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Percy shelley use of nature
Mary Shelley's role in literature
The power of literary analysis
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Nature and civilization have always shared a strong bond and; as seen throughout history, when human interaction challenges this bond a tension between Mother Nature and humankind arises. One job of the poet is to reveal this tension through his or her poetry in an attempt to quell the quarreling. Percy Shelley was one such poet that viewed society as being fractured from nature and throughout his poetry one can find examples of this as well as of the benefits from society becoming synchronized with the world. Timothy Morton’s “Within You Without You”; a section within The Cambridge Companion to Shelley, attempts to summarize Shelley’s argument in his poetry that mankind and Mother Nature are in a state of disagreement and need to reconcile to be harmonious. Although Morton accurately analyses the majority of Shelly’s works, which leads to theories that can apply universally in his poetry, some of the statements Morton presents challenge what the poet wrote.
Morton’s interpretations of Shelley’s A Defense Against Poetry, The Revolt of Islam, Alastor, To A Balloon Laden With Knowledge, Ode To The West Wind, and On Launching Some Bottles Filled With Knowledge Into The Boston Channel support his views on the poet while creating a loose manifesto to the poet’s writing. Morton starts out his paper by explaining the similarities between culture and nature, “‘culture’ can mean the growth of a plant, or of bacteria in a laboratory, or ‘cultivation’, as in ‘agriculture’” (Cambridge 185). This literal connection is a connection Shelly practices through the motif of several of his poems, what Morton refers to as, “[avocation of] an anti-dualist idea of the mind as embedded in nature … [through] continuity between the mind and its env...
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...s to become optimally beneficial to one another when they are in harmony while providing tension and conflict when their objectives and needs collide. Upon analyzing other parts of Shelley’s works that Morton used to support his thesis, readers can find evidence that supports, contradicts, and adds to the correlation between culture and nature in Shelley’s works.
Works Cited
Morton, Timothy. "Within You Without You." The Cambridge Companion to Shelley. Cambridge, UK: Cambridge UP, 2006. 185-93. Print.
NIRMALA. "What Is Advaita or Nonduality?" Endless Satsang. NIRMALA, n.d. Web. 02 Apr. 2014.
Shelley, Percy. "A Defense Against Poetry." Ed. Duncan Wu. Romanticism: An Anthology. Vol. 4. Oxford, UK: Blackwell, 2012. 1233-247. Print.
Shelley, Percy. "Ode to the West Wind." Ed. Duncan Wu. Romanticism: An Anthology. Vol. 4. Oxford, UK: Blackwell, 2012. 1131-134. Print.
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
Yeats, William Butler. "Into the Twilight." The Norton Anthology of Modern Poetry. eds. Richard Ellman and Robert O'Clair. New York: Norton & Company, 1988.
Swenson, May. "Unconscious Came a Beauty." The Norton Anthology of Modern and Contemporary Poetry. Ed. Jahan Ramazani et al. 3rd ed. 2 vols. New York: W.W. Norton and Company, 2003. 2: 49.
By Mary Shelley. Ed. J. Paul Hunter. Norton Critical Edition. New York: New York.
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
Meinke, Peter. “Untitled” Poetry: An Introduction. Ed. Michael Meyer. 6th ed. Boston: Bedford/ St. Martin’s 2010. 89. Print
Within the book Frankenstein, written by Mary Shelley, there are many moments of tragedy and loss, as well as certain moments where joy and love are present. A number of these scenes contain a connection to nature. Since the Romantics viewed Nature as a source of emotional experience and spiritual renewal. However Mary Shelley was not solely a Romantic, she also took literary cues from the Gothic tradition as well. This second impetus also stressed the importance of nature, especially the darker aspects of it. Particularly the rageful and turbulent characteristics of nature, this manner of guiding the emotions using nature is very obvious and abundant in Frankenstein.
In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged belonging to it; “.”1 But the main theme of assignment is the narrative voice in this Romantic works. The narrator is the person chosen by the author to tell the story to the readers. Traditionally, the person who narrated the tale was the author. But this was changing; the concept of unreliable narrator was starting to get used to provide the story with an atmosphere of suspense.
Once he begins his work on the creation of the monster he is often left sleepless and grows weaker because of the long hours of work he commits himself to. He states, “Every night I was oppressed by a slow fever, and I became nervous to a most painful degree” (Shelley 42). The reader has now witnessed his appetite for scientific breakthrough morphing into a self-obsessed yearning for acclaim and recognition. This gives a perfect example of his obsession as he is so focused on his work that he begins to ignore his family as well as his declining mental and physical well being. He knows that the religious and scientific communities would frown upon his experiment; this creates nervousne...
Shelley, Percy Bysshe. Prometheus Unbound. Shelley’s Poetry and Prose. Ed. Donald H. Reiman and Neil Fraistat. New York: W. W. Norton & Company, Inc., 2002. 206-283.
This poem describes a story told you by a passing traveler of a ruined statue of a king, Ozymandias, seemingly in a desolate desert. On the statue in is inscribed, “‘My name is Ozymandias, king of kings: look on my works, ye Mighty, and despair!’/Nothing beside remain” (“Ozymandias” 10-12). Upon examination of the surrounding land, we realize that the once vast kingdom around the statue has been taken back by the desert, leaving the ironic message on the statue. This poem shows Shelley’s ideas of how all is temporary, especially mankind and our achievements. Showing romantic values, Shelley believed nature is much greater than man and no matter how big your kingdom, mather nature will always take back what was always
In Mary Shelley’s romantic novel Frankenstein Or The Modern Prometheus, she conveys many of the themes of the romantic period such as the romantic view of nature. Her novel follows the life of Victor Frankenstein as he develops an interest in natural physiology which gives him the inspiration to create the monster. The monsters creation affects many of the characters, and creates misery and grave consequences. Throughout Shelley’s novel many of the character’s ignorance, foolishness, or overconfidence blinds them from the harsh reality of the world.
“Nothing beside remains. Round the decay / Of that colossal Wreck,” wrote Percy Bysshe Shelly in his poem, “Ozymandias.” This theme of destruction also forms the basis of Lord Byron’s poem, “Darkness.” Although each poem has a very different narrative, tone and plot, they reflect fears about the legacy of human influence and the destruction of civilization. The common theme of destruction, found in Percy Bysshe Shelly’s poem “Ozymandias” and Lord Byron’s poem, “Darkness” reflects the poets’ shared fears about the future by writing about ideas of civilization, the fall of mankind due to nature and natural instincts, life and death.
Bloom, Harold and Golding, William. Modern Critical Views on Mary Shelley. Edited with an introduction by Harold Bloom. Chelsea House Publishers, New York, 1985.
We human beings can not separate from nature. No nature, no human beings. As far as poetry is concerned, nature plays a great important role on it, for uncountable poets have been writing lots and lots of great poems on it along the history of human beings. America is not an exceptional. My paper is right to deal with nature in American poetry.