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The influence in literature
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Byron and Shelley: Themes of Destruction “Nothing beside remains. Round the decay / Of that colossal Wreck,” wrote Percy Bysshe Shelly in his poem, “Ozymandias.” This theme of destruction also forms the basis of Lord Byron’s poem, “Darkness.” Although each poem has a very different narrative, tone and plot, they reflect fears about the legacy of human influence and the destruction of civilization. The common theme of destruction, found in Percy Bysshe Shelly’s poem “Ozymandias” and Lord Byron’s poem, “Darkness” reflects the poets’ shared fears about the future by writing about ideas of civilization, the fall of mankind due to nature and natural instincts, life and death. “Ozymandias” and “Darkness” explore the theme of destruction through …show more content…
Death in “Ozymandias” is both an ancient and physical one, and a metaphorical one. In “Darkness,” death is brutal, agonizing, violent, and touching. In “Darkness,” Byron writes, “All the earth was but one thought – and that was death,” (Byron, Line 42). In this poem, everything dies, beginning with the sun and ending with the moon. Death is achieved through killing when the humans kill the animals for food, and through dying, which happens when the humans fail to stay warm. In “Ozymandias,” Shelley uses the crumbling statue of an Egyptian king as a metaphor for the shortness of life. The poem also points out the death of the king’s ego by directly contrasting the king’s command to “Look on my Works, ye Mighty, and despair!” with the fact that his statue and his works have crumbled into the desert sands (Shelley, Line 11). Although it is not a death (because the statue was never living), it is important to note how Shelley describes the statue as “lifeless” and that what survives of it is not a symbol of Ozymandias’s great power, but a more negative portrayal of him thorough his “frown / [a]nd wrinkled lip, and sneer of cold command” and that it is the talent and artistic power of the sculptor which lives on (Shelley, Lines 4-5). In short, in the poems, “Darkness” and “Ozymandias,” the overarching theme of destruction is further emphasized by the use of different ideas about different …show more content…
It is nature that destroys humankind when the sun disappears and the volcano erupts in “Darkness” and in “Ozymandias,” it is the sand and wind that causes the statue to fall. In Byron’s poem, humans lose the fight for their lives, and in Shelley’s poem, Ozymandias’s statue is powerless because it is lifeless, emphasizing the importance of the themes of life and death to the shared topic of destruction. Although they explore destruction using different language, they share the use of ideas about the destruction of civilization, and the fall of humankind because of nature, life and
‘Ozymandias’ by Percy Shelley and ‘My Last Duchess’ have many links and similar themes such as power, time and art. ‘Ozymandias’ shows the insignificance of human life after passing time whilst ‘My Last Duchess’ speaks of his deceased wife in a form of a speech.
Once “everything [is] gone […] [and] death [is] predestined” the tragic element becomes the dominant idea of the poem (“Eternity”, lines 29-33). This further illustrates the Dionysian qualities within the poem because of the constant suffering described as destruction. As Dionysian culture describes intoxication as suffering’s companion, this poem demonstrates those same ideas when Crane suggests the character was “drinking Bacardi and talking U.S.A.” (line 60). Crane’s poem “O Carib Isle!”, also has a tragic idea within it. There is a mention of “tropic death” and “one great death”, proving that is is not something to be feared because of the characters constant confrontation to it (“O Carib Isle!”, lines 9-15). Instead of a panicked tone, the poem carries a sense of acceptance of the destruction which defines the element of tragedy as Nietzsche had explained. This fearless, yet cautious, part of the poem is a Dionysian element. The culture does not fear life and death but instead comprehends that it is necessary and unavoidable. Crane’s poems also incorporate a sense of nature, something that is quite important in the Dionysian
Frankenstein could hear the loud thunder from his house during a raging storm as he’d stood at the door and watching the storm. He saw a lighting hit an oak tree that is twenty yards away from his house as the tree was on fire. After the thunder stuck the tree, there is nothing remain but the stump of the tree. This sparks Frankenstein to study science and electricity as he’d sees how lightning have the power of destruction. Shelley indicates that Victor utilizes his proficiency from the science books and electricity to make the monster similar to using a machine that uses electricity by doctor to press against the heart to make it beat again and allow the person to live. Shelley makes Frankenstein's curiosity explicit that the reader can derive
While immersed in its beauty, Victor and his creation escaped worldly problems and entered a supernatural bliss. In short, Shelley presents nature as very powerful. It has the power to put the humanity back into man when the unnatural world has stripped him of his moral fiber. In comparison to the pure beauty of nature, the unnatural acts of man are far more emphasized; therefore, the reader is clearly aware of man’s faults and their repercussions. Unfortunately, not even the power of nature could balance the work of man: “the cup of life was poisoned forever.”
Since the beginning of time itself, there have been many different individuals who have significantly impacted the world. These impacts on the world can have a range, but are not limited to categories such as science, mathematics, literature, politics, music, athletics and much more. However, of all things, among those categories, one of the most significant impacts on the world, comes from none other than that of literature. The achievements of literature have been known to strike deeper into the hearts of people than many other achievements throughout history. In Fact, many of the most significant works of literature come from one man. This man was considered one of the most influential Romantic Writers of all time and was incredibly well renown for his dramatic, lyrical, and narrative works. The person was none other than that of George Gordon Byron, otherwise referred to as Lord Byron. (The sixth Lord Byron) He was famous for writing eight different plays, focusing on very speculative, or even historical subjects (Although, never intended for stage), and created what is referred to as a very “brooding and defiant personna,” called the Byronic Hero. (Snyder 40). Lord Byron was a well renown poet from the nineteenth century onward because of his very significant works of literature, squandered fortune, ambiguous sexuality, as well as his intense political convictions.
This poem describes a story told you by a passing traveler of a ruined statue of a king, Ozymandias, seemingly in a desolate desert. On the statue in is inscribed, “‘My name is Ozymandias, king of kings: look on my works, ye Mighty, and despair!’/Nothing beside remain” (“Ozymandias” 10-12). Upon examination of the surrounding land, we realize that the once vast kingdom around the statue has been taken back by the desert, leaving the ironic message on the statue. This poem shows Shelley’s ideas of how all is temporary, especially mankind and our achievements. Showing romantic values, Shelley believed nature is much greater than man and no matter how big your kingdom, mather nature will always take back what was always
Percy Shelley is an author of the Romantic era whom which best depicts the relationship and connectivity of the two most adverse elements represented as a core to the Romantic intellect: the sublime and the beautiful.Percey Shelley expresses the junction of these two elements through the intellect and imagination of the human mind, as well as through nature and its fundamentals. This phenomenon may be most recognizable within the works of Mont Blanc, Hymn to Intellectual Beauty, and Ode to a West Wind. Mont Blanc illustrates the effect of nature within human mind and soul. “The everlasting universe of things flows through the human mind, and rolls its
In “Ode to the West Wind”, death is a recurrent theme, but death is also mentioned in “To Autumn”. In Keats’s poem, however, it is clear that the creative power of autumn dominates the references to death. In “Ode to the West Wind”, the autumn is not only the brutal power it seemed to be at first: according to Shelley, autumn also has the ability to preserve life, by letting it die symbolically first. All in all, both poems show that autumn has a number of different facets, and it cannot be described by one or the other, but all.
The poem dramatizes the gradual process of falling apart. Dickinson speaks abstractly of the crumbling of the soul as a dimension of time, rather than being instantaneous. Man falls as a result of a continuous and small-scale decay of the spirit by way of evil inclinations. The complex structure of the poem reflects the underlying figurative meaning. The poem consists of three quatrains in iambic meter, alternating between tetrameter and trimeter. The poet’s use of hyphens guides the reader to read the passage slowly and thoughtfully. The slow pace mirrors the theme of slow decay. The most obvious factor of the poem’s structure is the seemingly random capitalization of mid-sentence nouns. The stress and personification of certain nouns emphasize the small elements of crumbling. The figurative meaning of the poem is built upon by showing that all things can be broken down, slowly but surely.
In “Kubla Khan,” Coleridge expresses his desire to use the inspirations from nature to create his own “Paradise” of poetry (54, p.1634). In the first stanza, Coleridge creates an exotic oriental garden, where the trees, gardens, hills, and the “Alph” river, together present the beauty of Mother Nature (3, p.1633). Here, the poet carefully observes his surroundings, as the nature will serve as the source of inspiration for his poetry. The “pleasure dome” (2, p.1633) in line two has two functions, one representing the creation of human beings on earth, and the other being the foundation of Coleridge’s poetic paradise. As the clash between nature and humans takes place in the second stanza with a “woman wailing for her demon-lover” (16, p.1633) the poet calls upon nature for his inspiration, represented by the powerful activity of nature. The energy of nature is released in forms of “a might fountain” (19, p.1633), “rebounding hail” (21, p.1633), or “dancing rocks” (23, p.1633) and eventually the natural disasters will accompanied by man-made destruction as “Kubla heard from far Ancestral voices prophesying war” (29-30, p.1634)! Coleridge on one hand reinforces that man and nature are inseparable and one the other uses the energy of nature to represent the spontaneous spurring of emotions in the poet’s mind.
“While Mrs. Bush understands the right of all Americans to express their political views, this event was designed to celebrate poetry.” – Office of the First Lady, in regards to the cancellation of a poetry symposium. (Benson)
“A poet is a nightingale who sits in darkness and sings to cheer its own solitude with sweet sounds.” Percy Shelley is considered one of the most highly regarded English poets of the 19th century. He was known for his long form but lyrical verses. Unlike other poets Shelley’s parents were not as supportive of his poetry. While he was living he didn't receive fame. It wasn't until after his death that he received his recognition. During the time he was alive Shelley wrote a number of books, poetry, and plays. (“Percy Shelley” )
The poem, “Apostrophe to the Ocean,” is one of the most renowned masterpieces of George Gordon Byron, which conveys the author’s love for nature by including his unique, romantic style of writing. As this poem is entirely dedicated to the mighty ocean, the main subject of this work is about man versus nature. George Byron also discusses his views about the industrialization; throughout the poem, he hints on the deleterious effects of human exploitations. Therefore, the poem, “Apostrophe to the Ocean,” paints George Byron’s view of the concept – man versus nature – by revealing his belief: the power of nature is insurmountable.
The natural yet chaotic process of destruction is vividly depicted with contrasting images of destruction and purity throughout the poem, beginning with Pan entering the river in a disorderly
Kubla Khan, however, offers no firm conclusion to the many universal questions that its narrator plants and cultivates within his audience. The audience is left to turn away from the poem frightened – frightened by the poem’s promise that man can control neither the progression of the “sacred river” that is his own mind nor the horrific explosions of his own ‘icy caves’ of unconscious being. The symbolic images of Kubla Khan, therefore, appear truthful and relevant and frightening. Moreover, the audience is never truly able to escape these images and symbols, for the poem itself provides no firm or reassuring conclusion. Perhaps the ambiguous ending of Kubla Khan will serve as a firm beginning for another poet’s unconscious journey, much as Purchas’s Pilgrimage did so for Coleridge.