspect of nature. While most people think of nature as beauty and full of life, Bryant takes a more interesting approach to nature. He exposes a correlation between nature, life, death, and re-birth. Using nature as a foothold, Bryant exercises methods such as tone, setting, and imagery in a very intriguing way while writing “Thanatopsis.”
Frost uses quite a bit of personification throughout the poem to give the sky and ocean human like traits. The use of this literary device helps embody the meaning of the poem. The first use of personification is seen in the second and third line “Great waves looked over others coming in/ and thought of doing something to the shore”. This illustrates how the waves were smashing upon each other and getting larger and larger than the ones before. The personification of the waves in line three, suggest that the waves have an actual mind of their and shall do what they wish.
(ll. 19-24) Wordsworth’s famous and simple poem, “I wandered lonely as a cloud,” expresses the Romantic Age’s appreciation for the beauty and truth that can be found in a setting as ordinary as a field of daffodils. With this final stanza, Wordsworth writes of the mind’s ability to carry those memories of nature’s beauty into any setting, whether city or country. His belief in the power of the imagination and the effect it can have on nature, and vice a versa, is evident in most of his work. This small
There is one universal truth no one can escape — death is inevitable. As such, death creates much fear and anxiety because there is no definitive, scientific proof that there is anything beyond the cessation of life. In “Thanatopsis,” Early American Romantic poet William Cullen Bryant ameliorates the fear of death by personifying and deifying nature. In true romantic tradition, nature takes the primary role as she speaks to the listener informing him of her ability to comfort even though death in itself is scary, dark, and cold. Bryant wrote “Thanatopsis” to suggest Nature in and of itself is capable of providing comfort, ministering to the natural fears of mortality, and giving hope and peace when death finally occurs.
Mary Shelley’s Frankenstein and H.G. Wells’ The Island of Dr. Moreau both have characters that experience fears, revenge, hatred, deaths and countless mishaps and continual bouts of trouble. I will focus my attention in this paper primarily on the subtle implications of the power of nature, which appeared throughout both books. I enjoyed finding hints of these implications as the stories unfolded. The island is where the bulk of The Island of Dr. Moreau takes place. At the end of the story Prendick goes back to nature for peace. I believe the author implies that with nature comes new life and that nature is every creature’s true home. In Mary Shelley's writing, Frankenstein, I detect a simple satisfaction derived from the comfort that Victor derives from nature to overcome his troubled feelings of grief, that stem from his studies and from his creation. With many twists and turns along the way the plot continues to unfold but unlike Dr. Moreau, Victor Frankenstein is ashamed of his creation. Frankenstein uses nature as an escape from his boredom, his problems and his troubles. In both Frankenstein and The Island of Dr. Moreau, nature serves as a place where Frankenstein and Prendick can be at peace and safety. The ultimate goal for both Frankenstein and Prendick is to be at peace after dealing with incredible troubles and countless stressful situations. The unexpected troubles that both characters encounter draws them to nature.
While immersed in its beauty, Victor and his creation escaped worldly problems and entered a supernatural bliss. In short, Shelley presents nature as very powerful. It has the power to put the humanity back into man when the unnatural world has stripped him of his moral fiber. In comparison to the pure beauty of nature, the unnatural acts of man are far more emphasized; therefore, the reader is clearly aware of man’s faults and their repercussions. Unfortunately, not even the power of nature could balance the work of man: “the cup of life was poisoned forever.”
This poem describes a story told you by a passing traveler of a ruined statue of a king, Ozymandias, seemingly in a desolate desert. On the statue in is inscribed, “‘My name is Ozymandias, king of kings: look on my works, ye Mighty, and despair!’/Nothing beside remain” (“Ozymandias” 10-12). Upon examination of the surrounding land, we realize that the once vast kingdom around the statue has been taken back by the desert, leaving the ironic message on the statue. This poem shows Shelley’s ideas of how all is temporary, especially mankind and our achievements. Showing romantic values, Shelley believed nature is much greater than man and no matter how big your kingdom, mather nature will always take back what was always
Nature and civilization have always shared a strong bond and; as seen throughout history, when human interaction challenges this bond a tension between Mother Nature and humankind arises. One job of the poet is to reveal this tension through his or her poetry in an attempt to quell the quarreling. Percy Shelley was one such poet that viewed society as being fractured from nature and throughout his poetry one can find examples of this as well as of the benefits from society becoming synchronized with the world. Timothy Morton’s “Within You Without You”; a section within The Cambridge Companion to Shelley, attempts to summarize Shelley’s argument in his poetry that mankind and Mother Nature are in a state of disagreement and need to reconcile to be harmonious. Although Morton accurately analyses the majority of Shelly’s works, which leads to theories that can apply universally in his poetry, some of the statements Morton presents challenge what the poet wrote.
“Nothing beside remains. Round the decay / Of that colossal Wreck,” wrote Percy Bysshe Shelly in his poem, “Ozymandias.” This theme of destruction also forms the basis of Lord Byron’s poem, “Darkness.” Although each poem has a very different narrative, tone and plot, they reflect fears about the legacy of human influence and the destruction of civilization. The common theme of destruction, found in Percy Bysshe Shelly’s poem “Ozymandias” and Lord Byron’s poem, “Darkness” reflects the poets’ shared fears about the future by writing about ideas of civilization, the fall of mankind due to nature and natural instincts, life and death.
In “I wandered Lonely as a Cloud,” William Wordsworth accomplishes his ideal of nature by using personification, alliteration, and simile within his poem to convey to the reader how nature’s beauty uplifts his spirits and takes him away from his boring daily routine. Wordsworth relates himself in solidarity to that of a cloud wandering alone, “I wandered lonely as a cloud” (line 1). Comparing the cloud and himself to that of a lonely human in low spirits of isolation, simultaneously the author compares the daffodils he comes across as he “floats on high o’er vales and hills” (line 2) to that of a crowd of people dancing (lines 3-6 and again in 12). Watching and admiring the dancing daffodils as he floats on by relating them to various beauties of
Originally published in November 1915 and then included in Harmonium, 1923. The poem is separated into seven parts. The narrator tells a dynamic story of a woman casually having a late breakfast on her porch one Sunday morning, with a surprising absence of guilt for not going to church because of her admiration for the beautiful wildlife around her. The woman then daydreams a visit to Christ’s tomb and compares the value of Christian faith to nature’s ability to give one paradise. The narrator furthers the story by discussing how the causes life and death change, the purpose of life, and nature’s endurance. As a whole, the work is very dynamic and complex; however it is centered around justifying nature’s ability to fulfil one’s need for
The search for immortality is not an uncommon one in literature. Many authors and poets find contentment within the ideals of faith and divinity; others, such as Whitman and Stevens, achieve satisfaction with the concept of the immortality of mortality. This understanding of the cycle of death and rebirth dominates both Walt Whitman's "On the Beach at Night" and Wallace Stevens' "Sunday Morning" and demonstrates the poets' philosophies of worldly immortality.
Figurative language is used by William Wordsworth to show the exchange between man and nature. The poet uses various examples of personification throughout the poem. When the poet says:”I wandered lonely as a cloud” (line 1),”when all at once I saw a crowd” (line 3), and “fluttering and dancing in the breeze” (line 6) shows the exchange between the poet and nature since the poet compares himself to a cloud, and compares the daffodils to humans. Moreover, humans connect with God through nature, so the exchange between the speaker and nature led to the connection with God. The pleasant moment of remembering the daffodils does not happen to the poet all time, but he visualizes them only in his “vacant or pensive mode”(line 20). However, the whole poem is full of metaphors describing the isolation of the speaker from society, and experiences the beauty of nature that comforts him. The meta...